Altare Productions is proud to present Dolentia’s highly anticipated second album, Iniciação Eversiva, set for international release on June 22nd. The vinyl LP version of Dolentia’s Iniciação Eversiva was released earlier this year the UK’s Mordgrimm, and that release featured six songs. Now, a CD version will be released by Portugal’s Altare Productions in conjuction with Mordgrimm, and will feature two bonus re-recorded songs from the 2007 demo A Idade da Morte,Liturgia do Sangue e da Agonia: “Lapidis/Sacrificium” (two songs glued together, like the band uses to play live) and “Era Portucalensis.”
2. Guardião das Almas
3. Entre Túmulos Esquecidos
4. Supremo Desígnio
5. Do Fundo dos Abismos
6. A Noite
7. Lapidis – Sacrificium
8. Era Portucalensis
Rare and out of print for many years now, Profezia’s Black Misanthropic Elite – Moon Anthem debut is finally back in print via Moribund Records, set for international release on July 24th as a limited-edition A5 digibook. Originally released in 2008, Black Misanthropic Elite – Moon Anthem introduced this Italian black metal to the international scene. Tracks 1-6 comprise the Black Misanthropic Elite portion of the album, while track 7 and 8 comprise Moon Anthem, altogether making for stirring spelunking through medieval depths.
1. Overture Psalm
2. Poem for the Black Misanthropic Elite pt.1
3. Under a pale veil of unconsciousness reckless
6. Poem for the Black Misanthropic Elite pt.2
Playing a cavernous underground music, Undergang have crystallized a style in Døden Læger Alle Sår that harks back to the sound not only of obvious Scandinavian forefathers but also to that of Morpheus Descends and Demoncy. Rather than spiraling through serpentine corridors as Incantation does, Undergang uses vocabulary from the Swedeath lingo here, and then the atmospheric death metal riff of Morpheus Descends there, only to descend into a the more inconspicuous atmospheric tremoloing of Demoncy to further the expression. Enriching this mixture of influences, we can also find unexpected doom-like moments with the economical and spacious approach of Worship.
Even though all these are present in Døden Læger Alle Sår, the style parade that a collection of influences often results in is not present here. It is also very important to stress that Undergang does not fall into trope repetition nor does it wink at the listener with a cliche here and a cliche there. The band expertly appropriates the different stylistic conventions under a overall Swedish death metal mantle and, more impressively, escapes the cliches of the latter as well. The reason why it can work is because the grindy Nihilist, the American Morpheus Descends and the decorative ends in Demoncy and Worship – like breaths are all compatible. It is only unfortunate that while all this has been accomplished, Undergang’s own voice still seems only visible as a blurry image behind this coherent, translucid tapestry.
Miserable Failure have premiered a new music video of their song Hang Them.
In other Miserable Failure news, the band has just completed the recording sessions for a new split, this time with label-mates C.O.A.G. and a third band to be announced. The split is planned to be released later this year / early next year. They’re currently working on their next release, but more on that later. Miserable Failure Official Website www.facebook.com/msrblflr
Today we will visit the works of two great composers in their own right who were also the teachers, directly or indirectly, of other composers who are considered musical geniuses. These geniuses were Mozart and Beethoven after Haydn, and Webern and Berg after Schoenberg.
In a way, Haydn and Schoenberg represent opposite ends of the spectrum in terms of the relation between composer and society. Haydn was employed by the Esterhazy family for many years, serving as personal composer for their events and whims. An honored servant, making music in the styles fashionable to the aristocracy. Schoenberg, on the other hand, was a product of a much different era, a century and a half later, when composers had attained a position of independent eminence and power as a result of a process that had started in Mozart’s time and made more clear with Beethoven. Schoenberg’s attitude and music widened the gap between an artists pursuit of perfection and the audience’s taste and preferences. This, of course, was a result of larger historical processes and not the work of a composer; Schoenberg was a result of these, not a cause.
Franz Joseph Haydn: Seven Last Words of our Saviour on the Cross
Originally written for a classical orchestra as a commission for the Oratorio de la Santa Cueva in Spain, Haydn reworked this music intended as accompaniment for the mass as a string quartet at the petition of his publisher. Irrelevant here, but it is worth mentioning that the composer later adapted this work as an oratorio as well.
Arnold Schoenberg: String Quartet No. 2
Powerful and particularly lyrical in its melodies, this quartet is unusual in its use of a soprano in its last two movements. About this quartet, the composer says:
“I was inspired by poems of Stefan George, the German poet, to compose music to some of his poems and, surprisingly, without any expectation on my part, these songs showed a style quite different from everything I had written before.” – Arnold Schoenberg (1937)
The work uses a wide array of work tools, starting with a very late romantic feeling and moving into atonal experiments; the last movements in which all chromatic tones are used.
