Wömit Angel releasing Holy Goatse on October 3, 2014

August 22, 2014 –

woemit_angel-holy_goatse

In tribute to the original and perhaps most shocking internet meme, Wömit Angel plan to release their second album Holy Goatse on October 3, 2014 via Inverse Records.

The Finnish band, who some compare to Impaled Nazarene and Motörhead, will unleash their mixture of hardcore punk, metal and rock ‘n’ roll with low-tech presentation and high intensity rhythms. Consisting of Vile Anarchy – Drums, J. Violatör – Guitar & Backing Vocals, and W. Horepreacher – Bass & Vocals, Wömit Angel describe their music as “fetus aborting sado-metal” and direct it toward a less serious audience.

Much like other bands in this style, including Driller Killer and Impaled Nazarene, these Finns find spectacle and shock to be as important as the music they write and so have dedicated a career to essentially trolling the metal and rock audiences that they can lure into their insanity.

Slaughterday – Cosmic Horror

March 17, 2013 –

slaughterday-cosmic_horrorImagine that time zoomed back to the moment before Entombed came out with Wolverine Blues. It was inevitable the Motorhead- and Roky Erickson-loving Swedes would turn to death ‘n’ roll, but they lost the gnarly bassy power chords and distortion in the process.

Slaughterday fix this situation by making a hybrid between Motorhead and Left Hand Path. The riffs are crunchy power chorded and bouncy, and every three riffs there’s a melodic interlude, but the essence of this composition is a good racing beat (probably 2x as fast as Motorhead) and a chant-heavy chorus. Bluesy leads flicker in and out to give it some spice.

This isn’t quite death metal. It’s more like death metal influenced roadhouse heavy metal, and as a result, it doesn’t have the odd constructions and difficult mood passages that death metal has, but instead rocks along nicely like an older heavy metal or hard rock album, but graces itself with the dressings of older Swedish death metal.

If you like At the Gates’ Slaughter of the Soul but wish it had been a little more aggressive and violent, or wondered why Entombed went so civilized and tidy with Wolverine Blues, this demo might warm your dark heart. Its appeal is as simple and timeless as heavy metal itself, and the added Swedish guitar tone and riff technique just gives it that much more punch.