The late Ronnie James Dio left Black Sabbath with drummer Vinny Appice to pursue a more mainstream, vocal-driven hybrid of hard rock and heavy metal that laid the groundwork for later vocal-driven, power metal. Rhino Entertainment has announced a remastered box set of Dio’s first six albums on CD and LP for everyone who wants to buy them again.
Ritual is the pinnacle of the Central European black metal style characterized by continuing the riffing tradition of traditional heavy metal and strict adherence to speed metal song structure; Hellhammer, Mercyful Fate, Slayer, and even Megadeth influences are easily heard along with Bartók’s folkishness and Chopin’s romanticism. While their compatriots Root presaged the Hellenic scene, Master’s Hammer’s operatic use of the mellotron inspired the divergent atmosphere Emperor employed on In the Nightside Eclipse.
Bulldozer’s first two albums of drunken Motorhead, proto-underground metal in the style of Venom and Sodom are being repressed on vinyl from the original tapes for the first time in thirty years by F.O.A.D Records. Neither of these albums ever had good CD releases (the CDs sound like compressed needle drops) so fans of beer-fueled, 1980s first-wave black metal might want to check these out.
Article by Corey M.
Chalice is a real shit show. From a purely musical perspective, the self-titled EP Chalice is transparent hard rock with some metal-ish riffing that never gets quite as aggressive as Deep Purple. Now indeed, aggression is not the only or even most crucial element that goes into making good rock or metal, but Chalice fall fa(aaaaaaaa)r short in every other facet of songwriting and performance.
Immortal, i.e. Demonaz and Horgh, have finished writing their new album. Now they just need to record it.
Nick Menza, the former drummer of Megadeth, died onstage last night.
Sludgecore band Agoraphobic Nosebleed threw a fit for publicity over a recent batch of Death Metal Underground’s Sadistic Metal Reviews. Frontwoman Katherine Katz called us Fox News for our criticism of Agoraphobic Nosebleed’s shrieking short woman over a drum machine shtick and our psychological speculation as to why Agoraphobic Nosebleed would even bother releasing such failure other than for commercial exploitation of a musically-ignorant hipster fan base craving reaffirmation of their modern liberalism. Katz even claimed that artists should be responsible for the extreme actions of others in response to satire and that some topics should be completely off lyrics. For her, everyone who listens to “Embryonic Necropsy and Devourment” will potentially commit feticide. This is incredibly hypocritical for a band who shared a member with Anal Cunt and wrote Frozen Corpse Stuffed with Dope.
Article by David Rosales.
Released after Iron Maiden’s golden era, Somewhere in Time is touted by fans of heavy and power metal as a crown jewel of the band, exemplifying perfected expression and streamlined efficiency. This is not immediately convincing for metal hessians. Rightly so as the music became more sterile, hence, less credible. There is definitely a sense of “upgradedness” in both the production and the choice of stylistic voicings, allowing an inclusion of 80s pop coloration into the palette. This unclear, semi-sellout move demanded accountability, while at the same time the band boasted of accumulated experience fructifying the transformation, masterfully avoiding the typical degeneration that could be expected after the climax and summary of their original sound in 1985’s Live After Death.
Michael Denner and Hank Shermann (the dueling guitar virtuosos behind Mercyful Fate) have announced that the mixing and mastering is done on the upcoming album from their technical power/speed metal project, Denner / Shermann. Hopefully Masters of Evil (to be released by Metal Blade Records on June 24th ) is better than their previous EP but don’t get your hopes up. Check out the preview track below: