Malediction to release Chronology of Distortion compilation

malediction_-_chronology_of_distortion

English death metal band Malediction, previously only released on small run vinyl and one live CD on Wild Rags Records, has engineered the issue of a 16-track, 72-minute compilation of material entitled Chronology of Distortion slated for release on Dark Blasphemies records in December 2015.

Covering the period 1990-1994, the material shows this innovative band at the height of its personality. Artwork by Sean Fitzgerald and remastering by Matt Richardson at Full Stack Studios, Lancashire, England promises to deliver these recordings in a better format than their original issue.

Tracklisting for the CD is:

1. Infestation (1990 demo version),
2. Murdered From Within (EP Version),
3. Waste (Remix) [Previously unreleased],
4. The Abyss Gazes Also [Previously Unreleased],
5. Longterm Result (1990) [Previously Unreleased],
6. System Fear (EP Version),
7. Insect in the Infrastructure (EP Version),
8. Dark Effluvium/Weeping Tears of Covetousness,
9. Doctrines Eternal Circles,
10. Framework of Contortion,
11. Longterm Result (“Pantalgia” compilation),
12. System Fear (1993 session) [Previously Unreleased},
13. Mould of an Industrial Horizon (1993 session) [Previously Unreleased],
14. Insect in the Infrastructure (1993 session) [Previously Unreleased],
15. Ruinous Opiate,
16. Waste (Live audience recording) [Bonus Track].

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Malediction releasing Chronology of Distortion discography re-issue

malediction_-_chronology_of_distortion_announcement

Previously under-appreciated UK death metal band Malediction, whose sole release was a live recording on Wild Rags Records entitled Chronicles of Dissention, has partnered with Dark Blasphemies Records to re-issue its discography as Chronology of Distortion, sixteen tracks spanning 72 minutes of death metal slated for release in December 2015.

Known for their laconic take on the Morbid Angel style of phrasal guitar riffs woven together into a narrative, Malediction specialized in using selective melody and introspective lead guitar to create a unique vision of the death metal style. Fans who could not get the songs on Chronicles of Dissention the first time around will appreciate these lost classics finally coming to light.

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