SLAYER – Metal Eagle Edition content announced!

Slayer-Metal-Eagle

Last week, SLAYER announced their heaviest release ever – the Metal Eagle Edition of their upcoming album »Repentless«. Made of aluminum alloy, measuring 15” X 17” X 3” and weighing in at a hefty 7.8 pounds, the Metal Eagle Edition will house a deluxe digipak of the new »Repentless« CD plus bonus material detailed below. The limited (only 3,000 copies worldwide) and numbered Metal Eagle Edition will be a direct-to-consumer item and available exclusively via the Nuclear Blast mailorder online stores.

Now, the time has come to reveal the special contents of this limited collector’s piece.
The Metal Eagle will include the following exclusive items:

– Deluxe digipak (folds out into “inverted cross“)
– Bonus BluRay & DVD incl. »SLAYER Live At Wacken 2014« & »Making Of »Repentless« Documentary«
– Bonus live CD »SLAYER Live At Wacken 2014«
– Fold-out poster
– Album sticker
– Numbered certificate

Pre-order your copy of the »Repentless« Metal Eagle Edition here: http://nblast.de/SlayerRepentlessEagle

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Dew-Scented releases ‘Ode to Extinction’ lyric video

dewscented-album

With their tenth album “Intermination” due out later this month, German metalcore group Dew-Scented have released a third new track, “Ode to Extinction” with a lyric video.

Due to technical problems in the website, the review of Dew-Scented’s album previously published on DMU cannot be readily accessed. You can read it below:

Having been called everything from thrash to death or melodic death metal, Dew-Scented play metalcore in its original inception, as inspired by At the Gates’ style on Slaughter of the Soul.  Everything from the simple drums which half of the time fall into variations of fast d-beats, catchy and short melodic ideas on the guitars with a tendency towards breakdowns for variety, to the blatant imitation of Tomas Lindberg. Being an heir to this tradition reviled by the fans of the old school styles and hailed as an improvement and distillation of the best aspects of the older music by the mainstream audience, Intermination invites a comparison with At the Gates’ come back album released last year, At War with Reality.

While the seminal band tried to bridge a gap between fans of its older and later styles by taking its metalcore-founding album and introducing more complex elements as visited in Terminal Spirit Disease and vaguely from With Fear I Kiss the Burning Darkness, thereby creating a middle-of-the-road offering that pleased neither group, Dew-Scented plant themselves solidly on the style developed in Slaughter of the Soul and part faithfully from there to create variations without bringing down the delicate and extremely constricted walls delimiting the definition of this minimalist, extreme pop genre.

Being the catchy, duple-time riff-fest that this genre is, Dew-Scented do a phenomenal job at creating solid, punching riffs which if not necessarily connect concretely with each other too well throughout a song (given the shock-oriented nature of this modern style), go a long way to maintain the drive of songs by switching and keeping the overall feel, avoiding the over-use of a particular riff. Without any ill-will towards this talented band, we must clarify that the album presents a very flat result, which is a necessary result of the definition of the genre as driven by impacting riffs and sonic shock tactics. The tight upholding of ideals of the genre in Dew-Scented’s hands, even with their carefully and appropriately crafted variations, becomes a hindrance in the context of a crippling genre.

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Deathwish reveal track from debut album

deathwishband

Wisconsin-based speed punk crossover quartet, Deathwish, has released the title track to their debut album, Out For Blood. The band’s music comes off as a less competent copy-cat band taking heavily from Discharge in their second album Hear Nothing, See Nothing Say Nothing. Casual hardcore punk listeners might enjoy this.

https://soundcloud.com/earsplit/deathwish-out-for-blood

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Deicide continues tour after Metal Alliance Tour 2015 is cancelled

deicidetour

Due to unforeseen financial issues, Continental Concerts and the “Metal Alliance Tour” regret to announce that the 2015 “Metal Alliance Tour” has been cancelled. However, the remaining dates will continue on as a Deicide headlining run, featuring special guests as support (Entombed A.D. is not on the bill due to the aforementioned issues).

