Orcrypt Mercenaries of Mordor (2015)


This style is emerging as the new front for underground metal: a Paradise Lost-style lead rhythm melody laced doom metal as if played by a war metal band at death-doom paces. This takes last season’s favorite, the Incantation-derived “cavern metal” band, and adds to it melody and more distinctive traditional riffing, but keeps the same morbid subterranean atmosphere.

Orcrypt add to this formula that ability to wield classic, catchy choruses in the style of Pyogenesis or later Sodom, so that like war metal songs rumble through a series of riffs and then break into a clarity that resembles the moment on Pink Floyd album when storyline and music united. This is done within a riff vocabulary that would fit alongside later Emperor, early Mayhem, Revenge, Blasphemy and Order from Chaos. The result avoids the off/on hard/soft approach of bands from Pantera through nu-metal, and instead works up to the catchy choruses with embedded melodic rhythm leads among the surly and rapacious war metal/black metal riffing. This creates a haunting anticipation that flowers in the choruses, which are less frequent than with purely verse-chorus bands.

Pacing follows that of a doom-death band: breaking from slow to fast, to return to a mid-paced option that leads into the slow. This perpetuates the dark ambiance and enriches it with a sense of internal motivation. Orcrypt know how to remove everything but the essential in songs and then later, where it has no negative impact, work back in noisy leads and vocal accents. The result is both dark underground and has the power of traditional heavy metal.

Swarming streams “Hideous” from Cacophony of Ripping Flesh: Recordings 2010-2012


Swarming brings together experienced old school death metal personnel from Finland and Sweden to slash out a putrid, raw, grinding and crusty form of death metal that borrows as much from Autopsy and Carcass as it does Demigod and Dismember. For Halloween, Dead Beat Media has released Cacophony of Ripping Flesh: Recordings 2010-2012 which collects the complete works of the band during the first two years of its existence.

Check out the exclusive stream of “The Hideous Incantation” right here:

Storming death metal riffs gain support from an underpinning of melody balanced by the sickening, dragging and decomposing riffs that like the unsteady hand of a drunken surgeon dragging scalpels through flesh, induce a mood of hopeless darkness and perverse enjoyment of the world’s suicide. Demonstrating competence in both the technicalities of death metal and the intricacies of rock guitar, Swarming show death metal at its most engaging and yet repulsive.


Swarming (formed in February 2010) is a Finnish-Swedish collaboration with Lasse from Hooded Menace, Phlegethon, and Ruinebell, and Rogga from Paganizer, Ribspreader, and Humanity Delete. The guys share the same passion for raw and filthy music and that is what they are here to deliver with Swarming. Downtuned and putrid, grinding, crusty death metal!

Swarming Cacophony of Ripping Flesh – Recordings 2010-2012 compiles tracks recorded during the band’s existence so far including the two tracks from Swarming/Zombie Ritual split (Doomentia 2010). Cover artwork comes from David of Extremely Rotten Records. The album was mixed by the band and mastered by Mikko Saastamoinen (whose other works include Hooded Menace, Ruinebell and Vacant Coffin).

Thanks to Jill at Dead Beat Media, we are able to offer you this exclusive album track stream on Halloween 2015. As you are gorging on candy and cider, take a moment to vomit purulent blood with Swarming!


  1. The Hideous Incantation
  2. Reeking of the Bowels
  3. It Came From the Graveyard
  4. Hacksaw Holiday
  5. Feasting on Drowned Flesh
  6. Amputation Frenzy
  7. Convulsing Into Eternal Doom
  8. Premature Embalming

You can find the CD and cassette at the Dead Beat Media store at deadbeatshop.bigcartel.com and keep track of the band through Facebook pages for Dead Beat Media and Swarming.

Are you “untrue”?


We get a lot of comments here, but a frequent type — and they are nearly identical — is this:

This site has really gone to shit. Instead of doing articles about true underground metal, you’ve got all these stupid articles on tobacco, whiskey, SJWs and beer.

This is a variation on an old argument that splits the “No True Scotsman” logical fallacy in half. If you recall, that fallacy takes this form:

Person 1: Christians do not spit on their enemies.
Person 2: The pope just hocked a loogie onto the Queen.
Person 1: He’s not a true Christian, just a pro forma one.

