Metal and Cultural Impact: Metal’s Role in the 21st Century conference in Dayton, OH on November 6-8

September 10, 2014 –

metal_and_cultural_impact_conference

The Metal and Cultural Impact (MACI) conference launches its inaugural meeting on the topic of “Metal’s Role in the 21st Century” in Dayton, OH from November 6-8, 2014. This conference features a number of metal academics of note discussing the effect metal has on the society around it through culture.

Described by its organizers as aimed to “examine Metal culture’s role in 21st century society throughout the world,” the conference consists of presentations by academics such as Amber Clifford-Napoleone, Nelson Varas-Diaz, , Vivek Venkatesh, Ross Hagen and Brian Hickam. In addition, after-conference events include a screening of March of the Gods which explores the metal scene in the African nation of Bostwana through the story the band Wrust and an art exhibit on the nature of masks in metal hosted by Brian Hickam.

The University of Dayton Department of English, the Graul Chair in Arts and Languages, and the International Society of Metal Music Studies are the primary sponsors of the conference. It winds up with an evening concert featuring local bands chosen by Alex Skolnick (Testament, Savatage), who also presents a panel on “Louder Education” at the conference. Ticket proceeds benefit two charities, the Ronnie James Dio Stand Up and Shout Cancer Fund and Project READ.

“Heavy Metal and the Communal Experience” announces speakers

October 14, 2013 –

heavy_metal_and_the_communal_experienceWe mentioned the “Heavy Metal and the Communal Experience” conference which will take place in San Juan, Puerto Rico on March 5, 2014. This conference aims to define community in metal and explore its boundaries.

As part of our ongoing exploration of academia in metal, this conference offers a topic that many of us have wondered about in the past. How does metal balance its radical individualism with its radical sense of community, and of a post-individual humanity, which sets it apart from all other genres philosophically?

Some years ago a friend mentioned how death metal unnerved her because the bands attempted to play in unison with each other or at least in complement with each other instead of trying to push the boundaries of how chaotic they could get. Like church music or higher math, metal is about order, and it imposes this through forcing twisted fragments of power chords into phrases that address each other like a dialogue in the music. This outlook could explain how metal views community.

The conference will attract a number of luminaries from the metal academic circuit, including:

  • Keith Kahn-Harris
    University of London, UK
  • Niall William Richard Scott
    University of Central Lancashire, UK
  • Deena Weinstein
    DePaul University, USA
  • Karl Spracklen
    Leeds Metropolitan University, UK
  • Jeremy Wayne Wallach
    Bowling Green State University, USA
  • Amber Clifford
    University of Central Missouri, USA
  • Brian A. Hickam
    Benedictine University, USA
  • Cláudia Souza Nunes de Azevedo
    Universidade Federal do Estado do Rio de Janeiro, BR
  • Nelson Varas Díaz
    Universidad de Puerto Rico, PR