The Mask of Yosuke Konishi

Metal interview blog Bardo Methodology interviewed Nuclear War Now! Productions owner Yosuke Kinishi earlier this week about his motivations for starting his mostly war metal label. Konishi spoke about his mild misanthropy, veganism, “die hard” edition cash grabs, and how most war metal bands (presumably on his label) fail to live up to the social Darwinism they spout.

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Metal In An Age Of Insincerity

Over at Clrvynt, filmographer David Hall finally notices what DMU has been saying for 22 years: that heavy metal died in 1995 or so through lack of new ideas, and has been assimilated by rock music because metal is a better product as a flavoring than a separate entity. (more…)

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Upcoming Marduk, Incantation, and Abysmal Dawn US Tour

Marduk, Incantation, and Abysmal Dawn are touring the United States together this August and September. Tour dates and venues are pending. Will antifascists and communists attack Marduk for their apolitical use of Second World War imagery? Will Incantation be targeted too as Craig Pillard was the vocalist on their best work? We will have to wait and see.

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When the Fear of Nazi Monsters Ruins Music Appreciation

Ever since the rise of leftist politicization of metal, there has been rising hysteria over a secret Nazi fifth column lurking within the metal community, ready to spring out of the shadows and attempt a world takeover. This is due to the effects of the corrupt mainstream media portraying everyone opposed to their Marxist agenda such as President Donald Trump, reincarnation of Hitler with the majority of America seeing through their psychotic imagined orange Fuhrer. But for the millions of citizens that will buy into whatever the mainstream sells them, including the scenesters of indie rock, this narrative maddens them to the point of belief that the entire Republican/Libertarian/Conservative movement is the spiritual sequel to the Axis Powers. This is immaculately articulated in a review buried deep within scenester shill blog No Clean Singing’s attempt to set the world record for “most metal bands reviewed ever.”

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Deconstructing USBM’s Deviation from the Golden Path

As America’s conservative renaissance thrives through its flourishing Alt Right movement, the time is ripe for a full fledged rebirth of its black metal identity.

With the genre having reached rock bottom in recent years due to pop punk and screamo influences, beta male journalism, communist ideologies, and a faux transcendentalist philosophy, we can begin to right the ship by exhuming and examining the cadaver of its formative age.

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This Ends Here / The Conqueror Worm – This Ends Here / The Conqueror Worm (2017)


Review contributed to Death Metal Underground by Jon Browning.

This Ends Here / The Conqueror Worm is a not totally godawful, self-titled punk split from the bands of the same names. You won’t want to shoot half of them after listening to it if you’re that bored you know. This Ends Hear’s a-side consists of atmospheric d-beating crossover similar to Discharge crossed with Celtic Frost to create punk with the same tempo as 1990s post-hardcore and atmospheric sludge with none of the outright guitar wank and junkie idiocy. While listeners have probably heard the standard d-beat rhythms, the influence from the stranger, melodic side of speed metal (Sabbat and the Brazilians) and later post-hardcore gives them strength beyond the robotic machine punk guitar wank of bands like Martyrdod. This Ends Here would do well to get rid of most of their bluesier attempts at atmosphere in future material or better integrated it into flowing compositions similar to the better Celtic Frost influenced death metal like Autopsy and Obituary – Cause of Death you know.

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