Self-identifying as death metal on the “brutal” spectrum, Deathseeker actually playing something more akin to the groove metal of Lamb of God without engaging in the jumpiness and maintaining a stabler basis. Rather it is based on chugs and rhythmic tremolo-based bursts while vocals accentuate in unvarying and short phrases. While it is hard to call this death metal at all, it is closer to an industrial-influenced groove metal whose central focus is that of heaviness itself. As such it loses vision of musically constructing anything beyond immediate and banal pleasure.
Deathseeker has been in the making for some time already but the creation process has been a recent affair. Now the band is set to release a full-length album, even though they have not given a particular date yet.
These offer true creative writing and some venture further into musical criticism of Pantera or even analysis of metal as a subculture. That makes for some stiff competition, with no one that rises erect above the rest because so many of these are so well-executed. However, choose a winner we must, and so it’s time to go through the candidates.
Grails_Mysteries offers one of the first qualifying entries and a short story that explores the pathology of sexual identity denial among heavy metal musicians. In addition, it gives us some insight into the type of personality that might power a band like Pantera. Compelling. steven foster offers a short piece with a Kerouac/Bukowski vibe with a strong conclusion. SEIG pops up next with a more violent offering that explores the visceral and organic side of Pantera eroticism. It reminds me of the Marquis de Sade outraged that the marketplace/polling-place for heavy metal had been taken over by mediocrity! LostInTheANUS offers an almost Huxleyian analysis of how the seductions of money, power and fame can lead to a different kind of seduction… disturbing, and I mean that in a good way. Then thisoneheredude satirizes every Didion-inspired experiential piece of rock journalism ever, creating a lingering sense of unease and distaste. Good work. Vnholy Loa gives us a lengthier look into the effects of timid poseurdom combined with aggro-brocore in a piece delightfully riddled with puns. Following up on that, Eli Murray shows us an unsettling view of psychological manipulation for sex in the context of rock fandom. That’s New Yorker territory but we’ll take it. As the contest gained momentum, Iconoclast wrote a Jungian exploration of the subconscious in attitudes toward existential crisis and how it manifests in the hollow carelessness of pop music like Pantera. This one is really worth reading. Next Dave reveals the paradox of sexual surrender paired with a tough guy exterior, in a story that may portray either rape or someone finally achieving satisfaction, or both… White Powder Activist typed up a whole bunch of stuff so disturbing I can’t comment on it here. Captain Penis Cheese presents a short poetic piece on the parallels between pop music and awkward sex. Turning the contest to a more introspective level, Marcus Antony Frattura explores the psychology of Pantera and their critics and finds some similarities. And if you made it through all of those, you will need professional help.
The competition is tough but some clearly came out ahead. Our winners are:
Gentlemen/ladies, please claim your prizes by emailing editor at deathmetal dot org with the IP address you used to post your piece. Include a mailing address, US only please. I appreciate the contributions of all who participated and the many, many creative entries we received.