Kaeck – Het Zwarte Dictaat (2021)

Easily a candidate for album of the year, Het Zwarte Dictaat from Kaeck makes a form of war metal that incorporates the subtle melodies of black metal and the longer atmospheric riffs of later death metal, melding a primitive assault along the lines of Zyklon-B and Blasphemy with the type of elaborate construction we might expect from Emperor or Demigod.

With use of precise riffs, this album creates atmosphere in the classic underground metal style that contrasts loping hypnotic riffs with bursts of fury, allowing the song to emerge from a smoldering inner conflict like a car shooting out of a darkened tunnel into the light, looking for clarity within a shifting landscape of ambiguity and violence.

In its blend of war metal, doom-death, and black metal, Kaeck runs the gamut of tempi and rhythms over the course of this album, transitioning from the primitive to the almost reverentially mood-driven. By blending current methods with the most ancient of metal traditions, Het Zwarte Dictaat keeps a foot in the past while stepping into the future.

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Kaeck – Stormkult Coming to Vinyl

Kaeck‘s Stormkult, The Best Underground Metal Album of 2015, is coming to vinyl courtesy of Heathen Tribes. The vinyl LP will feature remastered sound with a little less mud and a tad more room overhead. The LP will come in gatefold packaging befitting the lyrical and compositional themes. It will be strictly limited to 200 copies. If you are a black metal analog fanatic and miss out, you will be sorry for sure.

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Kaeck’s Het zwarte diktaat Is Coming

Kaeck, whose Stormkult was The Best Underground Metal Release of 2015, announced on their Facebook page that a new album entitled Het zwarte diktaat (The Black Notes) is being written for release on Folter Records later this year.

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Metal Festers Eternal

Right now, above the metal underground there is what was coined, I believe originally by Pogrom from Arghoslent, the “Funderground”. The funderground consists of independent labels, sometimes mainstream distributed, releasing thousands of albums each year full of rehashed material or rebranded three-chord hardcore with different superficial aesthetics to fuel a bar show audience’s drunken moshing or make hipsters feel smart for liking an indie rock release with a dirty production. One can see this divide in most of the popular “underground” web forums such as those of Nuclear War Now! and Full Moon Productions. The most popular “underground” “metal” releases of each year are all older metal rehashed into pop-rock structures or rebranded hardcore. This divide is similar to what is felt in mainstream Western culture with the leftist “elites”‘ constant Marxist virtue signaling and branding freethinkers with various epithets for refusing to chant the praises of socialism mandated by the vanguard party.

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