Very few movies manage to be relevant, or to show us something about life that makes us want to re-engage from our comfortable armchair debt servitude, and very few do it so insightfully and elegantly that they might be “classics,” but this film surely qualifies.
What makes a great album is not the parts, but the stringing together of those pieces so that they form a structure that resembles some part of our reality or ideation. Kosuke Hashida strips down music to find a voice in that vein.
Sounding like Bolt Thrower with more of a NWOBHM influence and Graveland overlays in the melodic department, this band creates its own style of grindcore on the verge of death metal by focusing on a few themes.
Music communicates an experience more than emotions directly; our emotions arise in response to it. The best music first manages to hold together as a consistent voice, and then explores its own take on the world, even if not original in style or necessarily profound; it needs personality.
The current chatter in the underground surrounds the controversial Metal Threat Festival, which took place in Chicago, October 2-5, with a slew of international underground acts. It drew plenty of attention for its dream lineup and the rash of cancellations that followed, as many bands were denied their US visas just weeks ahead of the show. The promoter doubled down on controversy a few weeks before the event by adding the American band Arghoslent as an initially unnamed headliner.
A series of variations on a playful theme, the tracks of this EP create an ominous but playful look into the ambiguity of darkness, filled with both hope and fear. They achieve this with repetition of a trudging theme with lighter counter-themes that bring out a sense of adventure in the obscurity.
One of our staffers is on location and liveblogging this epic and exhausting metal festival which stretches an onslaught of bands over three days. Best to bring your comfy chair and maybe a Kindle so you can sit through the poseur bands.
Twenty-nine years have passed since Spiritual Decay was released, the last full-length from Lethal Prayer. Now, without any digital fanfare, we are presented its long-awaited successor: Sacrilege Infernus. No press release. No Bandcamp. No algorithmic offerings. No social media presence.
With Sacrilege Infernus, Lethal Prayer offers a faithful yet expansive continuation of Spiritual Decay, and it adheres to the variegated song structures that defined earlier works from the band while allowing broader influences to permeate the release.
Occult Metal renegades from Down Under Spear of Longinus have announced that a live recording of their infamous 2017 Italian performance is due for release later this year.
The LP will be released by Darker Than Black Records, the CD by Totenkopf Propaganda Production, and the Cassette by Final Agony Records.
The cover artwork is by Antichrist Kramer, and the track listing is as follows:
1. Atomika/Egipto
2. Saga
3. Better of Dead
4. Cruel Buddha
5. Cosmic Devastater (Watching the Watcher)
6. Fall of the Rebel Angels
7. YHVH Penis Abominator
8. Rite of Ragnarok
9. The Ibis of My Lost Soul (From Whence I Came)
10. Riders of a Cold and Violent Wind
11. Jarls Quest: Eternal
12. Nebularsia
13. Nazi Occult Metal
Of which, “Fall of the Rebel Angels” has been released as a preview track: