Perdition Temple’s sophomore album is one of riffs written and dispersed as discrete packages. These are sewn together into short, explosive bundles extremely dense in content but not always boasting the smoothest of transitions.
Often the tonal shift between adjoining bars is far too drastic to convey any sense of uniform texture, giving the impression of an album constructed from a granular, low-level perspective rather than a more holistic, top-down approach. Meaning that the band came up with a whole bunch of riffs first, before cobbling them together into songs. Performed at near-always breakneck speed, songs pass by in a whirlwind of intense activity that isn’t always easy to discern. This is blistering and warring death metal displaying none of the stalling tactics practiced by modern death metal bands, and for that much it deserves credit.
There is interesting micro-play within individual parts but the whole doesn’t foster or even attempt to put much store in memorability. The addition of Bill Taylor as guitar foil has given Gene Palubicki free rein to indulge himself as he never had chance to on past efforts in Angelcorpse or even the Perdition Temple debut. The role of rhythm is sometimes completely dispensed with, the two guitars intertwining like Hermes’ serpents about a support of hyperactive drumming, sniping and spitting out angular phrases that, in surface aspect, wouldn’t be unseemly on a tech-death album. But this act’s pedigree being firmly rooted in death metal, the constant barrage of information never loses its essence of violence. A return to themes familiar from older works, primarily through the use of groove as introductory and relaxation device, is in greater evidence during the second half of the album.
As always, incendiary solos faithfully modeled after Trey Azagthoth find space on a Palubicki album. Azagthoth’s best work was unparalleled, however, because it was the original extension of its creator’s will and personality, much like the eternal consciousness standing outside of time and space, before the birth of time and space, that Eastern monism proposes, willing all creation into existence from within itself. Palubicki’s solos are the finest replicas of Trey Azagthoth that death metal has seen but ultimately they fall on, and should be judged by, the sword of rote inspiration that created them in the first place.
Tags: angelcorpse, bill taylor, blasphemic cruelty, death metal, gene palubicki, perdition temple
7 thoughts on “Perdition Temple – The Tempter’s Victorious”
I kind of guessed that this album would go this way after I saw all the added personnel to this band. I think they tried to do too much with this style and they should of just stuck with that or not even made this. The first Perdition Temple album had a strong spirit and the music was lean enough to get that across and it made you want to listen to it again.
This album the the opposite of Angelcorpse, Angelcorpse has a strong spirit but not enough meat on the bones as far as music, this album has too much fat on the bones…
The Inexorable was full and meat and spirit, it depressed me when I heard their reunion album.
Hey Brett, can you review this album?
Would you say that your eyes are pretty?
I mean if you held me tenderly, would I get lost in your eyes?
Also Phil Fasciana from Malevolent Creation is NOT a racist despite the fact that he hates “niggers”, apparantly niggers is not only black people but a slur that describes the quality of the individual.
here is his most famous interview with Bel Zebub:
You are here to talk shit, act like it. I am certain your real name has nothing to do with rabbits, and everything to do with cocks. I bet you are the type of moron that makes sure to call every store clerk by the name on their nametag just to make yourself feel superior.
Your link provided clearly states by the author…
“Apparently some drama queens in metal began getting gay about the word _N****r” That is talking about you. The complete interview was a waste of time as are you.
But I agree, please, please, please Brett do a Malevolent Creation review….
Also Phil is a homophobe and as long as people like him exist it’s going to be hard for people to come out of the closet and being inside the closet is hell. I know. I appreciate this site cuz it’s gay friendly and people don’t judge me of think less of me cuz I might feel attracted to sexy men with dreads. I hate it when people call me by my name tag, it makes me feel so inferior.
Heavy Metal gangs of Wadeye: http://youtu.be/IBygHZTZM9Q?t=2m
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