Moribund Records has released its tribute to Mark “Blaash” Michaelson, who died earlier this month. Included in their tribute is some information about how events transpired, namely that this was an accidental death in service of misanthropy, nihilism and world-hatred:
For those not in the “know” BLAASH was a Ritual Satanist, who utilized self-mutilation in his personal rituals. Unfortunately, BLAASH apparently cut a little too deep, severing a major artery, resulting in his death by exsanguination… leaving this turd world in True nihilistic fashion.
We continue to remember him fondly here at Death Metal Underground as a musician, writer and friend who was the subject of one of our favorite interviews which revealed the conflicting motivations of post-Nordic black metal.
I didn’t read the whole thing, just wanted to leave this here:
– The Highline is a bar located in the widely known “Gay Neighborhood” of Capital Hill in Seattle, WA.
– Gay Pride weekend was taking place during this show.
– Owning a bar (or any business) in this kind of a neighborhood is different.
– Sure there’s the whole “I GERT MAH FREEDOM ERV SPEECH”, but come on, with everything going on lately and the environment this neighborhood was trying to provide for this weekend, it only makes perfect sense for the management to make such a decision.
If the lazy piece of shit had bothered to read the article or the actual complaints, he would have realized that homosexuals weren’t the ones complaining. The whiners like “666 YOLO SWAG 666” were crusty, white heterosexual women who felt Fornicator’s incomprehensible lyrics threatened their communist worldviews. I highly doubt a death metal show would be appealing to the stereotypical gay pride festival marcher outside of the leather jackets. Actually, “666 YOLO SWAG 666” is the only person implying that Fornicator actually wanted to physically harm homosexuals like the closeted Islamic fundamentalist turned terrorist in Orlando. Continue pumping Drake “666 YOLO SWAG 666”.
Texas black metal band Morbus 666 plans to release its new album, Igniis Divine Imperium, on Moribund Records in the near future. The new album is nearing completion and should soon be available for pressing. The band issued a statement through vocalist/composer David Herrera:
New MORBUS is nearing completion. All tracks have been recorded and mixed at Big Door studios, and they are on their way to get mastered. The album is entitled “Igniis Divine Imperium” and will be released via MORIBUND CULT. Here is a sample of the cover art, painted by none other than Worthless of FAMINE. The album will feature 8 songs, including a cover version of “Worms of Sephiroth” originally done in 2003 by my old band BAHIMIRON……
Late model black metal features many of these entries: as much borrowed from the days of speed metal as black metal, keeping a constant “jazzercise” style constant tempo and intensity, and while there are some sweet riffs, they are marooned in a sea of throwaway budget riffs and patterns from 1987 Exodus clones. Infernus has great rasping vocals but essentially, doom their album with highly predictable note progressions in the riffs and a constant, incessant droning style of composition. Many heavy metal touches pervade this album, suggesting that like early Gehennah and Nifelheim, this is heavy metal dressing up as black metal and equalizing all of its riffs to the same speed to hide their hard rock, speed metal and heavy metal origins. While the fans of the band will defend it on the basis of irony or some nostalgia, the result is musical tedium because of a failure to come to point. This is like watching the 5,000 slides of the vacation your neighbor just took, except that now the slides are old riffs and old tropes.