Graveland has signed a contract with No Colours records for recording of an EP The Temple of Infernal Fire which is dedicated to the Polish black metal underground and will contain covers of Veles, Legion, Infernum, and Thunderbolt.87 Comments
Graveland bolts back and forth between its styles reflecting the composition of black metal, namely soundtracks plus cosmic ambient and underground metal. On Hour of Ragnarok, Graveland ditches the complex arrangements for sawing guitars and punk riffs worked into classic black metal themes.2 Comments
Iconic pagan black metal band Graveland announced yesterday that their latest offering, Hour of Ragnarok, will see release in late spring or early summer of 2021 through Forever Plagued Records on CD, Inferna Profundus Records on vinyl, and The Oath Records on cassette.5 Comments
Pioneering and prolific black metal act Graveland announced that an official video clip for the track Possessed by Steel will appear exclusively on the D.R. Silesia YouTube channel sometime during April 14th, 2020. This track will adorn the upcoming album Hour of Ragnarok to be released in autumn of 2020.4 Comments
For centuries Italian engineers were valued throughout the western world for their skill in both destruction and construction. The great Imperial warlord Albrecht Wallenstein, who exhibited a keen eye for excellence, had Italian mercenaries in his army and Italian architects for his for his manors. With their relatively recent split release with German band Gorrenje, the Italian black metal band Infamous carry on this tradition of dual excellence.5 Comments
Once upon a time, musicians needed to have a fat budget for a decent studio recording (and therefore, a record label to front the bill on the onset). But even with one, many extreme metal recordings in the 80’s, 90’s and 2000’s still sounded like complete ass. Even insanely popular death metal bands like Cryptopsy, who have sold over half a million records, have had albums with production so shitty that I can’t hear most of the riffs. Aside from a few innovators, most audio engineers (back when it was possible to make a career out of it), simply did not know how to record and produce metal.
However the industry has changed mightily over the last 15 years or so, and in today’s music world the phrase “everybody’s an engineer” is deeply rooted in truth. Whereas high end recording software was once closely guarded and outrageously priced, the freedom of file sharing as put many high end tools in the hands of the public at no cost and without the need for professional training to use. No longer do you have to shell out $10,000 for an album that sounds like it was recorded in the prior decade, nor do you need take out a ludicrous college loan for audio engineering school. Instead, all you need to do is make a few quick downloads to successfully arm yourself for a quality recording (assuming, of course, you have done your homework in practicing your instruments and listening).
This change in landscape greatly benefits the type of music personalities we saw in Darkthrone, Burzum, and Graveland- top-tier musicians more concerned with their art and ideology than pandering to a room of idiots via live performances (yes, I know Graveland and Darkthrone both played live: it was only at microfractions of their careers). And given that lefties are regulating and policing which bands are allowed to play live shows, there’s all the more reason for defiant metal musicians and bands to forgo live performances and focus their energies on quality studio recordings. With narcissism, attention seeking, and fan expectations removed, the opportunity for quality recordings to flourish is undoubtedly more abundant.
It is an honor and privilege to present to you, the readers of this infamous site, the favorite battle-tested software and tools from a road-tested veteran who began a career in metal when freeware first became widespread some 15 years ago:25 Comments
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