Toiletovhell, a website created after a group of individuals were too soft for Metalsucks and their safe space politics and had to find somewhere even more pathetic to talk about metal. The aesthetics and writing style are even worse than Metalsucks and focus on self deprecating humour mixed with a lack of ability to actually understand anything they talk about. A herd like move towards inclusive and left wing politics has attracted a few other weak individuals on Twitter to constantly push around the same hilarious ideas in exchange for acceptance and “friendship” in the form of retweets. Naturally this wasn’t going to get them anymore exposure as the number of self proclaimed Black metal fans that love bands like “Dimmu Borgir” and “White Ward” yet are horrified or oblivious to the actual classics of the genre. Some time ago Joe and his cohorts had decided to attack DMU on two separate occasions that failed completely before resorting to small jabs on Twitter. After having gone through their website after their attack on DMU, I wasn’t interested in pursuing a bunch of forty year old men who had no actual musical education and a sufficient lack of political culture to be taken seriously. Yet it has come to my attention that Joe is so desperate for any kind of gossip that has called me out on his website for creating intricate sex scenarios revolving him and his wife. It’s time to flush Joe into the toilet once and for all.
Drowning themselves in the Manowar aesthetic in their lyrics and in the overall feeling of their compositions. The music is caught between early Slayer/mercyful Fate with hints of Exodus. Headless Pez may be very tongue in cheek with their ridiculous look and their Manowar turned up to 11 gimmick but this album shows glimpses of something greater.
On Defabricated Process, the only album by this now resurrected Finnish death metal band, Nerlich exhibits very competent compositional skill, utterly obliterating the chronic masturbators who picked up a guitar and think they can play death metal, by putting their egos at bay to serve the piece, much like good musicians should do.
Metalheads hate civilization, or rather what civilization inevitably becomes: people forget why things are as they are and recede into a human only bureaucratic world, like a cult built on peer pressure, where they affirm reality-denial in favor of things that make humans feel good about being afraid of challenging themselves.
Every June 6 we celebrate a day sacred to all Hessians: the International Day of Slayer on which all metalheads celebrate what it is to be a metalhead, as exemplified by the music of Slayer and the lives of its musicians, including Jeff Hanneman (1964-2013).
Slayer beats back the world of human intentions which tries to make life safe, inoffensive, commerce-friendly, popular, and full of unique precious snowflakes. Its music affirms reality, which operates through power and will, over emotions and social opinions. It denies the importance of humans.
No doubt you know how to celebrate this holiday for metal folk worldwide, but as a quick refresher:
On June 6th, Hessians worldwide come together to do something upon which we can all agree – listening to Slayer! Finally, one of the most dismissed cultural groups in the world has a holiday to call its own. Join us in our cause to stand unified in our celebration of metal music and let us prove to the rest of society that we too have a voice.
Who is Slayer
Slayer is a band from California. Their music has come to epitomize Satanic speed metal music in the latter half of the 20th century. Their 1986 album Reign in Blood ranks as one of the single most influential metal albums of all time, typified by the modern classic “Angel of Death.”
Listen to Slayer at full blast at your place of employment.
Listen to Slayer at full blast in any public place you prefer.
DO NOT use headphones! The objective of this day is for everyone within earshot to understand that it is the National Day of Slayer. National holidays in America aren’t just about celebrating; they’re about forcing it upon non-participants.
Taking that participation to a problematic level
Stage a “Slay-out.” Don’t go to work. Listen to Slayer.
Have a huge block party that clogs up a street in your neighborhood. Blast Slayer albums all evening. Get police cruisers and helicopters on the scene. Finish with a full-scale riot.
Spray paint Slayer logos on churches, synagogues, or cemeteries.
Play Slayer covers with your own band (since 99% of your riffs are stolen from Slayer anyway).
In honor of Slayer, of metal music worldwide in all ages, and of the spirit of facing reality with eyes wide open and embracing the opportunity of challenge and fear, we intend to keep this website open and celebrate the International Day of Slayer every year on June 6. Join us… welcome back!
If you are here by mistake and wondering why Slayer (you’re supposed to yell this each time you say it, like this: SLAYER!) is important, check out the Heavy Metal Frequently Asked Questions file to see how this band influenced the rise of death metal and, well, basically everything else. SLAYER!
To aid in your celebration, enjoy some links to classic Slayer releases:
(Join DMU Legend Johan Pettersson for what may be the most expansive analysis of power metal ever presented in the first of a 3 part series. Listen to the accompanying suggested listening here)
Of all the subgenres and styles that fall within the metal spectrum (hence excluding unmitigated relapses into rock such as death’n’roll, stoner, nu- and indie metal), power metal most definitely counts as the one that has received the highest amount of scorn and ridicule from critics, fans and outsiders alike. (more…)
Some time ago, seminal band Slayer — who along with Bathory and Hellhammer created the germinal material and style of death metal — decided to call it a day after thirty-seven years of recording, touring, and generally causing problems. Upon the announcement of their retirement, many nascent and older Slayer fans came out of the woodwork, so the band has added a second leg to its tour.