Sometimes fallacies are not fallacies per se but a description of a common trope of language used to deflect an argument. When used wrongly, they fail, such as slippery slope, which is a real argument but is frequently used by ham-handed idiots (“If we legalize heavy metal, people will turn to Nazism next!”). The No True Scotsman argument is a fallacy when used to enforce a broken category, but not when it points out the exception strengthens the rule. For example, most Christians will not spit on the Queen, and that pope might just be out of line.

In the case of metal, trueness exists. It refers to people who understand metal on its own terms, instead of re-purposing it for their own social needs like hipsters do, and uphold that worldview and values system which we might call a “culture.” On the other hand, some are quick to call “untrue” anything which does not fit a selective stereotype of metalheads as being only about music and a certain lifestyle. These types are not scene-policing, but bullying others into accepting lowest common denominator behavior.

Wearing denim vests with patches, drinking trendy beer and buying lots of metal albums is not what metal is about. It’s false signaling to allow useless people to join the community because doing those things is easy, where living and understanding metal — a form of art with its own outlook and philosophy, like most artistic movements — takes some effort internal to the human being. And that is what most refuse to do. They do not want to internalize learning and share themselves and limit their own reckless impulses. They would rather have a surface-level conformity that gains them entrance to the group, and to do that, they need to spit on anyone who thinks metal is more than credit card payments, goofy clothing and being drunk all the time.

I tend to reply to such people with these:

Feel free to send in articles or ideas.

So far, none have taken me up on this. How can results be so consistent? It’s in the psychology: their psychology is not about what they say it is about, which is articles about metal. Their psychology is in putting others down by claiming those others are untrue, only so that they can in turn claim they are true for these token conformist attributes. They will never contribute… because their contribution is angry, pointless criticism. They will never do more than that. You will find whole forums (NWN/FMP) full of such people. They are hipsters of another stripe.

They remind me of another type of person that I call “the California personality.” This type is very common among bloggers. They are equal parts self-promoting and defensive, with a totalitarian intolerance of anything that seems to them to be critical of them or their choices in life. The California personality will always tell you how amazing their life is, and how they’ve made choices that magically worked out in defiance of conventional wisdom. If people think it is unsafe to walk the Cass Corridor after dark, the California personality went there and not only was safe, but met a famous artist and partied till dawn drinking artisanal wine. If people think you shouldn’t build your house on a fault line, the California personality lives in the fault and has a precious, sunlight-kissed bungalow (which is highly energy efficient).

The California personality will fool you for some time. You will look at your own life, and wonder why you don’t get such great results. They, on the other hand, appear to be picked by the hand of God to succeed in everything. But over time, you start seeing cracks in their narrative. The great house actually has lots of leaks, which is why they’re selling it. The artist they met in the Cass Corridor held them hostage until dawn and drank all their artisanal wine. Their statements are not merely rose-colored, but outright lies. A California personality goes through life always justifying their decisions as successes, after the fact, when often they are simply chumps making poor choices but are good at making those choices seem appealing to others.

The same mentality infests the hipsters, tryhards, poseurs and “trve kvlt” types in metal. Their own lives are ruins, but they want to hide that by putting down your life. They contribute nothing, but want to pull down your contributions. Like lifestyle bloggers (especially the odious “mommy bloggers”) they want to show you their great-looking children, quirky recipes and fantastic decorating choices, but are hiding a vast inner despair as their marriages fail, careers stall, and total lack of ideas creates lack of personal direction. These people are not here to do anything, but to partake in the doing of others. It’s why they are best mocked and pushed aside as this article hopes to do.

#Metalgate: Jimi Hendrix, Nazi collector


An astute reader spotted this picture of Jimi Hendrix, and in the spirit of #metalgate showing us the more complex world than the good/bad binary in which commerce and ideology define it, revealed this about what’s going on in this picture:

PC police and SJWs look away now. Apparently Jimi Hendrix collected Nazi stuff. In this Retronaut photo of his 34 Montague Square flat’s wall: Luftwaffe Flying Clasp (unknown mission and grade), Krim shield, DAK/Army pith helmet eagle and national colors shields, and Mother’s Cross. To the right, a fireman’s dress bayonet with portapee. Japanese Samurai sword hilt visible above the bookshelf, too. Reckon Jimi and Lemmy talked about more than just scoring drugs.

