It has been over a month since we have launched the song contest here at DMU. Our suspicions that very few people would enter the contest due to our reputation for honest yet harsh reviews were confirmed. This was probably why only two contestants presented themselves in any capacity. Consequently, no winner shall be appointed nor will awards be handed out: two entries do not constitute a contest.
Tags: ambient1, deepspace23, irillion, song contest, Tierra Negra
Death Metal Underground wishes to announce a constructive change in editorship, in which the present author comes to complement rather than replace the current leadership. We have a great team of writers, ever too few but still dedicated and talented enough that the last few months have seen a non-stop inflow of high quality and insightful content on a variety of metal-related topics. (more…)
30 CommentsTags: transitions mmxviii
It is with a heavy heart that the DMU staff mourns the loss of one of their own.
Earlier today, we were alerted to the sad news that Brock Dorsey, our fearless leader and editor, has passed on. Brock was killed in a horrific sky diving accident over the Hamptons during a luxurious vacation with several other venture capitalists. (more…)
28 CommentsTags: Brock Dorsey, death metal underground, dmu, Editor, eulogy, Legacy, obituary, victory
I found it hilarious to see the book sales of George Orwell’s 1984 skyrocket just after the election of President Donald Trump. (more…)
6 CommentsTags: censorship, Death Metal Underground under siege, decline and fall of western civilization, dystopia, end times prophecy, Fahrenheit 451, h.p. lovecraft, historical revisionism, Ray Bradburry
We live in a modern wasteland. Crafted as a disposable society, our civilization consists of business and government, with culture and organic activities nearly entirely excluded. As those who wander this outland of foreign and alien values and behaviors, staying on top of fast food is essential.
20 CommentsTags: junk food, steak nachos box, Taco Bell, wasteland
Most Death metal bands don’t age gracefully and tend to either become parodies of themselves or end up playing pop music. Atrocity after having conquered Death metal decided to experiment with various genres but each of those experiments has been abysmal failure. This band therefore destroyed its reputation in both underground and mainstream circles to the extent of being forgotten by all. But from 1985 to 1992, Atrocity were on the war path until the release of their Magnum Opus Todessehnsucht (Longing for Death). Five musicians with an obvious passion for classical music combined with Floridian Death metal and the Teutonic trio. More precisely their main influences seem to be Death, Destruction, Kreator, Morbid Angel and Richard Wagner.
5 CommentsTags: 1992, Atrocity, death, death metal, richard wagner, Todessensucht
In his first interview since the annoying DDOS attacks of sad vandalist loser Tulio Baars, alpha badass DMU founder Brett Stevens sits down with Identity Rising Podcast to discuss why his sites became the most dangerous on the internet. Also discussed is the evolution and future of the dissident right, the Detroiting of society, and a newfound quest of the Alt Right to restore Western civilization. The pair briefly touch on the miserable leftists who hired Tulio and their odd decision to go after Death Metal Underground instead of, I don’t know, actual hate sites?
10 CommentsTags: brett stevens, death metal underground, Detroiting, Identity Rising, leftism, restoring the West, tulio baars, under siege
Brother Thelonious
750ml, $7
North Coast Brewing
Upon opening, this beer smells a lot like 1980s Dos Equis, namely a rich dark beer with overtones of molasses. Once decanted and tasted, however, this brew reveals quite a different flavor: like a plum-scented wine mixed with a sweet dark beer, it has a fruity undertone to a rich taste.
12 CommentsTags: beer, brother thelonious, fruit, north coast
Despite the vitriolic hatred, nihilism, and misanthropy that death and black metal music is known for many artists/fans/labels have a developed a pretty blind system of trust and assumptions. This code of honor stems from a general assumption of a “metal brotherhood” along with the idea that beatings or some other justice would be served in the event anyone acting out of line while also publicly listing their address online. However the extreme metal scene has seen many legendary rip-off artists ranging from Peruvian fat-girl-fucker Christian Felipe Paucar Toledo, Nachmystium’s Blake Judd and his Battlekommand Records (now Ascension Monuments Media), and Blake’s drug addicted sidkick crony Jeff Wilson and his Disorder Recordings/Design. To date, none of these men have been beaten within an inch of their life despite robbing and conning people in droves, and all of them continue to tour and sell music. Therefore, ripping people off appears to carry no penalty, or at least within the boundaries of the metal world.
Many musicians on Bandcamp have reported they are receiving an emails from a “label” calling itself Via Nocturnal Records. The label starts off with an obviously generic message saying they want to release the band’s music on CD. After responding positively indicating interest, the label now sends the bait for a really outrageous and embarrassing metal scam.
7 CommentsTags: Ascension Monuments Media, Battlekommand Records, blake judd, Christian Felipe Paucar Toledo, Disorder Recordings, Fabian Filiks, Jeff Wilson, music industry, rip off, scam, via nocturna
A footnote in an article we ran last week sparked a lot of controversy among our very passionate friends who lurk the DMU comment sections. No, it wasn’t that we correctly identified SJW journalists as the nail in the coffin of metal as we know it; instead it was an observation of the last death of heavy metal:
In the early 1970s, heavy metal was an exciting new musical and cultural movement. So much so, that it surpassed even rock music (thought to be revolutionary just a few years before). But towards the end of the decade came a near-lethal blow: punk rock. Faster, louder, more abrasive and aggressive, punk had risen the bar and metal couldn’t compete. From 1977-1983, metal was almost completely obliterated. Many had declared the movement dead – a fleeting flavor of the week experiment that did not stand the test of time.
Many took issue with this: “metal wasn’t dead!” they cried. “Albums were released, things happened!” “You’re erasing history Brock, your articles ruined this site and my life!”
The intrigue and utter distraction of this phrase sparked the need to further elaborate: Did metal actually die, during this time period, or did I somehow just miss a few years of quality metal development?
7 CommentsTags: 1983, death, metal history, NWOBHM, punk, Speed Metal, the second age of metal
