Kaeck reveals preliminary artwork and song

kaek

Dutch black metal band Kaeck have blessed us with a preview of the album in full song uploaded to Youtube and a treated us with a look at the album artwork.  Consistent with the symbolic anti-religious blasphemy with an occult atmosphere that longs for deeper knowledge and understanding of the world that goes beyond dogma and into the heretical, the artwork displays perhaps somewhat cliche yet nonetheless symbolic objects of mystic research that become the tools for the pushing of boundaries of permitted knowledge. It is both rebellious and underground, subversive and hidden — a quiet revolution of plane-wanderers, mystics and malcontent visionaries that realize that the world at hand cannot contain the ideals they are looking for, launching them in a quest for the truth that is a desperate and hopeful reaching-out for the future and simultaneously nostalgic of an illusory grand past .

In “Afgod”, Kaeck present us with a condensed and focused incarnation of these sentiments. A heavy use of repetition with slight variation in a minimalist piece that can only be crafted by the most expert of black metal composers — not musicians or artists. Every single part is significant and important, ingrained indispensably in the framework of the music in a way that its function is not only amplified locally, but that makes the piece as a whole enhanced so that when all these elements are together (the understated drums, the melody-carrying enveloping keyboards, the saturating guitars and the maddened vocals) a surprisingly layered result whose individual elements are engaging but have nowhere near the power and reach of the created entity born when the sounds are brought together. And on the timeline, no single riff, no single repetition can account for the effect of the total song.This is the hallmark of superior and successful minimalist black metal. Greatness in any music, such as this, lies in the unified journey and the coalescing elements: a vision encompassing the whole vertically and horizontally.

Edit: “Alfgod” was taken down, but a link for another song in the album was uploaded and linked below.

https://www.youtube.com/watch?v=T8xLpfbe9bY&feature=youtu.be

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Kaeck Stormkult to be released on August 28, 2015 via Folter Records

kaeck_-_stormkult_-_folter_records_august_2015

War metal/traditional black metal hybrid Kaeck will unleash their first album, Stormkult, via Folter Records on August 28, 2015 worldwide. The band, comprised of members of other Dutch black metal acts, creates a sound like older extreme acts such as Zyklon-B or Niden Div 187 that achieves an unrelenting war metal powerhouse drive mated with a subtle melodic lining.

As written in a first impressions review of advance Kaeck tracks:

Kaeck is a new style of black metal that upholds the intensity of war metal but infuses it with the elegant melody of classic black metal. The result is a surging malevolence on the surface with an inner core of transcendent beauty.

To the experienced ear, comparisons arise immediately to Impaled Nazarene and Zyklon-B, both of whom used the blasting full-speed attack with undertones of melody to its advantage. A more bestial presence occurs here, taking influence from both the death metal crossover of later black metal and the burly high-intensity rhythm and noisy attack of war metal. The result melds sawing riffs with rising hints of melody and then runs that violence into archly ascending phrases which emphasize a union of the aggression and the beauty into a rejection of all but the pure feral naturalism of both beast and forest.

This new style of black metal takes what made war metal powerful and reduces the repetition and tuneless grinding that lowered its listenability, then added what distinguished Norwegian black metal from the rest, which includes unique but straightforward song structures shaped around the concept guiding each song, and melodic underpinnings that allow songs to develop and keep listener interest.

Kaeck is comprised of:

  • Jan Kruitwagen – SAMMATH
  • Swerc – KJELD
  • Oovenmeester – NOORDELINGEN

DeathMetal.org is fortunate to have a unique and exclusive stream of this new material. We are proud to present “De Kult” from Kaeck and its upcoming album Stormkult, unleashed on Folter Records on August 28:

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The historical background of MetalGate

heavy_metal_is_rebellion

From a recent interview with our editor:

You and the other reviewers are notorious for having incredibly harsh reviews. What would you say are your favorite metal albums of all time?

These metal albums have stayed in weekly rotation over the years:

  1. Massacra – Final Holocaust
  2. Slayer – Show No Mercy
  3. Incantation – Onward to Golgotha
  4. Sepultura – Morbid Visions/Bestial Devastation
  5. Deicide – Legion
  6. Beherit – Drawing Down the Moon
  7. Cianide – A Descent Into Hell
  8. Atheist – Unquestionable Presence
  9. Demilich – Nespithe
  10. Demoncy – Joined in Darkness

The reason my analysis is different than that of other metal sites is that populist writers prioritize surface novelty and underlying similarity to mainstream rock, where I look at metal as a form of art in its own right. It should be measured by the quality of its internal organization and ability to artistically represent a vision of power. The popular “best of” lists specialize in bands that will be forgotten in a few years because when the novelty is gone, they are the same old stuff you could get anywhere else.

I keep a copy of Sepultura Morbid Visions/Bestial Devastation in every room in the house. I dislike being too far from one at any given time.

What contemporary bands should we be paying attention to?

In music as in all things, I am an elitist. This means that I want the best music available because time is short and there is no point wasting it on the trivial. Keep an eye on Demoncy, Sammath, Blaspherian, Kjeld, Desecresy, Kaeck, Blood Urn, and Kever.

