Tags: 2017, attic, bandcamp, black 'n roll, boris, cavernlight, converge, couch slut, crypto-indie, death 'n' roll, death yell, deathcore, encoffination, Father Befouled, green druid, heresiarch, hipster bullshit, impalers, impetuous ritual, incantation, jute gyte, khazaddum, khemmis, mathcore, metalcore, mutoid man, necrot, one master, palmistry, posers, poseurs, pyrrhon, sadistic metal reviews, scenesters, sempiternal dusk, spirit adrift, stoner rock, tchornobog, walpyrgus, wrest
New Zealand war metal band Heresiarch, one of the few good bands in that style, is headlining the otherwise lame Invoking black Death Fest on May 4th and 5th, 2018.2 Comments
Review by Linus Douglas.
Heresiarch is the only band to have made so-called ‘war metal’ into something that was not just head bashing and blood splattering nonsense.39 Comments
Article contributed to Death Metal Underground by Seth Berg.
It seems the Portland neoliberals weren’t content with indoctrinating gullible college students into their pseudoscientific belief system and badgering people for triggering them, since anyone who’s anyone has had to contrive some sort of PTSD in the past five years to keep with the trends.35 Comments
Tags: antifa, antifascist, antifascists, Arghoslent, communism, communists, craig pillard, heresiarch, hipster idiocy, hipster invasion, hipsters, iron bonehead, Iron Bonehead Productions, mao zedong, metalgate, portland, Shroud of the Heretic, sjws, social justice warriors, sturmführer
Ever since the rise of leftist politicization of metal, there has been rising hysteria over a secret Nazi fifth column lurking within the metal community, ready to spring out of the shadows and attempt a world takeover. This is due to the effects of the corrupt mainstream media portraying everyone opposed to their Marxist agenda such as President Donald Trump, reincarnation of Hitler with the majority of America seeing through their psychotic imagined orange Fuhrer. But for the millions of citizens that will buy into whatever the mainstream sells them, including the scenesters of indie rock, this narrative maddens them to the point of belief that the entire Republican/Libertarian/Conservative movement is the spiritual sequel to the Axis Powers. This is immaculately articulated in a review buried deep within scenester shill blog No Clean Singing’s attempt to set the world record for “most metal bands reviewed ever.”31 Comments
Tags: antifa, antifascists, Black Metal, censorship, communists, dark descent, dark descent records, death metal, heresiarch, hipster bullshit, krieg, mainstream metal, metalgate, nazis, Nazism, neil jameson, neo-nazis, new track, new zealand, no clean singing, shills, sjws, social justice warriors, upcoming release, War Metal
New Zealand war metal band Heresiarch announced their upcoming record, Death Ordinance, on their Facebook page. The artwork is by Misanthropic-Art and the album will be released by Dark Descent Records later this year. Heresiarch’s prior releases, Hammer of Intransigence and Waelwulf, were noted as some of The Best Underground Metal Releases of 2011 and 2014 respectively.4 Comments
New Zealand war metal band Heresiarch are set to record a new album in February of next year according to a recent post of the band’s in the Nuclear War Now! Productions forum. Death Ordinance will be released by Dark Descend Records.No Comments
Heresiarch are featured on an upcoming four way split with Genocide Shrines, Serpents Athirst, and Trepanation. The CD will published by Cyclopean Eye and the LP by Dark Descent Records.4 Comments
Being a split, it is necessary to judge both bands here separately and the release itself as a whole. Both bands play death metal, but while the former is provisioned with a modern war-doom arsenal, the latter seem at least partially influenced by Scandinavian old-school black/death tremolo riffing. The production itself is much more clear and powerful in Into Oblivion’s songs.
Into Oblivion play death metal in a combination of modern voices including saturated style of war metal and the heavy, doom-oriented riffing of certain sludge bands. The more impetuous of these is reminiscent of Teitanblood or Heresiarch, except it is difficult to distinguish an original personality present in Into Oblivion’s music. Individually, some sections are engaging, even mesmerizing and beautiful (the beginning of By this Marvel Overthrown) but as a whole, the result is far from outstanding. Construction of the songs could be deemed lazy and/or cheap, advancing through alternations of saturated and doom textures by inserting riffs that are played until their momentum runs out and its balancing counterpart is inserted, and not according to a direction or necessity of expression in the music.
Disinterred also play with this alternation of fast and slow sections, except that Disinterred is better able to maintain a train of thought and expand it. The songs in this latter half seem more mature, the converging styles in it being more difficult to disentangle, a more solid product arising from a clear vision making use of its influences. One can also observe the use of saturation, but instead of a modern war metal, we have a disguised and worked Scandinavian spell at work. A strong advice for Disinterred would be to get rid of the triggered drums and do away with the cheap double-bass-drum-saturated drum fills that sound like Godflesh Apocalypse hiding its lack of ideas. This second half of the split brings a visible shape into focus, a haunting shadow reflecting the maddened character of the music. Still, it is only a vague shadow which Disinterred have not finished summoning just yet.
At this point, Oblivion’s Oceans shows us what is mostly a soulless collection of voices. Despite this, there is some promise in the music. Personally, this writer would not place too much hope on the nature of these bands changing or growing much as the nature of proper death metal bands itself seems to be monolithic. Any attempt to change them often results in their destruction and watering down. Few manage achieving the required reincarnation, often coming to life again as a simpler life form.