Supuration The Cube: Death Metal’s Most Unique Album

It is commonly assumed that the most unique album in Death metal is Nespithe and while there is a very strong case for such a claim, Supuration’s The Cube has a stronger claim to such a title. Demilich have a large number of failed imitators while Supuration have none at all. The first listen to Demilich immediately shows the band’s intentions and dizzying whirlwinds of ideas in elaborate riff mazes. Supuration sounds like a Rock hybrid that borders on Modern metal but with much depth and just as unique but requiring many more listens to dig past the highly accessible aesthetics. Here are a few tools that Supuration used to create the most unique album in Death metal.

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The Hessian Introduction to MMA’s Most Barbaric Moments

MMA is now a mainstream sport consisting of highly paid athletes, large organizations, specialized doctors and strict rules governing all aspects of the sport. During the sport’s formative years, this was not the case as fighters didn’t fully comprehend the rules, the pay was minimal and the risks weren’t fully understood, creating situations that were wild and uncontrolled. This lead to some fights that had a feral quality that has mostly been lost in the sport barring a few exceptions. Here are some fights that showcase the brutality of the sport.

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Doug Cerrito and Hate Eternal – Conquering the Throne

Hate Eternal’s Conquering the Throne is a fairly mediocre album plagued by the symptoms that were spreading across the Death metal universe at the time. The need for even more brutality was visible on one side of the spectrum while the need to rival the more overground and Rock derived bands on their terms dominated the other side of the spectrum. Erik Rutan had finished his second stay with Morbid Angel who had just failed at accomplishing any of the objectives with the juvenile Gateways to Annihilation and would then form Hate Eternal who simplified everything Ripping Corpse had done into music that attempted to be memorable and punishing but ended up being predictable and flat. Though three songs stand out on this album, showing at times a level of composition far beyond anything that Rutan could ever dream of conceiving. These would become Doug Cerrito’s last contributions to Death metal.

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SMR – Overestimated Failed Abortions from the Underground

Sometimes for no actual logical reason, terrible metal bands become adored despite not having a gimmick like satanic Abba songs or a mentally deranged topless DJ as a vocalist. These bands offer nothing of interest even on initial listens and should be actively mocked for their pretentious unsubstantiated claims.

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Rippikoulu Announce North American Tour

Finnish stalwarts Rippikoulu embark on a short North American tour with the likes of Chthe’ilist and Nucleus. While Musta Seremonoa was an enjoyable listen and easily a greater live experience than what copy cat bands like Spectral Voice and Hooded Menace have to offer, the price of admission isn’t probably worth seeing them especially with the two supporting acts known for aping Demilich more than anything else. Hopefully the price is low enough to justify hanging around with friends outside while waiting for Rippikoulu.

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Bardo Methodology #2

After the success of the first issue and Niklas Göransson’s unique ability to get interviewees to genuinely express themselves, Bardo Methdology returns with a second issue that gets rid of most of the problems of the first issue while offering a much more methodical approach to the interviews.

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Best Underground Metal of 2019

While 2019 has shown that home studios are only getting better with the release of better emulators and cheaper “ready to record” prepackaged setups, the increase of quantity has not shown a proportionate increase in quality across the music spectrum. Metal has been in a particular weak state despite the best releases of the year being better than those of previous years, the overall quality was so low that even the present editor had to explore non-metal underground music in hopes of finding something of great quality. While such “expeditions” have been for the most part fruitless, the best of the year can only leave the metal listener with a sense optimism of what the new decade has to offer. Without any further ado, here is the best underground metal of 2019.

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