DEICIDE USA headlining tour dates

  • June 11 – Las Vegas, NV @ LVCS
  • June 12 – Mesa, AZ @ Club Red
  • June 13 – El Paso, TX @ Mesa Music Hall
  • June 14 – Lubbock, TX @ Depot “O” Bar Live
  • June 15 – Austin, TX @ Empire Garage
  • June 16 – Dallas, TX @ Gas Monkey Live!
  • June 18 – New York, NY @ Gramercy Theater
  • June 19 – Baltimore, MD @ Ottobar
  • June 20 – Charlotte, NC @ Tremont Music Hall

https://www.facebook.com/OfficialDeicide

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Shadow Woods Metal Fest: Location Moves To White Hall, Maryland

shadowwoodsmetalfest

The inaugural September installation of Shadow Woods Metal Fest, the new mid-Atlantic, open-air, camping-based metal fest, has moved slightly Southeast, from its initial placement in Southern Pennsylvania to White Hall, in Harford County, Maryland.

Set to take place September 25th – 27th, 2015, the new location of Shadow Woods Metal Fest is similar to the previous site, with deep woods, cabins and tent camping fields, yet is slightly closer to both Baltimore and Philadelphia, making it even more accessible to East Coast metallers planning on attending the diverse three-day festival. The more intimate setup of the new camp is equipped with several cabins, modern plumbing bathrooms, a professional kitchen, a lodge building, and access to a river, as well as an indoor stage.

Since initial announcements, Menace Ruine dropped from the lineup and was replaced by Black Table, yet the remainder of the Shadow Woods Metal Fest lineup remains the same, including lead performances from Midnight, Falls of Rauros, Occultation, Velnias, Iron Man, Anagnorisis, The Flight of Sleipnir and Stone Breath, along with twenty-six additional acts. The fest is also likely to be the first live performance for the surviving members of Wormreich since their tragic vehicle crash in April. The gathering showcases underground black, doom, death, and noise and experimental metal bands on two alternating stages all day Friday and Saturday. Camping and workshops on topics such as runes, guitar maintenance, yoga and more will be offered and are included in the ticket price. Artists and record labels will be vending alongside several onsite food stands.

There will be ZERO ticket sales at the gate for Shadow Woods Metal Fest– advance presales to those 21 years of age and older is the only way into the fest, and is still BYOB. Cabin beds are now included in the ticket price but are limited to first-come first-served. There is a list you can sign up on mentioned in the private group. There are only 350 tickets in total, and half of those tickets have been sold.

Additionally, the Shadow Woods Metal Fest website has been redesigned to include a store — including a new poster for the event designed by Fred Grabosky of Sadgiqacea. — as well as the newly-launched Shadow Woods Radio, showcasing artists set to perform at the festival. Check it all out RIGHT HERE.

SHADOW WOODS METAL FEST 2015 Alphabetical Lineup:

  1. Anagnorisis (Louisville, KY – black metal)
  2. Anicon (New York, NY – black metal)
  3. Ashagal (New Hope, PA – ritual folk)
  4. Black Table (NYC/NJ – experimental metal)
  5. Bridesmaid (Columbus, OH – instrumental doom-sludge)
  6. Cladonia Rangiferina (VA – ritual black metal, doom, acid rock)
  7. Dendritic Arbor (Pittsburgh, PA – black metal / powerviolence)
  8. Destroying Angel (Philadelphia, PA – folk music for exorcisms)
  9. Dreadlords (Philadelphia, PA – ritual black metal blues)
  10. Dweller In The Valley (Frederick, MD – black, death, doom)
  11. Existentium (Baltimore, MD – melodic technical death metal)
  12. Falls of Rauros (Portland, ME – folk/atmospheric black metal)
  13. Fin (Chicago, IL – black metal; unsigned)
  14. Heavy Temple (Philadelphia, PA – psychedelic doom)
  15. Hivelords (Philadelphia, PA – experimental psychedelic black doom)
  16. Immortal Bird (Chicago, IL – black/death metal)
  17. Iron Man (MD – doom metal/heavy rock)
  18. Midnight (Cleveland, Ohio – black heavy metal)
  19. Molasses Barge (Pittsburgh, PA – traditional doom metal)
  20. Occultation (New York, NY – doom metal)
  21. Oneirogen (New York, NY – dark, doom, drone)
  22. Psalm Zero (New York, NY – experimental black doom)
  23. Sentience (Woodland Park, NJ – death metal)
  24. Slagstorm (Hagerstown, MD – prehistoric doom thrash)
  25. Snakefeast (Baltimore, MD – jazz metal sludge)
  26. Stone Breath (Red Lion, PA – experimental folk)
  27. The Black Moriah (Dallas/Fort Worth, TX – Western occult black/thrash)
  28. The Day of the Beast (Virginia Beach, VA – blackened death metal)
  29. The Expanding Man (Baltimore, MD – solo improvisational electronic soundscapes)
  30. The Flight of Sleipnir (Denver, CO – black metal)
  31. The Owls Are Not What They Seem (York, PA – experimental ritual soundscapes)
  32. Tyrant’s Hand (Baltimore, MD – deathened black metal)
  33. Unsacred (Richmond, VA – savage black metal)
  34. Velnias (Denver, CO – blackened folk/doom metal)
  35. Wormreich (Huntsville, AL & Nashville, TN – black metal)
  36. ZUD (Portland, ME – bluesy outlaw black metal)