‘Scuse me while I sieg this heil, eh, Jimi?

Malediction to release Chronology of Distortion compilation


English death metal band Malediction, previously only released on small run vinyl and one live CD on Wild Rags Records, has engineered the issue of a 16-track, 72-minute compilation of material entitled Chronology of Distortion slated for release on Dark Blasphemies records in December 2015.

Covering the period 1990-1994, the material shows this innovative band at the height of its personality. Artwork by Sean Fitzgerald and remastering by Matt Richardson at Full Stack Studios, Lancashire, England promises to deliver these recordings in a better format than their original issue.

Tracklisting for the CD is:

1. Infestation (1990 demo version),
2. Murdered From Within (EP Version),
3. Waste (Remix) [Previously unreleased],
4. The Abyss Gazes Also [Previously Unreleased],
5. Longterm Result (1990) [Previously Unreleased],
6. System Fear (EP Version),
7. Insect in the Infrastructure (EP Version),
8. Dark Effluvium/Weeping Tears of Covetousness,
9. Doctrines Eternal Circles,
10. Framework of Contortion,
11. Longterm Result (“Pantalgia” compilation),
12. System Fear (1993 session) [Previously Unreleased},
13. Mould of an Industrial Horizon (1993 session) [Previously Unreleased],
14. Insect in the Infrastructure (1993 session) [Previously Unreleased],
15. Ruinous Opiate,
16. Waste (Live audience recording) [Bonus Track].

Interview: Brutal Art Records (2015)


A small death metal label zoomed into focus this year when it signed a classic death metal act for a split album. That label, Brutal Art Records is run by a reclusive person who literally lives in a van down by the river, if you do not neglect to mention that the van is armored and its radar and cameras constantly scan the surrounding area. This person was kind enough to put down the H&K MP5 for a moment and answer a few questions about Brutal Art Records…

When did you start Brutal Art Records, and why did you decide to start a label? Had you previously run a distro?

I started this little underground label in the middle of 2013 because I’m a huge vinyl collector and I don’t like the stupid black releases. We all know them: you can buy the black edition of an release everytime everywhere. The industry destroys the dream of every collector, which is to have a limited record in different versions and there will be no repress. That’s why I started this label, only limited stuff and there will be no repress in future. Sold out is sold out ;)

You have released a number of underground death metal records. Why did you decide on this style? Do you think it has a large number of fans?

The reason is the same as in the first question: I’m a vinyl collector haha. Vinyl is more more old school so it fits perfectly with the first bands I released, Obscure Infinity – old school death metal from Germany and Humiliation – old school death from Malaysia. Both are great underground bands and it was a real great project for me.

Every label can release a CD version, it’s cheap and you can sell it to everybody, but only the old school music maniacs also have a vinyl record player.

With your most recent release, you have signed one of the most respected names in the underground for over twenty years: Fleshcrawl. Did you know the band? How did this release come about?

I know the music they did in the past and yes, I like them. It was not my idea to start this project; the founder was Ferli the Men behind Skinned Alive (also member of Demonbreed and Milking the Goatmachine). He is a real freak, a really crazy one, and he told me “let’s start a tape project because I want to release this old school shit.” I agreed and we started to search for a perfect split band. Ferli knows Sven, the front beast of Fleshcrawl, so he asked him and Sven agreed. The work with Fleshcrawl started. The band is really friendly and they’re no superstars. That’s why I love this shit.

There seem to be a lot of death metal releases these days, but almost none have made it to “classic” quality. Do we have too much death metal? Is there still life in the style?

The scene is alive, but there are a lot of stupid bands. We have some really great young bands for the job like Deserted Fear, Obscure Infinity, Demonbreed, Skinned Alive, and many more but also some real old tanks like Fleshcrawl, Postmortem from Berlin and much more.

What is the German death metal scene like? Are there many fans and bands? Do you think it is changing, or will it stay within the classic death metal styles?

