Although this album has already been appropriately reviewed, a few notes come to mind when contemplating it after having it in rotation for a few months: this is the best Goatcraft release so far, and fans who defend it as intuitive and critics who say it lacks epic and distinctive melodies both make good points.
Some rarities of excellence get skipped because they are misunderstood, and others because they are hard to write about. Amphilochia may be one of the latter: a black metal band that is difficult to describe except as a series of sensations organized around an unstated but pervasive theme, like mysticism in a technological age.
Dutch insurrectionary black metal band Tarnkappe has released both of its albums on CD as a bundle for those who appreciate black metal that stays true to the late-90s form of the band, which is equal parts later Darkthrone and Zyklon-B.
Obese blue-haired SJWs at internet music promotions coffee klatch I Heart Local Music have attacked Missouri comedy death metal band Troglodyte for the extension of its Bigfoot-themed humor to a drum kit on which was painted the words “Bigfoot Lives Matter.”
Revenant — standing astride Havohej and Incantation — influenced early death metal history with its brainy, idiosyncratic view of the world and its affirmation of the downfall of Western civilization. We are fortunate to present here today a bootleg submitted by one of our users which was attained from Hank Veggian of Revenant a few years ago.
As part of our ongoing attempts to be more like normies who like catchy lines and irrelevant banter, Death Metal Underground embarks on a disturbingly social activity for our audience, who are mostly alienated noticers living in bunkers far removed from the cities.
In an interview from the already late days of black metal, Varg Vikernes assessed his musical intent as a pursuit of fantasy:
I see Burzum as a dream without holds in reality. It is to stimulate the fantasy of mortals, to make them dream.
Metalheads love going to the post office. This is established fact; we are either sending off dubs or trades, or going there to receive a package full of music. Like most anti-social types, we do not trust centralized authorities like iTunes or major labels, so mostly our music comes in physical form. We like it that way.
Former Bestial Evil (USA) guitarist Kevin Rucker made waves recently when he criticized the Shadow Woods music festival for including bands with members who were possibly associated with the survivalist and allegedly white nationalist group Wolves of Vinland.