Moving through the underground without noticing Deceased over the past three decades would prove difficult, and many of us know this band as an early effort to bring heavy metal technicality to death metal at a time when the genre was still considered primitive.
Deceased and Doomstone, like Motörhead, represent a certain spirit in metal that combines enthusiasm and cynicism, although Doomstone tends more toward the imaginative early heavy metal era that wrote about goblins, witches, UFOs, and ancient gods. This album compiles some well-executed covers from bands that I mostly care little about.
Accidental Suicide hail from Wisconsin and were formed at the end of the eighties and managed to release one full length in ’92 at a time where Death metal, despite its explosion still remained an underground genre as the band were quickly forgotten before finding a cult following and releasing a compilation in 2017. Accidental Suicide play a Death/Doom style that is firmly entrenched in many schools of Death metal and have managed to produce a minor gem that deserves an occasional spot on any Hessian’s playlist.
The task before a reviewer varies widely. If you want to be a big shot, you need to write about what the labels want, since they are the only source of top-down money coming into the genre. They will then reward your publication with advertising, it will then reward you with a promotion, and eighteen months later, you can ditch it and move up to the big leagues.
Perhaps the best way to describe this album would be as traditional heavy metal crafted with a death metal approach. Monotone vocals accompany a changing tapestry of guitar riffs that relocate melody to the guitar and force the use of a compelling rhythm to unite each song, giving them an anthemic but unstable quality, creating an air of mystery to the album.
The Mass Destruction Metal Fest to be held in Atlanta, Georgia on November 3rd and 4th announced a great lineup this year with Demoncy and Profanatica among the headliners. Also playing are Acheron, Macabre, Nocturnus AD, Deceased, and Brutality. The festival should be a great chance for headbangers in the southeastern United States to experience two of the best American black metal bands live.
Longstanding US speed metal/death metal band Deceased has completed work on its upcoming two-disc album of covers, Cadaver Traditions, which will be coming out on Hells Headbangers Records this summer.
Cadaver Traditions will include 53 tracks in total, with two of those being brand-new recently written Deceased songs which had previously been released on vinyl. Judging from the wide range of influences on this disc, it will not only be fun for Deceased fans but for metal historians looking for the roots of early death metal.
53 tracks in all 2 cd set… look for it this summer on hells headbagers ‘cadaver traditions’. cover song mania and the 2 newest deceased songs finally on cd. up til now it was only vinyl.
DISC 1
Black Metal (Venom Cover)
Deathrider (Anthrax Cover)
Corporate Death Burger (MDC Cover)
Dis-Organ-Ized (Impetigo Cover)
Right Brigade (Bad Brains Cover)
VoiVod (VoiVod Cover)
Doomed By The Living Dead (Mercyful Fate Cover)
California Uber Alles (Dead Kennedys Cover)
Wrathchild (Iron Maiden Cover)
Here To Stay (Sheer Terror Cover)
Headhunter (Krokus Cover)
SATO (Ozzy Osbourne Cover)
Do Or Die (Znöwhite Cover)
Violent World (45 Grave Cover)
World Peace (Cro-Mags Cover)
Eliminator (Agnostic Front Cover)
Die By The Sword (Slayer Cover)
Witching Metal (Sodom Cover)
Social Security (Excel Cover)
Violence And Force (Exciter Cover)
The KKK Took My Baby Away (Ramones Cover)
No Compromise (Xentrix cover)
Chemical Warfare (Slayer Cover)
Bodies (Sex Pistols Cover)
Not To Touch The Earth (The Doors Cover)
Reaganomics (D.R.I. Cover)
Torn apart by werewolves (Deceased )
DISC 2
Mad Man (D.R.I. Cover)
Fire In The Sky (Saxon Cover)
2 Minutes To Midnight (Iron Maiden Cover)
Die Hard (Venom Cover)
V.A. Rocks Your Liver (Verbal Abuse Cover)
Blower (Voivod Cover)
Wiped Out (Raven Cover)
Stay Clean (Motörhead Cover)
Tormentor (Kreator Cover)
Nuns Have No Fun (Mercyful Fate Cover)
Agents Of Steel (Agent Steel Cover)
State Oppression (Raw Power Cover)
Bombs Of Death (Hirax Cover)
New Age Of Total Warfare (Warfare Cover)
Metal Church (Metal Church Cover)
Subliminal (Suicidal Tendencies cover)
Zombie Attack (Tankard Cover)
You Stupid Jerk (Angry Samoans Cover)
I’m Not Jesus (Ramones Cover)
Nothing (Plasmatics Cover)
Iron Heads (Running Wild Cover)
Stand Up And Shout (Dio Cover)
False Profit (English Dogs Cover)
Ultra Violent (N.O.T.A. Cover)
The Ballad of Harry Warden (My Bloody Valentine soundtrack cover)
Speed/death metal band Deceased has gradually been drifting toward its heavy metal roots over the past two decades. Its personnel went on to create Doomstone and October 31, the former trying death vocals and guitars with traditional heavy metal, and the latter launching full-on into the old school of the old school.
After Doomstone Those Whom Satan Hath Joined appeared as the album that did Deceased better than Deceased, the band reconsidered and began to incorporate traditional heavy metal on albums like Surreal Overdose. Now the band formalizes its past with Cadaver Traditions, a 2CD set of 50 cover songs from the past three decades.
Deceased vocalist/drummer King Fowley noted on social media the progress made: “DECEASED ‘cadaver traditions’ update. i’m finishing the liner notes to it all this week and its going to press. 2 cd set of 50 cover songs from our 30 years together!!! june release as said before; stays right on projected time.”
Those of us who have often wished for an end to the split personality in Deceased look forward to this. Not only will it be many classics re-imagined, but it will show Deceased in the full power of its style which unites past to present and future.
Featuring a list of bands including Deceased, Thanatos, Crypt Sermon, Dawn of Demise, Wastlander, Undergang, Blood Incantation, Magic Circle and Drug Honkey, the zine promises to be a continuation of the past concept of this hand-produced stapled and Xeroxed zine, which is focus on the music from a fan perspective without the nonsense and trappings of the music industry.