OZZY IS RIGHT: “NON-CONFORMITY” IS CONFORMIST, METAL MUST REBEL

Death Metal Underground’s wise founder Brett Stevens posted a thoughtful article last weekend about the duality of exterior and interior being.  It describes how in these modern times we’re seeing an illusion of non-conformity that masks the conformity of thought and nature within.  This is an effective tactic of those in power be they media, silicon valley, deep state, or (in the case of metal) record executives and journalists:  get people to look different, but think the same.  This also masterfully articulates why metal is at its lowest creative point in the entire history of its existence: fans and musicians alike have accepted conformity of thought and sound through satisfaction with mere non-conformist aesthetics and culture.  And the only way to escape this rut is to violently rebel against everything we have been conditioned to believe is “metal” and “metal culture.”

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POLL: CRISIS ACTOR OR SHOOTING SURVIVOR?

Since other media outlets are weighing in on the recent debate on crisis actors being used to push gun control in the wake of mass shootings, let’s see what DMU readers think!  Vote in the comments section below:

(a)  crisis actor

(b) shooting survivor

(c) where is the metal?

(d) DMU IS DEAD AND THE EDITOR IS A FALSE WAHHH MUAH HESSIANS WAHHHHH MUAH PHILOSOPHY WAHHHHH

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Paramaecium – Exhumed of the Earth (1993)

In addition to its notoriously contradictive definitional nature, doom metal remains something of an enigma in terms of its enduring popularity. Whether or not one chooses to view it as a distinctive subgenre, style or even technique, doom metal must bear one of the most in-proportionate quotas within metal music when it comes to quantity over quality.  If attempting to depict doom metal from the perspective of enduring releases, the list of canonical works would become surprisingly short.  It seems plausible that part of the explanation to this sad state is embedded in the very characteristics of the style.  Doom bands have generally prioritized development of exceptionally powerful tools for conveying sonic heaviness at the expense of other aspects of the music. It might even be so that the techniques in themselves has forced artists into a particular way of writing music. Either way, there appears to be a widespread discrepancy between the means of expression and what is actually being expressed in doom metal; which in turn provides clues as to what makes for a genuinely satisfying doom-offering. With the above discussion in mind, today’s written offering presents the Australian death/doom act Paramaecium – one of few bands bearing the doom-tag that has managed to write compositions to match the sonic gravitas associated with said style.
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INDIVIDUALISM KILLS CHILDREN (NOT GUNS)

Welp, another school shooting is in the books, and this means we begin the cycle of another nationwide emotional meltdown of reactionary liberals over a founding pillar of our “evil” American culture.  Since metal heads and metal journalists everywhere are weighing in on this, and since most (all?) of them are too dumb to say anything logical or researched, it once again has fallen on the staff of DMU to be the sole voice of high-IQ reason in the metal world.  For despite guns being legal in America for over 200 years (with over 200 being free of school shootings), despite automatics/machine guns being loose on the streets since at least the 1920s (with 70 of those years being free of school shootings), and despite gun ownership being in steep decline the last few decades (despite school shootings being on the rise), liberals everywhere continue to fall for the totalitarian “give up the gun” scam and blame our second amendment for the mass murder of innocent children.  While stats clearly prove otherwise, many miss the true root of this tragedy: the individualism our society has been embracing since the cultural revolution of the 1960s.

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Accept – Rise of Chaos

Accept is a band best remembered for their old school song called “Balls to the Wall”, which used to play on the Headbanger’s Ball. Driving my BMV down the Autobahn at 120MPH through the Black Forest, I stopped in Bad Reichenhall.  You know how they always have insane amounts of Gummy Bears everywhere in Germany.  And then next to them are porno mags and stuff like biker lifestyle mags.  Those were where I found out that Accept was still going strong at the time. It never ceases to amaze. This band just keeps hanging around, like a bad STD. Here they are again 20 years later. And they have this new album Rise of Chaos, which sounds like a cross between Sabbath’s Dehumanizer and an Exodus album.

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Visiting The Tobacco Barn (New Caney, Texas)

Few places charm the radiant, open soul like the Tobacco Barn. These little additions to Brookshire Brothers stores are the one place in the world where you can buy smokes and beer in an enthusiastic and friendly setting with far more variety than you will find in a liquor store or anything short of an old-fashioned tobacconist.

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TRUMP CURSE ANNIHILATES MARILYN MANSON

 

Beta-male posterboy and alternative rock tragedy Marilyn Manson has been tormented beyond comprehension ever since publicly disrespecting God’s hand-picked ruler of this nation, Donald J. Trump.  After filming a music video of in which he beheads a Trump look-alike, Manson has been the perhaps the most decimated victim of the merciless Trump Curse– he was crushed by a stage prop last October, he cut his set short following a complete psycological breakdown while onstage a few days ago, and now he has become the latest victim of leftism’s idol-killing suicide machine: the #metoo movement.  In an article featured in The Guardian this morning, tweets were featured of a Chinese actress accusing Manson of both sexually harassing victims and making racist remarks:
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ANTIFA SHUTS DOWN TAAKE, THE HUMAN TROLL BAND

The emasculated remnants of America’s Antifa are at it again!  Now mostly regulated to a handful of stay-at-home activists, the boys at Antifa made enough calls to frighten a Manhattan art gallery into canceling a Taake show scheduled for next month.  While they likely believed Taake to be a weird performance artist after seeing pictures from that time Hoest’s host broke through his pants, the trust fund kids running (le) poisson rogue (not a typo, they’re apparently too cool for capital letters) were probably scared off by that time Taake wore a swastika in Germany.  Or perhaps someone just showed them those legendary dick pics.
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Crawl/Leviathan

Hipster celebrity and accused tattoo gun rapist Wrest from Leviathan returns with a new sidekick in an attempt to restore some underground credibility.  This is a common gimmick used in rap music whenever an artist has faded from the mainstream but wants to continue making money off the young kids consuming the underground’s newest flavors.  Unfortunately for Leviathan, they were never respected in the underground and Crawl displays very little potential to make any sort of impact.  The split is one twelve minute song from each artist that both manage to be terrible but for very different reasons.  Wrest promised “Aural Mizery” and has ironically maintained that promise.

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