There are a lot of both bands and fans. I think the scene splits into the old school and the more brutal one. A lot of bands play the typical old school style like Entombed, Grave or Obituary. The other ones play much faster or more like the doom style so the scene is bigger than in the past. A lot of sub styles were created. For me it’s very interesting.

How has Brutal Art Records grown over the past few years? Do you have a goal for where you want to be next? Will this become a full-time job for you and your staff?

The label was born in the underground and it will die in the underground! It will not be a huge label because it’s only for great underground bands not for the big ones. I don’t have a real goal; I only want to have fun with every band and every release. Thanks a lot for the bands I worked in the past like Humiliation (Malaysia), Paganizer (Sweden), Down Among the Dead Men (UK), Obscure Infinity (Germany), Graveyard after Graveyard (Sweden), Fleshcrawl (Germany), Miseo (Germany), Revel in Flesh (Germany), Skinned Alive (Germany), Mass Burial (Spain) and Savage Deity (Thailand).

Normally its work for a full time job but its only a hobby for me.

In your view, what are the classic bands and releases from German death metal? Are there any that people outside of Germany should know about, but do not?

That’s a bad question because there are too many great releases. Check the German bands like Fleshcrawl, Lay Down Rotten, Sarx, Revel in Flesh, Blood and so much more. I don’t like it to say this is good or this one not.

If people want to learn about you and your bands, where should they go? Are you soliciting demos from bands, and how do they contact you?

We publish as much as we can on Facebook. Every band can write us on Facebook (facebook.com/brutalartrecords) or by email (brutalartrecords@web.de). We are interested in good underground bands but we can’t release everything. Feel free to send us your sickest work.

Why metal and SJWs are natural enemies


The casual observer seeing how metalheads and SJWs, who descend more from crustfund punk and emo than metal, might ascertain that the two groups are radically different. This observer might even note how many of the “tryhard” types are in fact thinly-disguised SJWs. But at first appearance, the reason for this separation will be misunderstood.

An average person will see metal as wild and lawless, like a combination of the Wild West and medieval Europe, where SJWs are more like modern Europe: very morally righteous, sensitive and inclusive. This difference separates metalheads from SJWs, but it is not the primal reason why the two are different. It serves as a guidepost to that end however.

Black Sabbath launched themselves during the height of the hippie period. At that time, the popular narrative that people told themselves was that history from the Napoleonic Wars to 1945 was just one big mistake, and the way to defeat it was love, through people power and pacifism and universal acceptance. Apparently none of these people studied history or they would have known how frequently this trope comes up, and how it usually ends! Black Sabbath saw through what these hippies were saying an argued it was more of the same, and that humanity was in denial of reality and has been choosing various “human realities” instead of actual reality, to its doom.

In human experience, our most common error is self-delusion. When that is discovered, we usually choose another self-delusion. The classic example is the alcoholic who runs into the arms of a tent revivalist, and becomes addicted to another set of false promises. Another is the woman who flees her marriage only to find out years later that the new boyfriend she chose is a lot like the last husband. Voters run from one party to another, as they go from one cell phone company to another, thinking that “the other guy” might have answers. And he never does. The reason why is that he is also selling an illusion, because only illusions sell.

This leads us to why metal is different from rock and why it is the natural enemy of SJWs: metal is against illusions. SJWs want you to pick one illusion over others, but metal points out that whatever is popular is illusion and is wrong. We need some other way of looking at the world than what “most people” want to believe is true about it because it makes them look good, feel important and think they are unique. Humanity is basically a large organic machine for producing lies, and every group wants us to substitute their lie for the dominant lie, but all of these lies have their root in the same idea: that what we feel, judge and emote is more important than reality itself.

Look at politics. It is a wasteland. As notorious shock realist author Tom Wolfe once wrote in a letter to a friend:

The Republican Party as now constituted is obviously too stupid to survive…. What is to be done? Of course, that was Lenin’s line and the only lucid one he ever wrote. The answer is nothing. America’s position is unassailable. We are the imperial Rome of the 3rd Millennium. Our government is a CSX train on a track. People on one side (the left) yell at it, and people on the other side (the right) yell at it, but the train’s only going to go down the track. Thank God for that. That’s why I find American politics too boring to write about. Nixon is forced from office. Does a military junta rise up? Do the tanks roll? Give me a break.

