Abyssum – Thy Call (1998) en Español

abyssum-thycall

Article by David Rosales. This review is David’s Spanish translation of his earlier review of the album.

Cuando decimos que el metal llegó a su cúspide en 1994, después de una breve época dorada, y que lo que siguió no fue sino un declive clarísimo, esto no significa que no hubo absolutamente nada bueno. Por definición, lo que le sigue a una cúspide es un declive – aunque la decadencia sólo sea aparente debido a la perspectiva. Aún más importante es aclarar que cuando hablamos de esta manera, nos estamos refiriendo a un promedio a través del género, y no señalando a nadie específicamente. Después de todo, tenemos un Summoning publicando su clásico de clásicos en 1996 y más música grandiosa a finales del siglo. En Centroamérica, siempre un paso (o más bien diez o treinta pasos) atrás del resto del mundo como resultado de procesos históricos que podemos identificar, lo poco que su reducida población, recursos y cultura permitieron desarrollar al metal local, floreció entre los últimos cinco años del siglo pasado.

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Abyssum – Poizon of god (2008)

poizonofgod

After a little over a decade had elapsed since Abyssum’s debut, the only remaining and the leading voice of the project, Rex Ebvleb, released a full-length album titled Poizon of god. This 2008 offering was both a step forward with a nod to the old material in a conscious effort to be both consistent in the style of the project (this artist  has several projects with very distinct voices and writing procedures and inspirations). This album also sees the enlisting of drummer Akherra to the project as a permanent member of the band. Following in the steps of the methodology of Thy Call, this new comeback album follows the general songwriting approach that does not focus on what we would consider the “metal sections”, and rather uses the distorted guitars and drums as one more color in a palette for black ambient music. Overall, the underlying methodology does not diverge greatly from the debut album but there is a greater variety of pigmentation and expression, a more careful attention to detail, stronger sense of movement and a comparatively darker intent in its character.
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Abyssum – Thy Call (1998)

abyssum-thycall

When we say that metal’s golden era peaked in 1994 and that everything went downhill, it does not mean that there was nothing good after that. By definition, quality after a peak must go downhill in comparison. More importantly, when we say such things, we are referring to a genre-wide average, not to specifics. After all, we have Summoning releasing their classic of classics in 1996 and more great music before and around the turn of the century. The same is true of several black metal bands and a very few death metal ones. In Central America, ever one (or ten or twenty) steps behind in everything as a result of traceable historical processes, what little its reduced population, resources and culture allowed for metal to develop flourished between 1995 and 2000.
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