Another collaboration from K.K. Null shows us the immense flexibility of the almost pure music he creates from manipulated sound, with Deison providing what sounds like a techno/necrowave framework over which ominous, haunting, and disturbing noise hangs like a funereal curtain.
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Musicians in the 1960s thought a lot about getting beyond scales, chords, and key, and making pure music, but the results usually ended in chaos because they were still thinking about music. K.K. Null creates dynamic sonic textures that convey a poetic sense of contrast and evolution, and uses that to create beauty from ugliness.
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