Nocturnal Metal

Slayer showed us the prototypical underground metal band, fusing together melodic heavy metal (Iron Maiden, Mercyful Fate, Judas Priest) and high-speed hardcore to make a new voice for metal. It kept the metal spirit entirely, and turned up the volume on that, but also gave the music the voice of desperation amid dystopian decay where everything is broken and wrong that made hardcore so apocalyptic.

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Sepsis – To Make Rotten (1991)

To Make Rotten was initially released in 1991 by the band Sepsis and only seventy handmade copies existed at the time. La Caverna records have re-released this record twenty eight years of its initial release. While many expect another band that is rediscovered uniquely for existing at the right time and having a certain “spirit”. Sepsis put these claims to rest with a good demo that shows untapped potential.

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Malevolent Creation The Ten Commandments Re-Issued

Peer into the intense fury of three decades ago when Malevolent Creation unleashed their powerful fusion of speed metal and percussive death metal, The Ten Commandments (1991). Full of nice meaty riffs cleated to pounding double-bass drumming, this album explored the side of death metal that stayed closer to conventional metal.

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Perdition Temple Releases “Desolation Usurper” From Upcoming Sacraments of Descension

Ripping extreme metal band Perdition Temple (ex-Angelcorpse, Immolation, and Ares Kingdom) has released its latest blast of high-speed terror with “Desolation Usurper” from the upcoming third album of the band, Sacraments of Descension, due out sometime this year.

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Napalm Death Announces Spring North American Tour

Grindcore pioneers Napalm Death, now playing a hybrid of death metal, grindcore, and indie rock as they have for the past two decades, launch their Spring North American Tour 2020 with tourmates Aborted (April 17-May 16), The Locust (April 9-April 15), Nastie Band (April 9-April 15), Tombs (April 24-May 16), and Wvrm (April 17-May 16) for select dates.

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Proscriptor Ends Absu

After three decades of existence, Proscriptor McGovern has decided to finally end famed American black metal band Absu. While the “Absu” trilogy will never be finished due to Proscriptor’s difficulty in maintaining a stable lineup and the histrionic ego-drama of a certain guitarist, the band leave behind a decent catalogue with unfortunate dips in quality over recent years. Though this begs the question, was there anything else that Absu could express?

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