Sadist – Hyaena (2015)

Sadist - Hyaena (2015)
Despite no paucity of topics to possibly review, I took a commentator’s advice (which, for agitprop, I’m going to suggest was inspired by our call to arms) and decided to take a look at the new Sadist album that came out last week and was teased some months ago. Supposedly, Sadist inspired by earlier death metal/jazz fusion bands like Atheist and Pestilence, and I can hear where influences poke through like bones of a half-eaten carcass, but Hyaena also owes some of its genetics to the newer breeds of ‘progressive’ metalcore and djent acts, and therefore walks a fine line between the two.

Hyaena is so thoroughly permeated by its jazz influence that it often sounds like a group of jazz musicians approaching metal, as opposed to the more familiar opposite. There’s certainly a great deal of surface complexity throughout this album. First, it often favors the sort of off-beat syncopation and polyrhythm over 4/4 beat type of percussion popularized by Meshuggah and sons. Secondly, Sadist crams in a great deal of synthesizer and sample presence, including plenty of “tribal” percussion that probably synergizes with the lyrical/visual aspects of this album. What begins to tip me off that this might not just be a mess of pseudo-progressive tropes is Sadist’s adept understanding of modulation and tonality – unlike many bands that play around with it, they actually manage to use this to write more flexible riffs and build some of the changes into their song structures. That is definitely not a mere surface strength.

With further listening, it becomes apparent that Hyaena‘s main strength as an album is its ability to integrate its musical aspects into a coherent whole; as a result, I am willing to forgive some of its weaknesses… which primarily revolve around the fact that this integration sometimes means questionable elements make their way into the album’s sound. For instance, I’m not too fond of some of the sounds used by the keyboardist, but the actual content of the keyboard lines here fits in nicely with the rest of the band, as they end up alternating between providing textural reinforcement and actual counterpoint. This does wonders for the songwriting, as Sadist goes beyond merely using instrumentation to distinguish song sections. It helps that they have two strong sources of musical language that they can pull on for basic elements, but such a potent tool would do little in the hands of a band that failed to integrate those halves.

Needless to say, this puts Sadist at least on a higher level than some of the other metal themed jazz bands. Those with a serious fusion/metalcore/djent allergy will want to stay away, as the ‘heavy’ side of this album seems to lean more core in its aesthetics than not. Still, there is some real depth to this music, even if some of the surface elements seem to chase contemporary trends.

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6 thoughts on “Sadist – Hyaena (2015)”

  1. vOddy says:

    This sounds interesting
    Thanks for the review / recommendation

  2. 1349 says:

    Belated thanks for the Satan “Atom by Atom” recommendation. That album is good if not excellent. It also seems a potentially good “entry-level” work which can engage new audience into real metal.

  3. Erik The Red says:

    I was inspired to listen to this album, began researching the song titles, and came across this:

    The Hyena Handlers of Nigeria: http://twistedsifter.com/2012/05/hyena-handlers-of-nigeria/

    Note the contrast between the subjects of Pieter Hugo’s photographs of the “Gadawan Kura”, and the photograph promo-ing another article, “My Close Encounters With Lions in Botswana”.

    I found that moments of Sadist’s album (in particular the instrumental track–Gadawan Kura ) had more in commmon with the “heartwarming” man-hugging-lion pic. This had the effect of undermining Sadist’s (presumed?) message of the struggle of (man &) nature.

    1. I found that moments of Sadist’s album (in particular the instrumental track–Gadawan Kura ) had more in commmon with the “heartwarming” man-hugging-lion pic.

      “Heartwarming” is also the method of PC metal bands from Cynic to Gojira.

      Freedom and reason shine through
      Paddle upon the clouds, one’s own canoe

      Love too often only a dream
      If I am harsh and unkind to myself
      So I share these attitudes with you
      For in this spewing cadence of my pride
      How could I!

  4. Erik The Red says:

    “PC metal bands from Cynic to Gojira”

    I was thinking Sepultura’s “Roots”, with a guest appearance from Dream Theater myself.

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