The Most Popular Death Metal Bands- Who is #1?

Who is the most popular death metal band?

It’s one of those esoteric questions that wanders in and out of the mind without a quick Google search to offer a definite solution.  But today it dawned on me that if I don’t try to find an answer, it’s unlikely any one else will do a decent job at doing so.  And given the fact that deathmetal.org is the number one site that comes up when you Google “death metal news,” I believe we have a journalistic duty to present the world with this information.

Since where to draw the line on what’s “true” death metal or not is a matter of opinion moreso than concrete fact, I determined that anything labeled “death metal” would be fair game whether it truly was a pure death metal band or not.  Therefore I’d consider melodic death metal, black metal, and even deathcore in an effort to find who had conquered the greater sphere of death metal.

Unfortunately, the Nielsen record sale tracking data is not public and often does not identify how well an album has sold for many years after its release.  Thus, I determined that the most accurate metric for mining this data would be to measure by Facebook likes.  Yes, I know it’s not an exact science- many fans aren’t on Facebook, and many people click a band’s like button without really listening to them.  But still, it was as good as I would ever get to finding who the most popular band in the greater bounds of “death metal” truly was.

I expected to see the favorites of the 90’s metal press and MTVX dominate- Cannibal Corpse, Morbid Angel, Decide, Death, and probably In Flames take the number 1 spot.  Imagine my shock, that only one of these bands even cracked the top 5!  I had always heard about Morbid Angel and Deicide had the highest album sales, but it appears neither band has been able to conquer the internet age.

So again, this list was populated within very forgiving boundaries (bands loosely considered death metal, whether or not I believed them to be), and the best metric I could come up with.  Also, DO NOT FUCKING EVEN THINK OF CONFUSING THIS AS BEING A LIST OF THE BEST DEATH METAL- IT IS QUITE THE OPPOSITE!!!  And finally, if there are any bands you think I missed please let me know in the comments below and I will gladly do a live update and give you credit- maybe.

Without further ado, here is – for the first time in history – a list of the most popular bands that people considered to be death metal, and an explanation to why I would endure the immense visceral hatred for even considering them:

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Analysis of Immolation’s “Christ’s Cage”

Immolation are legends in Death metal and rightfully so, though their heydays were after the initial burst that characterized the NYDM scene and have cemented their place with the likes of Cryptopsy and Immortal for prolonging the lifespan of that classic period of metal. Longevity seems to be the forte of the band’s centerpieces Dolan and Vigna and while they released a few decent albums, none of them quite hold up to Here in After. Black Sabbath and Slayer stretched the palette for what was possible in metal and introduced endless possibilities whereas Immolation took one closed approach and pushed it to its limit on this album. Though Close To A World Below took experimentation further, the whole was not as cohesive or powerful. Let us look as the closing track which truly concludes the album.

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Norway’s Wordless Abyss

Studies have shown that listening to instrumental music while writing, studying, doing accounting, or any other productive task can increase stimulation without the distraction that the words of vocals provide.  But for Hessian, Templar, Heathen and other true metalheads instrumental works can be difficult to come by as extreme metal has not dabbled much into the realms of instrumental savagery.  But thanks to the necrophiliac obsession that many have had with Norwegian black metal and its culture, there are a few enjoyable demos and early rehearsals from Norway’s finest that can provide a motivational grim instrumental experience without demanding too much from the attention of the listener.

Join me if you will for a vocal-less adventure through some of Norway’s best kept foreboding hidden secrets.

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Metal Arsenal: Choice Software for Metal Warfare

Once upon a time, musicians needed to have a fat budget for a decent studio recording (and therefore, a record label to front the bill on the onset).  But even with one, many extreme metal recordings in the 80’s, 90’s and 2000’s still sounded like complete ass.  Even insanely popular death metal bands like Cryptopsy, who have sold over half a million records, have had albums with production so shitty that I can’t hear most of the riffs.  Aside from a few innovators, most audio engineers (back when it was possible to make a career out of it), simply did not know how to record and produce metal.

