Already gaining a lead on all other contenders for the most compelling underground metal album of the year, Kaeck has on Het Zwarte Dictaat made the masterpiece of violent rhythm riffs and melodies that much of the underground wishes it could, combining black metal and war metal with doom metal and death metal to create a constantly changing mood within a fluid style. Fortunately, guitarist/composer Jan Kruitwagen had a few moments to give us his take on the band and state of the metal genre.2 Comments
Monstrous Blackened Warlords of Metal of Death Sammath have announced the completion of their latest channeling of desolation and onslaught Across the Rhine is Only Death.3 Comments
Underground metal was rapidly dying by the mid nineties. The more musically successful death and black metal bands became disenchanted with their resulting limited financial success as the hordes of poseurs poured in through the gates of Byzantium, creating commercial rock that merely imitated the tones and texture of the monumental statues of the metal greats. The more popular death metal bands tried and failed at becoming rock stars while many of the more luminous minds in Norwegian black metal bands were dead or imprisoned.28 Comments
Kaeck have posted a live video of “De heerser wederkeert” off of Death Metal Underground’s 2015 Album of the Year Stormkult from their performance at the Under the Black Sun 2016 festival in Germany. Regrettably, Oovenmeester (also in Noordelingen) was unable to provide his unhinged vocals so Ygethmor from Standvast provided more somewhat more conventional and staid black metal vocals somewhat too high in the mix for a ringer. The live version is still worth checking out in order to hear Chaos from Sammath‘s haunting guitar work in a less distorted live setting.8 Comments
Kaeck, the creators of Death Metal Underground’s 2015 Album of the Year Stormkult, are playing the upcoming Under the Black Sun festival outside of Berlin next Saturday. Kjeld are opening right before Kaeck, making a €35 Saturday only day ticket a good opportunity for German fans to catch some of the best Dutch black metal bands live while avoiding most of the beer metal, funderground festival atmosphere. Kaeck posted a rehearsal of “De kult” on their Funbook page:20 Comments
Kaeck‘s Stormkult is about to be pressed to cassette by Heathen Tribes for all the heshers who still drive their parents’ 1990 Volvo station wagons. Death Metal Underground’s 2015 Album of the Year is perfect for blasting from your steel battle wagon or Dodge Neon to herald the coming of the god of this world to your fellow commuters.8 Comments
Sammath have released a lyric video for “De Heidense Vlam Zal Branden” to promote the vinyl reissue of their debut album, Strijd, on Hammerheart Records. Strijd is more conventional than Sammath’s later albums and one of the best releases in the atmospheric, late nineties black metal style reminiscent of Summoning. Unlike their tawdry contemporaries, Sammath arranged primal tremolo-picked riffs with keyboard leads into narrative compositions. While the keyboards sometimes may seem a tad excessive today, the record succeeds in conjuring up romantic visions of dark age barbarity worthy of its Arthur Rackham cover. Those who enjoyed Kaeck’s Stormkult should take special note.
Strijd may be listened to in its entirety on Folter’s Bandcamp page. The LP may be ordered from Hammerheart Records.13 Comments
Sammath unleashed its debut album Strijd in 1999 to not much fanfare. The black metal community had essentially collapsed under a wave of Dimmu Borgir/Cradle of Filth clones, and the underground had retreated to the Full Moon Productions board to re-style punk riffs as black metal and make boring music that is forgotten at this time. Almost no one wanted to simply keep their eye on what had worked and make it return.
As our review published at the time opined, however, Strijd succeeded because it conveyed both the elegance and violence of black metal, instead of becoming a top hatted children’s show satire focusing only on what the Thomas Kinkade fans of the world think is “elegant” (in America at least, every pretentious but incompetent person must have at least one Thomas Kinkade painting, Ansel Adams print, and dreamcatcher). Sammath brought back the ancient feeling, the meditative look at a life shrouded in darkness, and the misanthropy and intolerance for stupidity and lies that made black metal so satisfying in the midst of the lie-drenched 1990s.
Hammerheart Records has been focusing more of its attention on resurrecting classics and picking out modern bands with the same power, which seems to signal that the great metalcore trend is on the wane and people are looking for the kind of power they found in traditional metal genres, again. Strijd delivers this in high-powered generous doses but also maintains its introspective side, creating the perfect melancholic warrior album for a dying world. Although a date for the vinyl re-issue has not been specified, it is something to look forward to sometime in the latter half of 2015.No Comments