Death Metal Underground has not run a contest in quite some time; since we found our slogan: “Sodomize the Weak” from Blood‘s O Agios Pethane. Our staff collectively feels it is time for another round. Social justice warriors, antifascists, and communists have been annoying the heavy metal world lately. We have decided to counter back with a short story contest.
Youtube vlogger Metal Blast pointed out the ridiculous of David Anthony’s preposterous claim that “Metal Has Unaddressed Nazi Problem” on hipster socialist realism media website The A.V. Club. Metal Blast notes that while Craig Pillard of Disma made anti-Semitic statements in the past himself, David Anthony preposterous slamming Disma and every other metal band he holds politically incorrect to the socialist creed as Nazis is just as preposterous as Tipper Gore’s Parents Music Resource Center in the 80s and Jack Thompson claiming that the violence of Doom and Grand Theft Auto in the 90s led to school shootings.
Profanatica and Cianide are playing the 2017 iteration of the Destroying Texas festival along with a bunch of shitty scenester bands like Black Witchery. Check them out if you live nearby; Profanatica are still great live despite the last album, The Curling Flame of Blasphemy, being a turd. Tickets are available from EventBrite.
Sepultura‘s Morbid Visions is my favorite thirty year old album. Released in Brazil on November 10th, 1986, Morbid Visions saw Sepultura slither past the primitive Hellhammer, Celtic Frost, and Sodom worship of their initial Bestial Devastation extended play (included as a bonus on almost all CD versions of Morbid Visions) and into ultraviolent, progressive but still primitive, death and black metal.
Unaussprechlichen Kulten have a new record, Keziah Lilith Medea (Chapter X), coming out on Iron Bonehead Productions June 2nd. Baphomet Pan Shub-Niggurath was good so this is one of the few death metal releases this year that Death Metal Underground is looking forward to. Hopefully our staff won’t stick the CD in the toaster upon hearing the new Sammath record.
Google posted the above image to their homepage as the winner of their annual Doodle 4 Google contest. The picture was drawn by a high-school student who wanted to show that diversity and multiculturalism will let everyone live in peace together. Google endorses such preposterous delusions by selecting such social realism as the winner of their annual contest. Google wants the lazy, the crazy, and the insolent are allowed to loot the first world as they hope, like other multinational corporations that sell cheap crap (text ads), that more potential customers will equal more potential profits.
Infamous have delivered us yet another split with a weaker but by no means incompetent band. Winter Darkness provide the almost filler this time on Symbols of Scarlet Revenge, playing somewhat generic, riff salad black metal that doesn’t really go anywhere special on this split has promise if they could unite the various parts together in order to express something greater than merely “We actually play black metal, we wrote riffs, they’re not random, and our music is not that so bad that it will make the Death Metal Underground editor press a power drill into his skull.”1 In their defense, Winter Blackness use RAC-like drumming, and songs that conserve sneering tension that sometimes resolves on “Demons of Winter Blackness” and leaves you wishing the band would explode on “Frozen Nocturnal Blood”. A slow burning match that burns out into darkness rather than lighting a fire is not the best way to conclude a record. At least Winter Darkness are way more aggressive than Gratzug’s half of the Infamous / Gratzug split.
Facebook deleted the hilarious “Kim Kelly’s Hand” fan page that a few Death Metal Underground readers made in awe of her claw hand and how she is able to type ever-flowing streams of diarrhea despite such a hideous deformity. Facebook accused those few hilarious metal heads of bullying. Apparently jabs at a public figure are not allowed on Facebook’s socialist worker’s playplace. Kim Kelly is the crustfund communist Vice Noisey fake journalist, serial liar, alleged groupie, and supposedly hypocritical racist trying to ruin the careers of metal bands she finds politically objectionable. Kelly called Dismember and Cannibal Corpse sexist and constantly shills for crappy crossover thrash, noise rock, hipster whine rock, and female-fronted deathcore bands.