Greyhaze Records is set to reissue Goetia, the second full-length album from Brazilian black metal horde Mystifier. Originally released in 1993 by Osmose Productions, Greyhaze Records has restored and remastered this black metal milestone to ensure each venomous track permeates the listener’s senses to the fullest effect. In addition to the 10 tracks that appeared on the original release, the CD version of the Greyhaze reissue features three live bonus tracks. The album is available a six-panel digipak CD and double vinyl LP (black vinyl or red w/ black smoke vinyl). The vinyl version does not include the bonus live tracks.
The album Memento Mori from Black Metallers The Negationon July 6 (July 7 digital and North America). The first pressing comes as a limited edition (500 copies) DigiSleeve CD.
The Negation’s second full-length, Memento Mori was produced at the Hybreed Studio (Temple of Baal, Glorior Belli, Azziard), with artwork by Metastazis (Morbid Angel, Behemoth, Watain), influenced by famous acts with whom they’ve toured (Marduk, Belphegor) as well as bands such as Dark Funeral and Deathspell Omega. Enough said!
The true Enemy
Sacrifice the Weak
A Prayer for the Ones I Will Have to Kill
Faith in God’s Corpse
End of Cycle
Visions of Doom
Check out their mega-awesome nihilist and modern music in their album teaser.
Dying Humanity are the perfect metalcore product. They’ve got all the moves, they know every trick in the book. Trope-masters Dying Humanity present us with a compilation of metalcore cliches titled Deadened which at its most lucid moments almost reaches the sobriety of Blinded by Faith‘s Chernobyl Survivor. Here and there we find nods to more mainstream acts like Killswitch Engage and then back to more extreme modern metalcore and other so-called melodic death metal bands following in the steps of Slaughter of the Soul. Tying mostly unrelated melodies in riffs in that last style, Dying Humanity supports them by the same square, straight-up d-beats ala Adrian Erlandsson.
While Dying Humanity will not appeal to fans of the old school, it will not appeal to fans of any kind of music that revels in attention to logical construction and detail. Deadened may nonetheless prove to be a satisfying commercial success with the casual head-banging crowd which only needs a catchy dose of sterile, well-produced music that has as much staying power as a Big Mac.
Tread the Desolate Pathway, and follow the great Prince Palidor as he reclaims his throne. Formed by ex-guitarist Vince Hempstead of doom legends Pagan Altar, Desolate Pathway are a traditional band for the modern era. Their début album,Valley of the King, weaves a grandiose and fantastical tale, a quest of a prince claiming his rightful throne of lights, wrapping the tale in true epic doom stylings and powerful sonorous vocals.
Desolate Pathway have a string of live shows coming up, taking them all over the country in the next few months. The band also announce an additional guitarist to their ranks: Portuguese-born Nuno Silva, who brings his love of hard rock to the table, and an extra boost to the band’s top-notch live performance.
The dates are as follows:
Jun 18th: The Cave, Addlestone, Surrey, w/ Hagstone & Famyne
Aug 29th: Power and Glory Festival, Hatfield w/ Stampede, Savage, Martyr, Sacrilege, Lord Volture, Toledo Steel, Salem, Dealer and more
Aug 30th: The Carlisle, Hastings, w/ Lord Volture & Toledo Steel
Sept 19th: The Carlisle, Hastings w/ Famyne
Oct 31st: Fest of Hades, Wakefield w/ Hamerex, Kaine, Aonia, Promethium and more.
Nov 13th: The Haunt, Brighton, w/ Temperance, Seventh Sin & Proscenium* Nov 14th: The Anvil, Bournemouth, w/ Ded Orse, Bitter Divide & Seventh Sin*
Nov 28th: The Unicorn, London w/ Sir Admiral Cloudesley Shovell
Desolate Pathway are currently working on new material, including an EP and second album, with a concept based on Greek mythology.
Denmark Death Dealers Undergang will release its third album Døden Læger Alle Såron CD and digital formats via Dark Descent Records July 10. The vinyl version will be released on Me Saco Un Ojo Records. Long live the new flesh!
Døden Læger Alle Sår was recorded at Earhammer Studio, California subsequent to UNDERGANG’s three-week U.S. tour in July 2014. The new material is a blend of the suffocating and filthy heaviness heard on the band’s previous two albums, Indhentet Af Døden (2010) and Til Døden Os Skiller (2012), whilst adding more twists and neck-breaking brutality to the mix. The new album will out just in time for Undergang’sEuropean tour with Stargazer.