Upcoming Sodom Demo Collection

Floga Records are publishing an upcoming anthology of Sodom‘s demos on September 1st. Demonized compiles both the Witching Metal and Victims of Death demos onto one disc. It will be available on LP, cassette, CD jewel case, and CD digipak. Get the jewel case of course if you are a Sodom fanatic and In the Sign of Evil / Obsessed by Cruelty still was not filthy enough for you. Demonized may be pre-ordered here.

https://www.youtube.com/watch?v=ncM2gRtGoBk

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Angel Witch Releases Seventies Tapes For Free

Angel Witch has release the 1970s demos that they still hold the rights and tapes to for pay as you go digital download on Bandcamp. The renowned New Wave of British Heavy Metal band did this to benefit the survivors of the recent tenement apartment tower fire in London. All of these tracks were on the now out of print Sinister History CD along with contemporary live recordings. Death Metal Underground strongly advises all fans and downloaders to not pay anything or contribute anything to this funding attempt at social justice warring and undermining western nations.

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Nécropole – Nécropole (2016)

Necropole are a French group who play flowing melodic black metal in the style of Graveland and the Quebecois with riffing heavily influenced by Gorgoroth. Necropole is an anthology CD collecting both of Necropole’s earlier demos, Atavisme… and Ostara, that were released on cassette only but readily heard through streaming on Youtube. Hopefully Necropole’s debut album will not be titled Necropole too to avoid confusion.

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Incantation – Unholy Massacre Demo Compilation Released

incantation - unholy massacre
Necroharmonic Productions has released a two CD compilation of Incantation’s early demos. Fans may be interested but Necroharmonic has a certain “history” of poor customer relations so buyer beware.

Disc 1 : Contains the original mix of “Demo # 1 – 1990 ” featuring Will Rahmer from Mortician on vocals and a live soundboard recording with Will on vocals, which was recorded in Buffalo,NY, in late 1990. This CD also features the 1st live recording with members of Profanatica from early 1990. Also included is the 1st rehearsal demo of Incantation with Paul Ledney on vocals in its uncut format.
CD contains 14 Tracks.

Disc 2 : Contains an unreleased 2 song demo from 1990 with Craig Pillard on vocals and a live soundboard from New Jersey. as well as previously unreleased pre- “Onward to Golgotha” line up rehearsals from early 1991.
CD contains 17 tracks.

incantation - unholy massacre track list

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Desolation – Chorus From The Ruins (2008)

“Detail shows the face of Stela D which rises 12 ft beside the altar of sacrifice with a death god effigy. The stele represents the 13th ruler of Copán, King Waxaklajun Ub’aah K’awiil (in English, Lord 18 Rabbit), showing half of his face as it was sculpted, and the other half stripped as it would look in Death.”

“Detail shows the face of Stela D which rises 12 ft beside the altar of sacrifice with a death god effigy. The stele represents the 13th ruler of Copán, King Waxaklajun Ub’aah K’awiil (in English, Lord 18 Rabbit), showing half of his face as it was sculpted, and the other half stripped as it would look in Death.” – Akherra Phasmatanás

Article by David Rosales.

Desolation is a full-on ambient project that blends simple and solid harmonic backgrounds, repetitive phrases of a dark coloring, with recorded lamentations both human and otherwise. The aim seems to be to produce the whole array of impressions encapsulated within that single word: desolation. The music’s structure is progressive and appears to be segmented in an episodic manner, which normally implies a loss of continuity between sections. This unwanted effect is expertly avoided by providing smooth transitions, interleaving ambient soundscapes, nature sounds, vocal improvisations, all of which bring variety within a strongly directly concept that never loses content density or a strong sense of purpose. Furthermore, the album being simply distributed between two long tracks reinforces its unity and the requirement that the audience listens to the whole work as if commencing a mental journey, which once begun must be seen through to its very end.

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