However the industry has changed mightily over the last 15 years or so, and in today’s music world the phrase “everybody’s an engineer” is deeply rooted in truth.  Whereas high end recording software was once closely guarded and outrageously priced, the freedom of file sharing as put many high end tools in the hands of the public at no cost and without the need for professional training to use.  No longer do you have to shell out $10,000 for an album that sounds like it was recorded in the prior decade, nor do you need take out a ludicrous college loan for audio engineering school. Instead, all you need to do is make a few quick downloads to successfully arm yourself for a quality recording (assuming, of course, you have done your homework in practicing your instruments and listening).

This change in landscape greatly benefits the type of music personalities we saw in Darkthrone, Burzum, and Graveland- top-tier musicians more concerned with their art and ideology than pandering to a room of idiots via live performances (yes, I know Graveland and Darkthrone both played live: it was only at microfractions of their careers).  And given that lefties are regulating and policing which bands are allowed to play live shows, there’s all the more reason for defiant metal musicians and bands to forgo live performances and focus their energies on quality studio recordings.  With narcissism, attention seeking, and fan expectations removed, the opportunity for quality recordings to flourish is undoubtedly more abundant.

It is an honor and privilege to present to you, the readers of this infamous site, the favorite battle-tested software and tools from a road-tested veteran who began a career in metal when freeware first became widespread some 15 years ago:

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Analysis of Demilich’s “When the Sun Drank the Weight of Water”

[Sections of this article by Jerry Hauppa].

The Finnish scene has spawned an impressive number of death metal giants, possibly the strongest overall scene with no band searching for shallow fame or popularity and each band exploring their own sound in complete artistic integrity and more often than not achieving powerful results. Though all these bands have captured the hearts and the imaginations of Hessians everywhere, one four-piece has managed to completely change the face of death metal. Releasing one album that elevated metal into being recognized as an intellectual genre in the eyes of the mainstream, so much so that the mainstream metal media fled from this album as no one could commercialize and democratize what was being played here, Demilich were unfairly pushed back into the underground when they deserved adoration from the masses.

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Polarized Metal Genres Must Unite Against The Funderground

Metal is facing a decisive moment in time. As a genre and an entire sub culture, it’s threatened with a massive flux of outsider interest into what was once an isolated community forged in passion. Metal was a cause for tight bonds among like minded disillusioned youth that wanted nothing to do with the status quo, a lawless free for all where no ideology or point of view was too extreme. Thus grew a voice to rally against the farce of mainstream politics, social acceptability, resolute contentment with mundane lifestyles and herd mentality. Though acts like Black Sabbath and Iron Maiden were to find great success within the public large, they laid the groundwork for that rebel yell that gave the disgruntled youth the foundations for connecting with others so disconnected. And with such a ground roots movement that metal was, true artists and musicians who may have never have been given an opportunity to rise otherwise were now rising and exponentially so. Quickly NWOBHM became speed metal became death metal became black metal. Then, as with all great explosive cultural movements, metal began losing its traction and sight of its original goals of fighting against the mainstream culture of quantity over quality. But it is now that we see its greatest threat in its acceptance by the masses. Now it is being taken for a boutique exotic exploration into what most really don’t want to explore: cold unforgiving reality.

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Adramelech Reissuing Pure Blood Doom

Pure Blood Doom, the notoriously hard to find second album by elite Finnish death metal band Adramelech, has been scheduled for re-release on cd and limited vinyl courtesy of Nuclear Abominations Records. According to the press-release, hungry customers can expect “new, remastered sound and new, improved layout and cover by artist Turkka Rantanen who already drew the original art”.

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/dmg/ DEATH METAL GENERAL: Rooftop Riders Edition

 

DEATH FUCKING METAL:

http://www.deathmetal.org/metal/

http://www.deathmetal.org/site-map/

http://www.deathmetal.org/category/faq/

>b-but I heard death metal is dead!

http://www.deathmetal.org/news/

http://www.deathmetal.org/review/

OP Paste Bin:  http://www.deathmetal.org/tag/death-metal-general/

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¡So Woke! Decibel Mag Goes Full Soyboy

Decibel Magazine has miraculously erased three decades worth of credibility by posting the most embarrassingly tearful editorial that metal journalism has ever seen.  It is impossible to read damn the thing without formulating the mental picture of a balding, big breasted obese man in his 40s watching CNN with his even more obese tattooed wife as both cry their eyes out at the far-left propaganda being spewed out at them. 

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