The Role of Satan in Metal as Envisioned By Bathory and Darkthrone

This article attempts to pseudophilosophize on religious awe and its connection to black metal through the analysis of two songs that are connected beyond time. Herein, we shall Enter the Eternal Fire and Walk the Infernal Fields in pursuit of the archetype of the first romantic hero, that is, Satan. (more…)

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Nerlich – Defabricated Process

On Defabricated Process, the only album by this now resurrected Finnish death metal band, Nerlich exhibits very competent compositional skill, utterly obliterating the chronic masturbators who picked up a guitar and think they can play death metal, by putting their egos at bay to serve the piece, much like good musicians should do.

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Kawir – Exilasmos (2017)

Exilasmos (meaning ‘propitiation’) is the 7th album by Hellenic black metal band Kawir. This album signifies a dynamic return for the group with a very energetic blend of classic heavy metal and black metal, revealing glimpses of their way forward among the overused tropes of both genres.

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Overview On Creativity : The Plasticity-Divergence-Convergence Model


On the Black Mirror episode Bandersnatch, the young programmer protagonist, under the instructions of an Aldous Huxley inspired game developer, has the option of picking up a record by Tangerine Dream – Phaedra. As the young programmer and the viewer struggle with paradox in order to finish his game, we find a chance to do a casual DMU reflection on the parallels between metal and game programming, madness and the collapse of western civilization by substituting learning for entertainment.

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SMR – Ihsahn’s Couch Edition

Ihshan’s sofa courtesy of Guest Contributor

Taking a brief look at the marketing tropes of the funderground in 2018 and having some fun in the process. Some bands are okay. Some others not so. Most are not even metal by any standards.

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Satan – Cruel Magic(2018)


Few bands manage to sustain their passion and efforts as they mature; Satan is one of those few. Although the Ophidians are shedding off their bland metallic skin on this album to add a more progressive element that nurtures the double guitars and the vocals, their evolution is logical and enjoyable and programmatic romanticism vindicates itself.
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