During the tumultuous past few years, a new sub-genre appeared that combines elements of several existing genres. Fashwave is synthwave with a darkwave sensibility and occasional metal-inspired riffs that sound very much out of the canon of Beherit or Burzum, but simplified to fit within the more synthpop-oriented rhythms of fashwave.37 Comments
Hailing from Italy, Final Fright play ripping speed metal right out of the mid 1980s. Established in 2010, the band played covers, released the demo Abusive Grindhouse in 2012 and now in 2015 present us with their first full-length album, Artificial Perfection.
Unabashedly retro in their choice of style, Final Fright feels completely at home and does not try to impose modern conventions on the language of this particular brand of speed metal. Neither is the band copy pasting from particular acts. Artificial Perfection sounds like a someone learning and dominating a foreign language. When this happens, the music does not come out sounding like a cardboard front disguising something else, but the artists are able to express themselves as native speakers in the lingo of the genre.
But speaking a language does not necessarily imply you have something worth saying. So it is that the honest and proficient handling of the musical language by Final Fright is satisfactory and even enjoyable but unexceptional all the same. People looking for bouncy, authentic speed metal in a different mouth and voice but offering nothing different will find this is a fantastic release for them.1 Comment
Carcass lead guitarist Bill Steer stated in an interview with Loud Magazine that he prefers to keep listening to older music as his taste does not include newer developments in metal.
Here is the relevant quote from the interview:
Q: Do you keep tabs on new developments within heavy music at all?
A: No, not really. I listen to music all the time, but I guess I’m the first to admit that I’m living in the past. When it comes to heavy music I really only listen to the old stuff. Occasionally someone will play me something by a contemporary band, and sometimes it’s something that’s quite impressive, but I don’t think I’ve heard anything lately that I would say makes me want to go out and buy the album, listen to it at home, or be inspired by it for new music. It’s just a personal taste thing, because I know there’s other people out there who are equally passionate about that music, but for them it’s all about what’s happening now, and the next thing. So it’s just down to the way your brain works, and what turns you on musically.
To many of us, this gives an interesting insight into Carcass stylistic changes throughout their discography. Many point their fingers at Michael Amott for the change in Carcass’ music towards their third album. But Bill Steer’s declaration is revealing of what his band is about regardless of Amott’s contributions.
Michael Amott’s previous work with Carnage revealed someone more in touch with the developments of death metal. Of course, the eventual paths each of these artists took with Arch Enemy and Carcass both show a penchant for 1980s heavy metal. But Stigmata still shows a more forward vision than the infamous Swansong.
While staying in touch with your roots, or any roots, for that matter, is important for convincing artistic development to occur, there is no development without looking forward towards a new horizon. By its very nature, music that attempts only to emulate what was is doomed to be an empty husk.1 Comment