Dark Economic Truths of Underground Metal

Recently many of the other “metal” websites, blogs, publications et cetera have been doing articles about the business side of music industry. Unsurprisingly none of these articles had the testicular fortitude to address the ugly reality of the underground metal economy as they are written by either slaves to the machine itself or losers who genuinely believe that they have “careers” in music which heavily depend on acceptance by the community. Since the Death Metal Underground staff bow to no masters social or corporate, we are in the rare position give you the truth in its rawest form. So with absolute disregard for the powers that be in metal, let’s take an honest look inside this machine to see how it really works.

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Indie Blog Laments as Maryland Deathfest is Mainstreamed

The hilarious leftist parody of metal will be celebrated in force this weekend as Maryland Deathfest completes its transformation into Coachilla-lite. While it’s been painfully obvious that all festival culture has gone fully mainstream as futureless millennials continue to spend money they don’t have on things they don’t need there are still many in the hipster sphere that can’t grasp the loss of counter culture to the mainstream. Maryland Deathfest continues this trend with praise from mainstream propaganda editorial Newsweek and lamentations from liberal snowflake blog Invisible Oranges occurring in the same week.

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Tom Warrior Censored on Upcoming Celtic Frost Reissues

In a recent blog post, Celtic Frost vocalist/guitarist Tom G. Warrior has publicly disowned BMG’s upcoming double CD reissues of his band’s best output, Morbid Tales and To Mega Therion, and the more pandering and spotty Into the Pandemonium and Vanity / Nemesis. The embarrassing Cold Lake was omitted at Warrior’s request. While initially on board with the reissues and involved with the creative process, Tom Warrior has abandoned ship because the commercial mega-label BMG refused to print his linear notes as he intended. This blatant censorship was a means of preserving the integrity of the Noise Records liquid assets purchased by the label but had inadvertently overwhelmed the Cold Laker with a plethora of painful flashbacks of the corporate influence that plagued Celtic Frost throughout its existence.

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Brown-Forman Corporation – Gentleman Jack

Every once in awhile us vile black metal badasses need to suit up. Maybe it’s to please a family member at a wedding, maybe it’s to respect the dead at a funeral, maybe it’s because the soul was sold to embrace the nihilistic corporate world once sworn against (ugh). Nevertheless, life in the first world necessitates this occasional cleaner cut image and perhaps this projection may even impress some strangers in open territory. But deep down underneath this fabrication lurks that sadistic primal savage that lusts for chaos, destruction, and pure fucking mayhem.

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