Judas Priest just announced four shows in Germany next year.No Comments
Slayer‘s Kerry King dished out his top ten favorite metal albums to Rolling Stone as part of the geriatric soft rock magazine’s imbecilic Top 100 Metal Albums list.9 Comments
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Gothenburg metal band turned Swedish clowns Amon Amarth released a new music video for a butt rock track of filler off their last awful album, Jomsviking.12 Comments
Lars Ulrich revealed his fifteen favorite heavy metal and hard rock albums to Rolling Stone magazine as part of Rolling Stone’s list of their 100 favorite metal albums.4 Comments
Tags: black sabbath, diamond head, Heavy Metal, judas priest, lars ulrich, Lightning to the Nations, metallica, motorhead, nu-metal, NWOBHM, rap rock, rolling stone, Speed Metal, Unleashed in the East
Article contributed to Death Metal Underground by George Psalmanazar, continuing his series of Judas Priest reviews.
Painkiller is Judas Priest‘s most consistent studio album coming out right after the band spent the entire decade of the 80s pandering to mainstream arena and glam rock fans. Slayer were a tremendous influence this time around; Judas Priest toured toured with them in the late 80s and subsequently listened to most of Slayer’s studio catalog. Painkiller there is a heavy metal album heavily influenced by the heaviest speed metal bordering on early death metal. Early power metal took a similar approach but in much more limp-wristed way.27 Comments
Article contributed to Death Metal Underground by George Psalmanazer.
Judas Priest started life as just another Led Zeppelin influenced band in the early 1970s. Quickly they became massively influenced by Black Sabbath and especially Thin Lizzy. Priest adapting the counterpointed riffing and harmonzied melodic guitar leads of Thin Lizzy into a mixture of progressive rock and the then new heavy metal of Black Sabbath but with operatic vocals instead of Ozzy “singing” the riff through his nose kicked off the New Wave of British Heavy Metal in the late 1970s.29 Comments
George Psalmanazar submitted a few reviews of albums he vehemently despises to Death Metal Underground. Enjoy!39 Comments
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The New Wave of British Heavy Metal was the simultaneous, sudden emergence of hundreds of heavy metal bands in the United Kingdom in the late 1970s and early eighties. The NWOBHM was prompted by the collapse en masse of earlier hard rock bands and heavy metal originators. Led Zeppelin and other blues-based riff rock bands had collapsed into meandering stadium rock with only a couple listenable songs per record at best (“Achilles Last Stand” on Presence). Black Sabbath fell flat on their faces after Sabotage, making the meandering duo of Technical Ecstasy and Never Say Die. Punk declined from almost-progressive works as the The Stooges’ Fun House to boy bands such as the Sex Pistols playing radio pop. Deep Purple regressed to playing what their former guitarist Ritchie Blackmore termed “Shoeshine music.”21 Comments