DMU Song Contest #3: King of the Serfs Edition Part 1

The third edition of the DMU song contest has finally returned and a staggering amount of contestants are ready to prove that they can escape the curse that confronts the modern musical landscape. The DMU team has united in reviewing this large field of hopefuls. Each writer will review a selection of songs and then nominate the two best songs from their song list to the finals where we shall form a panel to determine which of these bands can escape futile serfdom.

Onwards to war!

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Interview: Chupacabra

chupacabra
Article by Corey M.

Chupacabra’s music comes from the heart – that is, the part of the individual that is between the mind and the gut. Working without an established template, the songwriter finds and applies sounds in a unique organization specifically to reflect a profoundly idiosyncratic perspective on existence. This is a risky move: Most musicians are content to operate within an established paradigm, adapting to the constraints and handicaps offered by the genre that produces music with which they most closely identify. To abandon paradigm altogether and strike out on one’s own, neither with nor against the current but out of the river itself, is quite bold. But for Chupacabra, it is completely natural. Take a listen to this musical example of what Jung called “individuation”; the process that unifies the unconscious and the conscious, completing a powerful circuit through which ancient genetic memory is filtered and refined by real-time intelligent planning and analysis.

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