Let us separate “rock music thinking” from “real world thinking.” Not in the way that our great-grandparents did, where rock was bad and work was good, but in the manner of people who recognize that popular music is entertainment which pretends to be profound, but is the opposite of art which explores profound subjects through realism. Entertainment wants you to think it has all the answers, but ultimately it is a social phenomenon, like chatting up a girl near the keg at a frat party. It says what flatters its listeners. It wants them to think they are profound, interesting, vivid, heck… it wants them to think they are the stars on the stage… because that sells rock music, and lets all these musicians and labels and journalists keep up the nice cushy lifestyle instead of the job managing a Target or 7-11 they would have had, had rock not come along.

Rock music thinking is advertising. It wants you to think that you can be all the cool in the world for just this one next purchase, whether a tshirt or CD. It needs to offer you highly dumbed-down and simplified ideas that make you feel like you are in control of the world. Why get into the nuances of international politics and millennium-long analyzes of the health of empires? Just say “love is the answer.” All the people will flock to that, not so much as they are idiots — although most of them are — but because they are self-deluding. They want that easy, convenient answer because it makes them feel in control.

SJWs are part of rock music thinking. They have gone from “love is the answer” to “tolerance is the answer,” forgetting that like so many Utopian quests this one will involve denying human nature and human needs, and as a result will require increasing degrees of force to make it work. They also ignore the somewhat banal reality that people mostly do not like each other and tend to associate in groups of people like themselves as a barrier to the broader world. In consequence, what SJWs preach is illusion just like the other illusions. Look at them all.

The public conservatives in this world are arch-dumbshits who think that if they adopt liberal ideas about equality, but keep industry and war going on, we will somehow turn out OK. Their great fiction is that if you just go to a job and spend all of your life there, and then manage your affairs responsibly, society will somehow follow your lead. Actually, they never think that far, because they are dumbshits, as mentioned above.

Liberals also fit in the dumbshit category. They think that if every person is just “free” and “equal,” society will magically self-organize into a permanent Burning Man of love and happiness. They ignore the fact that most people are inveterate liars who avoid the truth compulsively, and that what makes happy societies is forcing those stupid fucks to obey reality instead of their own neurotic, fruity minds. Liberals also like to give away things for free, taking from the useful and giving to the useless and spending themselves out of money, at which point their societies collapse. Europe and the USA are about to collapse from this phenomenon. More dumbshits.

Nazis — and I really don’t want to get into splitting hairs about who’s a fascist, a neo-Nazi, a white nationalist, a racialist or just a bigot — are also in the arch-dumbshit camp. They are SJWs of the far-right. Where SJWs think that tolerance is the answer, Nazis think that intolerance is the answer, and that if we just remove the mud races and Eternal Jews everything will be OK. This ignores the problem that most white people are stupid as bricks and dishonest as whores, and that our society needs a redesign from the top-down not bottom-up. I think Nazis more resemble Communists than they want to think. They are right in that diversity has never worked throughout history, but wrong in who they blame, which joins them in the dumbshit camp.

The far-left might be even stupider. None of them realize that the ideas they are chasing are from 1789 and 1867, but go back even farther to the religious fanatics of the 1500s. They are claiming very old and debunked ideas as a “new way” that will somehow magically avoid all the problems that human society has known since the dawn of time. If we all just went vegan, listened to posi-techno, and gave everyone free money, they think, all causes for conflict would be eliminated. But life is a cause of conflict because that is how it negotiates change so that the more realistic prevails over the self-deluding. Humans don’t want to be reminded of that, because it points out that Darwinistic natural selection (DNS) might take our lives at any moment if we delude ourselves, yet self-delusion is our nature. I see the far-left as overgrown children trying to pretend life is not happening to them.

