Underground black metal traditionalists Infamous and Polish black metal act Winter Blackness have released a new split album, Symbols of Scarlet Revenge, on vinyl and cassette tape. Continue reading Infamous / Winter Blackness Split Symbols Of Scarlet Revenge Released
Vader are touring North America this year in support of their mediocre new release, The Empire. Hopefully Vader will play a good amount of material from their better, older releases such as The Ultimate Incantation and De Profundis. Tour dates and the press release are after the jump.
Graveland‘s 1050 Years of Pagan Cult rerecordings of Rob Darken’s greatest hits from the best of Graveland‘s black metal period is available now for download on Bandcamp. This release appears to be another rerecording for losers with iPhones who want to hear old songs with a modern, less necro production.
Graveland announced a new album of studio rerecordings of prior material and premiered a new music video for “Thousand Swords” on their Facebook page. 1050 Years of Pagan Cult comes out this November.
Article by Anton Rudrick.
Mgła provides us with a perfect example to round a trio of examples that together shape the main misunderstandings as to what black metal is through their misrepresentation of it in either carelessness or ignorance. While modern Watain plays a completely undefined mixture of incoherent tropes around a stomping heavy rock that never condenses into anything original, and modern Behemoth is a shock rock outfit with sterile tekdeaf (modern technical “death metal”) techniques, Mgła is the one that closest comes to black metal by its purposely limited form closely resembling it. However, at best it could be said that they are a musically poor black metal band devoid of the traditional character that fuels the adversarial music, and at worst it could be classified as a post metal band experimenting with close variations on a very simple theme.
Article by Anton Rudrick.
Consciously transcendental, voluntarily anachronistic, causing despondent exasperation among the pretentious and the untermensch. Kataxu blends the phantasmagorical reveries of dungeon synth with brief, unidentifiable nods to the nordic triune of atmospheric evil black metal. Kataxu Roots Thunder escapes morphing into ‘flowing black metal‘, layers majestically, layers in hiding, layers hiding, forms and shapes…
Dark Fury present a mid-paced black metal work of catchy lead melodies atop generic power chord metal riffing. These leads are never jaw-dropping or profoundly clever but mostly effective in the context of the songs. This Story Happened Before‘s problem is that many of the best leads send out a sense of déjà entendu and are only occasionally progressed to fitting melodic conclusions; Dark Fury rely too much on highly-structured rock song formats with bridges and breaks almost making the album a riff salad. Many of the rhythm riffs are the sort of filler power chord chugs used by death metal bands and the few war metal bands that actually care to occasionally have metal riffs such as Diocletian. Dark Fury too often use this as a songwriting crutch.