It is with sadness that we mourn the passing of Death metal legend Richard Brunelle who passed away on Monday. His sister in law delivered the following message.
“This is Richie’s sister-in-law. This devastating post is at the request of my husband and his mother. It is with deep regret and sorrow that we inform Richie’s friends and fans that he passed away. Please feel free to visit the link to share memories and condolences. Rest in peace, Richie. You were so loved and will be forever missed.”
Though much debate has been sparked about the extent of his role in Morbid Angel but considering how the band declined after he left, it is safe to assume he had an essential role and more importantly had a much more classic style that was able to reign in and concentrate some of Azagthoth’s crazier ideas. Conjecture aside it is well known that he created by himself this beautiful piece of music found on Blessed are the Sick
Rest In Peace Richard, your legacy will never be forgotten!!!
O Mars! God of War! Infernal battles and bestial devastation have ensued on this week’s Sadistik Metal Reviews! Unholy wars between the true and the pretenders, the golden race and the plastic one. Which shall prevail?
Schattenmann Publishings has reprinted the sixth issue of the Deadhead Fanzine featuring interviews with Mike Browning and Richard Brunelle from Morbid Angel about the band’s earliest days when they wrote their best material. The original pressing sold out quickly so get yours while it is still available. Schattenmann is planning to recreate and republish other back issues of the Deadhead zine in the future too.
Nirvana’s Nevermind turned twenty five yesterday but since we at the Death Metal Underground condemn pop-punk Boston worship, we will celebrate a different anniversary today. Morbid Angel‘s Blessed Are the Sick was released twenty-five summers ago. Blessed Are the Sick was the last Morbid Angel record focused on inwardly improving the music rather than compromising it for commercial appeal to a mainstream market. The band had been obsessed with refining and expanding upon their compositions since Trey Azagthoth shelved the release of 1986’s Abominations of Desolation and fired then drummer/vocalist Mike Browning.