Deserted Fear – Dead Shores Rising
Century Media, 2017
Living after the age of vitality of a genre, one becomes accustomed to the process of decay that happens as knowledge of why things are done becomes lost, and people instead fill in with the usual stuff that they do anyway. Humans are experts at dressing up the mundane as the exceptional.
Second-wave Tampa, FL blasting death metal outfit Resurrection plans to release its newest work, Soul Descent – March of Death on Old Metal Records this coming March.
The deal will see the release of the band’s first full-length since 2008’s Mistaken for Dead. Due out in March, Soul Descent – March of Death will be released in conjunction with the “March of Death” European Tour, which kicks off on March 14 in Germany and will take Resurrection through Germany, Belgium, Holland, Czech Republic and Poland.
Many will remember Resurrection for their 1990s coda to the Tampa, FL death metal scene, Embalmed Existence, which combined the gritty sound of Florida death metal with percussive speed metal riffing and melodic songwriting. Since that time, many have eagerly awaited the return of Resurrection and look forward to this new release toward that end.
RESURRECTION – March of Death European Tour 2014 dates:
In March of this year, formative Florida death metal band Massacre will release their highly-anticipated followup to 1991’s From Beyond. On a Facebook post, the band released the following tracklist.
As We Wait To Die
Ascension Of The Deceased
Succumb To Rapture
Remnants Of Hatred
Shield Of The Son
The Evil Within
Sands Of Time
Beast Of Vengeance
Back From Beyond
Honor The Fallen
Composed of ex-Death personnel and musicians from nearby Florida death metal bands, Massacre in its From Beyond days was a unique animal in that it was straight-ahead death metal with an intelligent vibe. That is, these songs were well formed to deliver an intense emotional dose and thrill-seeker hairs on the back of your neck standing up at some of the riff combinations. It was like an adventure story through an unknown land.
What made it unusual for the time was that it threw out the chunky/bouncy riffing that most bands were choosing at the time in order to be closer to mainstream metal. Instead, Massacre used guitarist Rick Rozz’s immense tremolo skills and big burly fuzzy distortion to create a sound like thunder through the clouds. The tremolo riff enabled them to join together riffs and keep momentum flowing, rather than relying on the constant interruption-based expectation as chunky/bouncy riffing does, and thus the band was able to assemble simpler riffs into songs with malevolent grandeur.
It will be interesting to see what they cook up for Back From Beyond. Self-referential album titles can work out poorly for bands, although it worked just fine for AC/DC. The band released the Condemned From the Shadows EP last year to some acclaim, and from that work it appears the band may be heading in a more traditional heavy metal direction.