There are no friends like old friends, although we always keep an eye out for new ones. That brings to mind the third symphony by Beethoven, which seems simple at first, but over the years reveals its nuance and detail.
The author of the Dutch Pipe Smoker blog, Arno, is a death metal fan who also likes to smoke pipes. What could be more natural, then, than combining the Bathory goat with a pipe full of what we hope is Royal Yacht?
Former Dawning/Nothing Left composer and periodic Death Metal Underground writer Steve Cefala has unleashed his latest project, an attempt to synthesize metal, industrial, punk and post-apocalyptic roadhouse improvisational rock into a soundtrack for the decline and collapse of human civilization.
Although this album has already been appropriately reviewed, a few notes come to mind when contemplating it after having it in rotation for a few months: this is the best Goatcraft release so far, and fans who defend it as intuitive and critics who say it lacks epic and distinctive melodies both make good points.
Some rarities of excellence get skipped because they are misunderstood, and others because they are hard to write about. Amphilochia may be one of the latter: a black metal band that is difficult to describe except as a series of sensations organized around an unstated but pervasive theme, like mysticism in a technological age.
Dutch insurrectionary black metal band Tarnkappe has released both of its albums on CD as a bundle for those who appreciate black metal that stays true to the late-90s form of the band, which is equal parts later Darkthrone and Zyklon-B.
Obese blue-haired SJWs at internet music promotions coffee klatch I Heart Local Music have attacked Missouri comedy death metal band Troglodyte for the extension of its Bigfoot-themed humor to a drum kit on which was painted the words “Bigfoot Lives Matter.”
Revenant — standing astride Havohej and Incantation — influenced early death metal history with its brainy, idiosyncratic view of the world and its affirmation of the downfall of Western civilization. We are fortunate to present here today a bootleg submitted by one of our users which was attained from Hank Veggian of Revenant a few years ago.
As part of our ongoing attempts to be more like normies who like catchy lines and irrelevant banter, Death Metal Underground embarks on a disturbingly social activity for our audience, who are mostly alienated noticers living in bunkers far removed from the cities.