Let us momentarily forget the ridiculous circus act that surrounds the legacy of Mayhem at this time and focus on what earned the band all the praise they deserve. “Life Eternal” provides a particularly interesting example composition because it consists of a collaboration between multiple musicians during the long creative process that led to the release of the album. Featuring the final lyrics Dead ever wrote as a parting gift and some incredible ideas from Varg Vikernes and a large number of ideas from so many other musicians, it encapsulates the original vision that the Norwegian Black metal originally possessed in its purest form.
As the Vice Media tag came on, there was no doubt that this movie was going to be terrible. There should be no doubt that this is just a take on the rock star trope while attempting to vulgarize the events that occurred during the Black metal movement in Norway. The movie fails at simplifying the story or even narrating the legendary acts that took place in such a short time. The sets and the music are the only reliable elements in a film that features idiotic directing, non-existent acting and fabrications so far fetched that no sane human would believe them. (more…)
Mayhem recently announced that they would be headlining Temples 2016 in Bristol, England. Perhaps more interesting is that this is going to be the first time that any lineup of the band has performed De Mysteriis Dom Sathanas in its entirety. Since the current lineup of Mayhem relies on Attila Csihar for its vocals and contains two other musicians from the band’s early ’90s lineups (Necrobutcher and Hellhammer), odds are this is going to sound pretty close to the studio version of DMDS. Regardless of your preferences for Mayhem vocalists (I very much value Attila’s contributions to the album) and recordings, bootlegs, whatever, the band’s performance at Temples is probably a better novelty than the band’s recent studio albums.