Libertarians are like Nazis: extreme dogmatics who do not realize the leftist roots of their own philosophy. The idea of the free market I get and support because it allows better products and services to become available without some bureaucrat giving them the rubber-stamp. In fact, the libertarian idea of replacing most of society with a market has merit. The problem is that then we’re back at conservative anarchism where we assume that magically, the tiny group of people doing the right thing will win out over the self-deluding herd. Ain’t gonna happen. Libertarianism is another form of voting where the good people neutralize themselves by never, ever stooping so low as to tell others what to do, and then the masses roll right over them on their way to the Budweiser, light cigarettes and sugary cheeseburgers.

I’m not sure there are any other philosophies in politics worth considering. Anarchism is fun because in small groups, people who know and like each other can collaborate, but it falls apart after that. Communitarianism and distributism and all those other hybrids are ways to try to make socialism work within some kind of cultural context, but those fall apart because the idea of getting free stuff beats out any conditions placed on it. Traditionalism is interesting, but it’s basically Nietzsche for Christians, which makes it less useful, and the idea that religion can substitute for the structure of society — which is generally culture, leadership and religion, informed by economics — is laughable in itself. Same for Rastafarians and atheists I suppose.

Delusionists want to ignore the obvious: this world is hell. We have made a disaster out of civilization and are leading ourselves to collapse. There is no escape from the end, at least until we stop our fundamental error, which is assuming that delusion can substitute for realism, which is just like the alcoholic insisting that he’ll be OK if he only drinks clear liquors, or the tent revivalist telling you that all will be okay if you just believe and ignore the world around you (including the hand in your pocket). Humans tend toward self-deception because it flatters us that we are in control. Politics reflects this with many varieties of denial.

The point I make in insulting every political group that I can think of is this: metal wants to end human delusion, and everyone else wants their type of human delusion to be “validated” by everyone else. This is why metal hates SJWs; SJWs are apologists for our current society because they believe that with just a little tweak to our delusion, we make make the illusion work, when metal reminds us that we are the new Roman Empire falling because we have introduced too much internal conflict and lack a shared purpose. You can only have a shared purpose if you are focused on reality, and as human societies grow and become wealthy, they empower their people to deny reality and become self-deluding. Metal wins over all these silly varieties of illusion.

What does it take to destroy metal?


People think like they eat, so when someone talks about heavy metal being destroyed, they envision it being completely consumed like a donut before coffee. In reality, destruction is more like tainting, namely that if I spill a thousandth of a drop of nerve gas on your donut, you won’t want to eat it, ever.

Heavy metal can be destroyed if enough of it becomes hogwash that the smart people flee. Someone would say that has already happened, but I go for the more cheerful “in progress” designation. When a certain amount — say, 20% — of people surrounding metal are the same idiots that one finds everywhere else, or worse highly specialized types of idiots like hipsters, then the good people abandon the genre and it becomes swallowed up by people who do not understand it. They quickly convert it into the Same Old Thing the way they do to every genre and soon it sounds a lot like regular rock music with some heavy distortion and a metal riff now and again. It “lives on” in a different form, but for practical purposes, it is dead.

With revelations emerging that SJWs in punk bands who banned Disma from the Netherlands Deathfest wanted to go after another band first, but when they couldn’t find an excuse for a beatdown there had to attack Disma instead, it has become clear to metalheads that they are under attack. Because of the way SJWs behave, you can no longer not take a side; you are either with the SJWs, or their enemy, in their view. This is driving many metalheads to the anti-censorship side because, independent of political view, we realize that allowing bully gangs to form lynch mobs to witch hunt “bad” thought will result in the destruction of metal.

These incursions are part of a larger pattern. When Mastodon gets shamed and forced to apologize for having scantily-clad women in their hard rock videos, and then Metalgate was launched when SJWs tried to censor non-SJWs on metal mailing lists, it seemed that it was a cluster of events. Then we saw SJWs faking the news and a series of new attacks on actual metal bands by these pretenders. There’s a list of articles published since AD 2000 in which journalists and their lackeys in certain hipster bands and labels push for guilt that leads to censorship. In their view, there is one good way to be, and everyone else is pure bad. Like a light switch: it’s either set to “Full SJW” or it is off, and you should feel bad.

