Megadeth Rust In Peace

Guest article by Osovar

This is one of the classics worthy of its praise, and should unite both casual listeners and underground connoisseurs in this opinion. It might feel rather fruitless to review a classic of this scale at this point, but after re-listening to it multiple times lately and learning to play some of the tracks I felt compelled. Most of everything that can be said about this album was probably already said but I figured I’d give some further analysis of the songwriting and tracks.

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The Greatest Idiot Riff : Bolt Thrower’s “World Eater”

Master’s Paul Speckmann is known for taking an idea and squeezing everything he can from it through repetition and then utilizing the most direct route to return to that idea. Though this mentality would fail many bands because the riffs didn’t have the necessary urgency and creativity to work. Bolt Thrower on the other hand took this approach and pushed it to the logical extreme as each individual riff became the central focus while narrative development was relegated to an afterthought despite somehow still being present. What made Bolt Thrower so intriguing was that they possessed powerful riffs that were caveman like and more often than not completely idiotic yet the band managed to soar where others failed miserably.

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Oath of Cruelty – Summary Execution at Dawn (Dark Descent, 2019)

Guest Article by Belisario

Now that last year is already far behind, I would like to get back to a record featured on very few year-end lists and which, in this writer’s opinion, deserves to be highlighted. Summary Execution at Dawn is the debut album by Houston-based band Oath of Cruelty. Probably due to the fact of it being released in the last month of 2019, it didn’t get all the attention it is worthy of. Emerged from the fertile Texan underground scene and featuring members already seasoned in a broad number of bands, this battle-hardened act launched its first full-length after almost ten years of activity during which the band hasn’t manifestly been idle. The result is a compact and powerful album, which contrary to most modern death/thrash bands is not limited to a constant and simple aggression, choosing instead to develop different approaches and resources in songs that are incredibly varied and brief enough to eschew needless repetitions and excesses.

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Supuration The Cube: Death Metal’s Most Unique Album

It is commonly assumed that the most unique album in death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a rock hybrid that borders on modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.

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