Pestilence’s demos have been repressed at least once before, most notably on some printings of Malleus Malificarum, but this most recent compilation of them may end up being of at least historic value to the band’s fans. The Dysentery Penance combines both of the band’s 1987 demos into one release, showcasing what we described about two months ago as the “formative years” of the band. Possible added value comes from some remastering work provided by Dan Swano, as well as some live material bolted onto the end of the album. Whether or not the remaster ends up enhancing this product, it’s still probably a better purchase than the band’s post-reformation studio albums.
This summer’s festival season of carnage is nearing its bloody end and while drinking beer from skullcaps we have been reading and writing reports, listening to albums and throwing the sign of the horns to all bands that still really understand what death metal is about. Maryland Deathfest 2009 was a success as were of course countless of smaller events in USA, Germany, wherever, and I myself attended the true-as-fuck Jalometalli 2009 in Oulu, Finland. It was truly a pleasure to see that this country still has a metal festival which is not totally invaded by metalcore people and hipsters. It has been getting worse, because metal is trendy now and even though that means more gigs, it also means that corporate rock bastards see the marketing potential.
While old school speed metal bands regenerated themselves with great force, the likes of Agent Steel, Death Angel and Whiplash riffing and headbanging like it was goddamned 1985, the band that really dominated the Oulu proceedings was the mighty Asphyx, always too underrated, always better than pretty much anything else from Netherlands, whose little brother Hail of Bullets didn’t fare that much worse with their Bolt Thrower impersonation. Despite the open air / big stage setup, the underground feeling of it was something that could have happened in one of those legendary “youth center” gigs of the early 90′s death metal scene in Scandinavia. No glamour, no gimmicks, some death metal possessed kids throwing a moshpit, and pure old school musical values dating even back to demo material (the legendary cut “Rite of Shades”).