Some accuse your site of manufacturing a controversy with MetalGate but the SJW infiltration of political correctness in metal has technically been going on since the late 90s. Do you think metal can actually be tamed by leftists and what is your perspective on the attempts to make metal safe?

SJWs are incapable of understanding the aesthetics of metal, which is why all leftist music tends to be metal-flavored riffing wrapped around rock or punk. Metal music sounds the way it does because its outward form represents what its composers wish to communicate. Ignoring lyrics and imagery, which are entirely secondary to composition much as production is, the music itself conveys an abstract and distant sound that makes beauty out of ugliness through a respect for power. In metal, what is powerful creates excellence, and from within that comes the elegance of form and portrayal of reality that makes great art.

Rock takes the opposite view. It is basically intense repetition with an ironic twist at the end, which means that it differentiates itself through “message.” People love catchy lyrics that embody some idea they find appealing at the time, but these are always experiences based in the individual, which is why almost all of rock music is love songs or “protest music” that wails about how inconvenient it is that some complex idea stands between the individual and a good time. You cannot both be pro-nationalist and listen to rock music.

Metal came about when Black Sabbath wanted to interrupt the hippies — what they called SJWs back when they opposed The Establishment — with some “heavy” (hippie slang for intense, epic and terrifying) realism. The West was falling apart, and the popular movements insisted that if we just focused on peace, love and happiness, all our problems would magically vanish. This focus on reality makes metal appear right-wing to leftists. It embraces consequentialism, worship of the ancient, distrust of the narcissism in the individual, and the idea of conflict itself, so that those who are strongest win. This inherently clashes with the individualist groupthink of the left, which seeks to avoid conflict and manage people indirectly through guilt.

When SJWs make metal, it ends up sounding like punk rock or rock because those forms of “protest music” reflect the individualist and yet group-oriented mentality of the SJW. Like the Christians with their “white metal” in the 1980s and the many times commercial record labels have tried to launch rock bands disguised as metal to capture the metal audience, social justice workers (SJWs) are trying to force entry by liberal ideas into metal so they can take over the space of culture that it dominates, and its audience, and indoctrinate them in leftism. Both media and labels support this because it is cheaper to make rock bands than metal bands.

Metalgate rose to resist this conspiracy and call it what it is, which is an attempt to control our minds through propaganda in music, as well as a gambit to replace what we know of as metal with a “safe” version based in indie rock. Most people do not know it, but metal generates a lot of income because metal fans are loyal to the genre over the course of their lives. Record labels could make a lot of money if they could sell the same old pap with metal flavoring. Luckily metalheads are resisting as they have resisted every attempt to assimilate their genre into rock ‘n roll, break its spirit and make it repeat the same dogma that exists in every other genre of music.

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Dutch black metal band Kaeck unleashes first track “Holenmuur”

kaeck-holenmuur

Black metal band Kaeck showed the world a glimpse of its first offering today with “Holenmuur.” As this new band composed of Sammath, Noordelingen and Kjeld members prepares to introduce itself to a new generation of fans, this track provides the first glimpse of its fusion of war metal and melodic vitriolic black metal.

As our first glimpse of this band asserted:

To the experienced ear, comparisons arise immediately to Impaled Nazarene and Zyklon-B, both of whom used the blasting full-speed attack with undertones of melody to its advantage. A more bestial presence occurs here, taking influence from both the death metal crossover of later black metal and the burly high-intensity rhythm and noisy attack of war metal. The result melds sawing riffs with rising hints of melody and then runs that violence into archly ascending phrases which emphasize a union of the aggression and the beauty into a rejection of all but the pure feral naturalism of both beast and forest. [I]t achieves the rhythmic intensity of current metal in concert with the elements of black metal that made it the most enduring underground metal genre, namely its ability to find purpose in nature and alienation from the corrupted mess that is our society. Both listenable and true to its genre roots, Kaeck opens a door to new possibilities in black metal.

Look for more from this promising old/new fusion that upholds the spirit and outlook of the old underground!

Update: Kaeck has added a second track.

http://www.youtube.com/watch?v=jr2G8GspwPo

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First impressions: Kaeck (NL)

kaeck-logo

Composed of members of Kjeld, Noordelingen and Sammath, Kaeck is a new style of black metal that upholds the intensity of war metal but infuses it with the elegant melody of classic black metal. The result is a surging malevolence on the surface with an inner core of transcendent beauty.

To the experienced ear, comparisons arise immediately to Impaled Nazarene and Zyklon-B, both of whom used the blasting full-speed attack with undertones of melody to its advantage. A more bestial presence occurs here, taking influence from both the death metal crossover of later black metal and the burly high-intensity rhythm and noisy attack of war metal. The result melds sawing riffs with rising hints of melody and then runs that violence into archly ascending phrases which emphasize a union of the aggression and the beauty into a rejection of all but the pure feral naturalism of both beast and forest.

Although Kaeck is in its earliest stages, the band has material currently being mastered which will unleash itself within the week. Several labels have shown interest and one will probably snap up this promising new take on older sounds because it achieves the rhythmic intensity of current metal in concert with the elements of black metal that made it the most enduring underground metal genre, namely its ability to find purpose in nature and alienation from the corrupted mess that is our society. Both listenable and true to its genre roots, Kaeck opens a door to new possibilities in black metal.

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