Dark Symphonies announced that they are reissuing Norwegian death metal band Molested‘s only full studio album Blod-draum later this month from the original tapes. Along with the new master from the original analog tapes (not the original CD just compressed for losers with Iphones), a new remix from the multitrack studio tapes will be included on the disc. The CD is available for preordering from Dark Symphonies right now.
Spanish language black metal webzine El Negro Metal has started hosting a downloadable monthly online radio show/podcast called La Naranja Metálica, which I have been told is a play on A Clockwork Orange‘s Spanish title La Naranja Mecánica. Most of the tracks being spun are from releases that Death Metal Underground and The Dark Legions Archive have endorsed in the past with many appearing on our recent best of lists. Hopefully La Naranja Metálica will help bring the best of the underground to a Spanish-speaking audience.
Morbid Angel (Trey Azagthoth and Steve Tucker) have finally found a new drummer: Scott Fuller of Annihilated and Abysmal Dawn. Instead of Morrisound, the band is currently recording a new album with Erik Rutan (Hate Eternal) at his Mana Studios and the drum tracks have been laid down. Expect digital, plastic sounding sterility.
Various members of the At the Gates have formed a side project known as The Lurking Fear. Former guitarist and primary songwriter of Gardens of Grief and The Red in the Sky is Ours Alf Svensson is disappointingly not among them. With At the Gates regressing to commercial speed metal after half of With Fear I Kiss the Burning Darkness, The Lurking Fear promise to play weird, evil, and twisted death metal again. We’ll see about that.
2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.
Gorgut‘s debut Considered Dead turned twenty five this year. Gorguts shockingly were once an excellent death metal band. Considered Dead combined a rhythm riffing style reminiscent of Death but arranged those riffs into almost neoclassical compositions which unfolded over the course of each track, surprising with sudden shifts of utmost aggression into cathartic sonic violence.
Immolation and Vader have been booked to play next year’s Bristol Deathfest. Immolation are still great live and Vader should be at least fun. The rest of the lineup is unremarkable at best. Check out Immolation play if you live nearby.