Arghoslent – Arsenal of Glory (1996)

Arghoslent hailing from Virginia, USA are another one of those so-called “melodic death metal” bands with hardly anything in common with death metal at all. Rather Arghoslent play plain old heavy metal. Unlike their lame contemporaries from Gothenburg, Sweden, Arghoslent were once an effective heavy metal band who initially continued the work of their idols that past European power metal bands had merely emasculated. Arghoslent themselves would eventually stumble into these same stadium rock sins but not on Arsenal of Glory.

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Here In After Turns Twenty


immolation here in after

2016 marks twenty years since the release of Immolation’s sophomore album Here In After. Completely leaving speed metal convention behind, dissonant riffing and jazzy drumming weld into an infernal, polyrythmic Bosch canvas. All songs burn narratively: verses melt into Vigna’s Luciferian leads. These guitar heroics marshaling the hellfire make Here In After a dawn-bringer for the uninitiated in Immolation. Crucify the criminal Christ again!

dali corpus hypercubus

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Burzum’s Filosofem turns 20 today

burzum-filosofem

This is the sort of recording that could very easily displace the already accomplished works of Kvist from your memory. Filosofem, while released 20 years ago this day, was recorded in March 1993; meanwhile, the first track (“Dunkelheit” or “Burzum” depending upon the pressing) was the first track ever written for Burzum. As part of the initial burst of Burzum’s material, Filosofem sticks to a language of black metal that Varg Vikernes helped define, but is arguably closer in spirit to the pure ambient works that followed it. The internet overflows with discussion of the circumstances surrounding this album, as well as its excursions into a sort of streamlined “Odinpop”, but like its illustrious predecessors, Filosofem‘s influence is immense, even if most who try to imitate the ideas on display here kind of miss the point.

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20th anniversary of For kunsten maa vi evig vike by Kvist

kvist_debut

Kvist’s For kunsten maa vi evig vike came out on the first day of 1996; a year in which booming consumer technology and gimmicky multimedia projects overshadowed one of the many deaths of the black metal scene. Absurd soliloquies aside, Kvist’s full length debut seems to penetrate someone’s mind every now and then, and is generally praised for its melodic prowess. Our old archives don’t hold it in as high a regard, but those who favor the more conventionally musical aspects of Norwegian black metal may find some value in this recording.

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Morbid Angel – Entangled In Chaos (1996)

Morbid Angel - Entangled In Chaos (1996)

With Earache Records promising us a re-release of this live album on vinyl in October, and an otherwise quiet week of upcoming relevant releases, I thought it might be a good idea to give this a more detailed look. Live albums are fundamentally interesting on a few levels – their attempts to capture something of the experience of a concert, their value as documentation of a period in a band’s career, the chance to possibly hear reinterpretations of favored songs, and so forth. Entangled in Chaos came out at the tail end of Morbid Angel’s commercial golden age and before the band tried to reinvent itself with Formulas Fatal to the Flesh. The product is low on references to the previously banal Domination for whatever reason, although whether that’s due to timing or creative reasons is beyond my knowledge.

These rerecordings end up more polished and standardized than the originals for the second time in MA’s discography, as the long holdovers from 1986 already got the Lemon Pledge treatment when they first entered the studios. Sometimes, the end results are rather stripped down; for obvious reasons studio adornments aren’t available, and Trey Azagthoth’s guitar solos are consistently altered from their original forms. Hearing the band’s earliest material with a production closer to Covenant or Domination is mildly interesting, to say the least, although the concessions to a live environment often cost these tracks some of their power and more musically interesting aspects. The performances are otherwise faithful to a fault, as such strict reproductions leave little room for reinterpretation… with the caveat that this is difficult to do successfully in a metal context and in this case might’ve resulted in an undesirable Domination II or similar.

There are not very many essential live albums in the realm of metal, and you can probably do without Entangled in Chaos in most cases. If you absolutely need to hear Morbid Angel playing relatively faithful but not particularly passionate renditions of their first era or are otherwise a collector, though, this rerelease may be to your tastes.

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