SJW journalists “signal boosted” Deiphago accusations into news story

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SJW journalist Kim Kelly was agitating on Twitter last night about the alleged assault by Sidalpa of Deiphago long before the story broke. Her goal, in her own words: to “signal boost” a Facebook accusation into a real news story, much like blatant use of accusations as fact in the Duke Lacrosse and Columbia rape scandals, in which the accused were ultimately vindicated after having their lives destroyed.

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In addition, Kelly attacked me and tried to again rally her forces of white knights and neurotics into attacking me for daring to thwart her “signal boosting.” As usual, Kim Kelly and other SJWs are faking the news and making up stories to fit their agenda.

In the meantime, Deiphago issued a statement on the event:

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It is unclear from this statement what happened. Deiphago admit some sort of confrontation, but it remains unknown where Natalia’s injuries came from and what her behavior was at the time, and what others were doing in the room. The sources that seem they would know are being tight-lipped, so the saga goes on.

In the meantime, we still lack a police report, which suggests that Natalia/Curt either did not feel their case was strong, or chose to avoid public examination of their actions for another reason. I remain the lone voice calling for law and order, facts and analysis, and some kind of logical resolution to this situation, instead of whipping up a hive mind and going on a jihad for revenge of the lynch mob as Kim Kelly and other SJWs want you to do.

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Deiphago accused of violent assault

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Aggressive war metal band Deiphago are rumored to be violent in other ways, too: Curt Johnson’s (Iron Force, Mutant Supremacy) girlfriend Natalia alleges that Sidalpa of Deiphago punched her in the face when she went backstage to get a beer from the beers left there for the bands.

Johnson relates:

I wasn’t present at the time but I guess Natalia was backstage and went for a beer from one of the bins and sidalpa from deiphago punched her in the face and knocked her out. I was watching inquisition and came out right before they finished and saw her face, apparently they left right after the shit happened.

Some observers have noted that Natalia was not approved to go backstage, and the beers there may have been for the bands only and not girlfriends. The full story has yet to emerge, and apparently there is no police report.

The problem with situations like this — as we saw with the Duke Lacrosse case, the Columbia rape case, and other false accusations — is that jumping to conclusions and forming a lynch mob to destroy someone based solely on one person’s accusation is a terrible idea that will lead to misery. There is a reason we have police, courts and law and use those to objectively (as much as possible) determine guilt and innocence, instead of taking one person’s word as fact and using it to ruin the life of another.

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As you can see, the usual forces are ready to jump to conclusions and are getting excited for a righteous justification for destroying someone else. The revenge-instinct of the herd is strong in them. Sadly, others who should know better are making the same mistake (I was unfriended by this person shortly after the exchange you see here):

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This statement shows the mentality of the mob:

they are going to the police to try to press charges. if you’re the type who is going to defend a guy who punched a gal in the face for grabbing a beer, then fled the club…you need to unfriend me now

The technique used above is to attempt to say that demanding a fair trial before kicking off the lynch mob and defending the accused are the same thing, when in fact nothing in his defense was said. All that was said was: we should figure out the actual facts before firing up the lynch mob.

No proof has been established yet other than (1) a photo of a woman who could have received those injuries in any number of ways and (2) a story from Mr. Johnson. Those are not by themselves proof, and the lack of a police report is puzzling, since at least around here, the cops are pretty excited to investigate assaults. Pattison wants you to believe that anyone who demands a fair trial is in fact defending this guy against unproven accusations. By all means bring him to trial, if you have the evidence, but do not accuse me of “defending” him when what I am asking for is actual facts and not gossip, rumors and hearsay.

While apparently this kind of anti-factual commentary is the normal on the internet, it is also the norm among people who burn witches, lynch black people, stone heretics and bully non-conformists. It is the logic of the herd and the angry, defensive, spiteful and resentful animal inside of every human being. It is the low point of our species, not its moral height as these over-excited and angry people want you to believe.

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We’ll post more as the story develops, including the crucial questions: (1) are the facts true as reported by Natalia and those who claim to be witnesses? (2) are the injuries from the assault, or from impact with the floor or another object, and were they self-inflicted? (3) was a police report filed, since people with a strong case tend to file police reports, while people with weak cases tend to go to the internet for revenge as a means of hitting back at the other guy, not establishing justice?

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Deiphago – Into the Eye of Satan (2015)

Deiphago - Into The Eye of Satan - medresx300

Playing a mixture between the primitive South American black metal of Sarcofago, the unrelenting and mindlessly simplistic assault that borders on comedy of Marduk and something of its own, Deiphago’s Into the Eye of Satan is both a highlight and representation of half-cooked modern nostalgia metal. The references to the influences are pretty clear for someone to see and even though Deiphago escapes them and proposes something of their own, the sections in which we hear the older voices are two transparent. Rather than an integration of influences, we hear quotes to other composers in the midst of Deiphago’s maddened ramblings.

These raptures proper of a madman that Into the Eye of Satan exposes us to are as endearing as they are nonsensical. It makes one think of the epileptic attacks that Colombian’s Parabellum subjected the listener to. The difference is that the Latin American savant band actually produced coherent music within the wild and often disorienting music that nonetheless had a clear large-scale plan. Deiphago on the other hand attacks the listener with pure chaos, subjecting it to passages that border on noise improvisation and structures that appear to  consist of haphazardly placed extreme-sounding sections. The theme here is chaos, the destruction of music and ideas themselves while the picture is not completely given up on. While not incurring in the sin of trying to become atmosphere itself nor becoming self-referential symbols, Into the Eye of Satan sadly still falls short of a year’s highlight due to what I perceive to be compositional laziness and/or lack of controlling musical notions in spite of a solid artistic vision.

 

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Deiphago to release new album

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Filipino violent black metal band Deiphago are set to release their new album, Into the Eye of Satan, on August 7th.

Tracklisting for Deiphago’s Into the Eye of Satan
1. Intro: Abomination
2. Evil and Adverse
3. Bloodbath of Genocide
4. (6 x 6 x 6) / 3
5. Serpentine Anti-world
6. Calculated Acts of Cruelty
7. Red Dragon of Chaos
8. Ritual Death of the Enemy
9. Into the Eye of Satan

 

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Hells Headbangers unleashes free digital compilation Compilation Volume 8

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Underground survivalist label Hells Headbangers has released a free digital music compilation entitled Compilation Volume 8. Featuring cover art by maniac visualizer Antichrist Kramer in clear homage to Blasphemy Fallen Angel of Doom, the compilation provides free listening to introductory tracks to a number of bands from new and old undergrounds alike.

Hells Headbangers described it thus: “30 TRACKS TOTAL featuring brand new songs from upcoming albums by DEATHHAMMER, PROFANATICA, DEIPHAGO, DESTRUKTOR, NYOGTHAEBLISZ, CIANIDE, SCYTHIAN, BARBATOS, NOCTURNAL BLOOD, DIAVOLOS, BONEHUNTER, PERVERSOR, ABYSMAL LORD, and NEXUL, songs from newer EP releases by FORCE OF DARKNESS, DEMONA, The HAUNTING PRESENCE, DWELL, SHED THE SKIN, as well as material from earlier releases in 2015 and mid-late 2014 by SATANIC WARMASTER, GOAT SEMEN, ATOMIC AGGRESSOR, ABOMINATOR, DESTROYER 666, OCTOBER 31, AEVANGELIST, PERDITION TEMPLE, EXECRATION, GOUGE and The LURKING CORPSES.”

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