Varathron are preparing to go into the studio next month to record a new album that will be titled Patriarchs Of Evil. The title is Varathron congratulating themselves on being the forefathers of the Root and heavy metal influenced Hellenic black metal sound. While the album may or may not be good, Varathron are still a potent force live so Canadian fans of actual black metal should check them out.
Greek black metal band Zemial have reissued their debut album, For the Glory of Ur, in a limited edition digipak. The CD is a self-release exclusively available for purchase from the band’s BigCartel page. If you’re a compulsive collector who has to have everything that wasn’t terrible from the mid 90s, maybe you will need this.
Continue reading Zemial – For the Glory of Ur Reissue
Webzine Bardo Methodology interviewed Dead Congregation guitarist and frontman Anastasis Valtsanis. AV touched upon Dead Congregation‘s imitators (even though they worship Immolation and Incantation), record labels forcing bands to conform to release schedules, the decline of Greek black metal in the mid 90s, how most “lost gems” are mediocre, and why the accessibility the internet affords along with the decline of the music industry revenue genericizes metal bands into pedestrian products.
Sombre Doom is the new EP from Dead Congregation. The riffing is in the same Immolation and Incantation style with simple but effective variations as on their past releases while the production is a less compresssed version of Dead Congregation’s prior album, Promulgation of the Fall, some of The Best Underground Metal of 2014. Thankfully gone are the cheesy Kerry King style leads and guitarists AV and TK have markedly improved the song structure.
Dead Congregation‘s Sombre Doom EP is coming out October 20nd on CD from the band’s own Martyrdoom Productions label. The EP will be available for purchase on their upcoming European tour. From Dead Congregation’s Funbook page:
Article contributed to Death Metal Underground by Anton Rudrick.
Septic Flesh have always oscillated between dark goth rock and simple death metal. Esoptron1 strode past both genres with expressive ambient interludes and enveloping everything in arcane rock akin to Fields of the Nephilim, reorienting Septic Flesh’s sound towards a suitable incarnation of their music’s abstract themes.
When we last checked in on Blackhearts, the upcoming documentary was halfway through filming, and the creators were optimistic about a 2015 release. The filming is done, and they have started a crowdfunding campaign on Indiegogo with the hopes of paying for the costs of post-production and marketing. As of this writing, interested backers have 31 days to contribute funds. A wide variety of rewards are being included, ranging from early access to the finished film, to memorabilia from various famous black metal musicians, to (amusingly enough) one of the producers selling shares of his immortal soul. Let’s hope that doesn’t backfire on him.
Blackhearts purports to offer a new perspective on modern black metal, as it follows three fans from around the world (Iran, Colombia, Greece) instead of merely rehashing the scene’s founding myths. In the words of its crowdfunding campaign, “It explores how a music scene develops across religious, cultural and political lines, and provides comic relief on the things humans say, think and do when hijacked by passion.”