http://shadowwoodsmetalfest.com
http://www.facebook.com/shadowwoodsmetalfest

 

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Hannes Grossmann (Alkaloid, Ex-Obscura, Ex-Necrophagist) Shares Drum Playthrough Video

hannes-grossman_obscura

Hannes Grossmann, drummer for German Death Prog band Alkaloid and ex-drummer for technical wanker band Obscura, has revealed a new drum playthrough video of the song “Alter Magnitudes”. The song is taken from Alkaloid’s debut album The Malkuth Grimoire and features some of Grossmann’s abilities on the drum kit.

Hannes comments:

This is an instrumental version of our song “Alter Magnitudes”. I just took the vocals out for the video to make the drums more clear –  which makes sense in a drum video, doesn’t it? This is probably the only tune on our album which can be considered ‘tech-death’, but the technicallity makes it a perfect song for a drum play-through. It was written by our guitarist Christian Muenzner and not just demands a high level performance on the drums – the guitars and bass go crazy too. But most important: I really dig the songs riffs and melodies.

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Dysentery unveils new tracks

dysenteryeragments

Slam death metal band Dysentery will release their new album, Fragments, on July 10 on Comatose Music.

Dysenteryare set to embark on the West Coast Fragmentation Tour, beginning with a performance at Las Vegas DeathFest and wrapping up with an appearance at Foothills Gutfest in Colorado Springs.  Tour dates are below. Get in touch for gig coverage and interview opportunities.

  • June 12/13   Las Vegas, NV            Las Vegas County Saloon  (Las Vegas DeathFest)
  • June 14        Salinas, CA                  285 East Alisal
  • June 15        Los Angeles, CA          The Blvd Cafe
  • June 16        Crockett, CA                 Toots Tavern
  • June 17        Sacramento, CA            The Colony
  • June 18        Salt Lake City, UT         Club X
  • June 19/20   Colorado Springs, CO   Sunshine Studios Live (Foothills Gutfest)

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King Giant to release Black Ocean Waves

kingparrotbullshit

Black Ocean Waves will be released on June 30th with CD/digital distribution through The Path Less Traveled, with a vinyl edition to follow shortly afterward.

 

King Giant Live:

6/13/2015 Canal Club – Richmond, VA

8/21/2015 Metro Gallery – Baltimore, MD w/ Foghound, Midnight Ghost Train

8/22/2015 L&Bs – Dale City VA w/ Foghound, Midnight Ghost Train

 

http://www.kinggiant.com

http://kinggiant.bandcamp.com
http://www.facebook.com/kinggiantband
http://twitter.com/kinggiantrocks

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Survival release third album

survivaldaysha

Thrash band Survival have released their third album and is available at bandcamp.

Shayda is an album that should be listened to as a unit and not as a collection of songs. As such it is concept-oriented. Each idea remains as long as it is needed. No gimmick, no over-stretching of ideas. Survival also escapes the monochromatic expression of most bands in this genre and delivers a variety of expressions within a voice further unified in this album by its concept.

 

http://facebook.com/survivalbayarea
http://survival1.bandcamp.com
http://youtube.com/user/survivalbayarea

 

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