What is frightening about this is how easily SJWs can succeed. Different groups have been trying to take over heavy metal for years because heavy metal is a media signal for rebellion that cannot be bought out with ready cash money like every other “movement” in our time. We’re used to politicians pretending to regulate a group when they are in fact working for that group, or journalists representing entrenched political interests while pretending to be objective. When the FBI talks about corruption threatening the soul and fabric of the US, this — in part — is what they mean. It is relatively easy to take over a genre, turn it into a megaphone for political views, and then discard it when the trend is over. Christians, the far-right, the far-left, and other groups have tried to assimilate metal in this way.

Industry is backing the SJW incursion because it will allow them to make a lot of money in the short term and then transition into selling rock music, which is what they do best because it is easy to make a lot of it and if no stronger option, like metal, exists, to sell a lot of it to an audience bored with pop. Like the Republicans, rock and especially heavy rock are the controlled opposition to sugar-pop but if the industry has its way, will not be really all that different. Media supports industry. Apparently, so do the metalfests. We are seeing a situation where once again metal stands alone, hated by all, but this time our enemies are using passive-aggression to try to take over metal, instead of trying to outright ban it.

Those who love metal will be standing up to protect it. Unlike SJWs, the anti-censorship side does not demand that you adopt a political orthodoxy. It simply says that we need to stop pre-filtering music by whether it has the “correct” political outlook, and need to start being more open-minded. Mention any group and you have immediately assumed they are all the same; not all Democrats or all Republicans are identical. Among there, some interpretations of those belief systems are in fact more advanced than others. Having free speech allows, much like natural selection, better ideas to rise to the top, and this means that we all benefit from clearer information. It’s questionable why anyone would want to stop that — well, unless they want to control your minds through music, of course.

The Heavy Metal Book Club


The term “educated” has become such a weasel phrase in our time that it is worthy of attack. It implies that some are just better than others, and have gone through a rigorous program, and we should listen to them first because they know stuff. Implied in that is the idea that they are smarter and more successful than the rest of us and we should just bow down before their degrees. It is not politically correct to say outright that someone is smarter or wiser, because not everyone can equally access those things. But education? If you sit through the right classes, and memorize the right stuff, you too — whoever you are — can be “educated.”

This trope has the unfortunate effect (which is fully desired by those who use it) of silencing people by attacking their self-esteem. If they do not have the degree(s) required for public acceptance of their education, they are expected to remain silent while those with degrees and titles dictate to them what they should think, despite the quality of education having plummeted and degrees themselves meaning less now than before. Those without “education” are styled as ignorant hicks and basement-dwellers, when many of them are in fact too impatient and not compliant enough for our regimented, memorization-based educational system.

I have met smart people in every walk of life and every area of the world. They tend to hide themselves, having been aware since an early age of how retibutive this world is against the honestly intelligent. Usually they focus their energies on practical things, but because of the stigma of “education” as a social status, they shy away from some of the greatest things that our cultures have to offer, namely books. Not every book; like metal bands, books come in varying degrees of quality, and most are mediocre gibberish, especially some of the most popular. But even in that flood of inanity there are books worth spending time to understand.

For this reason, I suggest a heavy metal book club. Goals would be modest: select a book every month, read it and discuss it. Then figure out a thumbs up or thumbs down, and have someone write a review. The book does not have to be metal-related, but some of those might be fun too. It would require someone to organize it through a mailing list or this blog, and we’re taking volunteers now :)

Megiddo returns with The Holocaust Messiah


Canadian one-man band Megiddo, who back in the late 1990s ushered in the transition of black metal to a war, black, death and speed metal hybrid, have returned with a new album The Holocaust Messiah to be released on Iron Pegasus Records for Halloween, October 31, 2015.

Sounding much like old Sodom, Blasphemy and Profanatica in a blender but built around the rhythms of punk and simpler song structures of older speed metal, Megiddo burst forth in the middle to late 1990s with two demos, “Hymns to the Apocalypse” and “The Heretic,” which have now been re-issued by Iron Pegasus as Hymns to the Apocalypse / The Heretic.


In addition, you can read the writings of composer and lyricist Chorazaim in our archive of Larm: The Fourth Reich of Reviews, a review site which popped up a few years after the DLA and covered black metal releases that were current at the time with an inimitable style.