Austrian speed metal band Cemetery Dust presents their 3rd full length album To Rule Them All. Nine songs of technical wanking and groovy speed metal in a style influenced by Death, Coroner, Kreator, Testament, Megadeth and Sepultura.
Death metal band Pseudogod come back this year with a compilation that collects songs from their early demos and splits. Falling into an intersection between blasting, grindcore-influenced death metal ala Infester and the more recent approach of “atmospheric” death metal bands, the result at times approaches war metal, but avoids the stagnancy of the music typical of that genre. Contrasting Pseudogod’s 2012 Deathwomb Catechesis, which was more of an empty blast-fest similar to the more popular extreme metal outfits,this early output is full of content and in the spirit of good death metal of its kind, tends heavily towards progressive structures. This includes more paused sections that allow the songs to breathe in the middle of the faster, more suffocating parts. This is done with enough grace and consistency in style to seem smooth and appropriate. Although not masterpieces of structure-oriented composition and leaning on the riff-salad side of death metal composition, this release showcases Pseudogod’s earliest and most promising output.
Sorrowful Angels have announced they are back and are now going to be working with Roar Records. Furthermore, they’ve announced a line up change. This is the official band statement:
Exciting times ahead as Sorrowful Angels embark on a new journey with Roar (Rock Of Angels Records) on our side as our new recording and managing label. We are very happy to be on their roster and we thank them for the trust they have placed in us.
This new journey however, will be without our longtime drum hitter Chris Stratigos. You will be missed brother. His place will be filled by Stelios Pavlou, an excellent musician. Welcome aboard!
Ripping, furious death metal in the vein of 1980s death metal with vestiges of speed metal, solos that bear the mark of Trey Azagthoth, this band is one of the many followers of the legendary Morbid Angel. However, Blasphemic Cruelty is not content with being a clone and continues the work of Angelcorpse by playing a style that takes one facet of Morbid Angel and expanding on it. It is basically the older band’s most brutal side taken as the parting point and center of the music. While Azagthoth would mix a few fast sections with his own trademark of mid-paced and slow riffs, Blasphemic Cruelty pushes the pedal to the max throughout the entire pieces.
While Crucible of the Infernum will not distinguish itself as innovative in any way, it is an example of excellent composition for this style of ripping, blasting death metal. The band’s work here is ideal in the sense that within the limitations it sets for itself, every single space it uses is purposeful by virtue of its integration within the big picture, even if this picture isn’t very big. Admittedly a work of modest reach, Crucible of the Infernum is a solid release strongly recommended for fans of Angelcorpse, Sodom and early Morbid Angel.
German metalcore band Dew-Scented will release their tenth album, “Intermination,” on June 30 in North America via Prosthetic Records.
Vocalist Leif Jensen says,
‘Affect Gravity‘ is probably a bit of an unusual track for Dew-Scented and not only because of the talkbox at the beginning. It’s got quite some melodic riffing and a very dark twist, but it’s always dynamic and heavy. It turned out to be one of my personal faves on the album and I look forward to playing it live too!
Drummer Koen Herfst added,
I tried to really emphasize the aggressiveness of the song by playing pretty much straightforward and really loud in the parts that ask for it. I love the way the toms turned out in the mix, which makes the parts that lead into the verses really heavy. Halfway through the song I do a groove inspired by Derek Roddy, which is basically a blast-beat on my second snare combined with a back beat on my main snare. After that I do a really heavy and basic groove which breaks things open in the guitar solo.