Once upon a time Pestilence were a very capable death/speed metal band that would attain great heights with the their magnum opus Consuming Impulse. Leaving behind the speed metal of Malleus Maleficarum for greater freedom in melody and structure, “Out of the body” is by far the most popular track on this album due to its catchy main riff, guitar acrobatics and absolute intensity.
Those are only the surface traits of what makes this song and the album a bonafide death metal classic.
Tags: breakdown, death metal, Guitar, lyrics, music theory, pestilence
Having recently dissected what comprises the riff structuring of the current incarnation of Gorguts in the Pleiades’ Dust review, I decided to revisit what I deem to be their most truly progressive material in The Erosion of Sanity to pinpoint what the band used to do successfully in comparison. The most bewildering track on it, “Condemned to Obscurity,” perplexed me when I had first heard it about twenty years ago and still has an esoteric nature to its structure and aesthetic today. But unlike current Gorguts which borrows from indie and noise rock techniques to create dissonance, Gorguts on this particular song managed to do so utilizing purely metal tropes in a way that was entirely unique for its time. In the following I will attempt to break down what comprises the very first riff of the song and detail what it meant for the band at the time and how it served as a window into what they eventually evolved into, for better or worse.
Tags: gorguts, Guitar, music theory, Riffs, tablature