The Best Underground Metal of 2016

2016 is over. The funderground mentality continued spreading forth, infesting metal over the last year just the same as it had in the decades past the genre’s artistic high-point in the early nineties. Rehashes of past greats pandering to a lowest common denominator audience continue to dominate the release schedules of metal labels all too willing to please the lemmings with music fit to safely ignore during drunken socializing. Ever-flowing streams of posers are desperate to be rock stars, pumping out plagiarism, and paying their way to record deals. File sharing and streaming reducing the cost of hearing new music to essentially nothing has led fans to constantly consume whatever is new regardless of quality. However the purging is at last at hand. The day of doom is here. The filth who have lied and corrupted the underground must be cleansed while the commendable elite few will remain.

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Tarnkappe Stream Winterwaker

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Dutch black metal band Tarnkappe are streaming their entire upcoming Winterwaker album on Soundclound. Featuring members of Kjeld and Kaeck, Winterwaker is one of the Death Metal Underground staff’s favorite releases of the year: Tarnkappe summon back fond memories of early Gorgoroth, Zyklon-B, and Niden Div 187 refined into effective melodic narratives instead of merely another “cool riff” band aping Darkthone in pop punk songs, which is what Fenriz and Nocturno Culto have been doing themselves for well over a decade.

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Tarnkappe – Winterwaker (2016)

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Tarnkappe‘s Winterwaker (“Guardian of Winter” in English) is another Dutch black metal album aiming to extend the victories of the old forward into a modern world deluged with genericized and masqueraded jingle rock. Most modern black metal recordings consist of typical verse chorus verse hardcore punk songs with occasional tremolo-picked, hopefully minor key riffs and raspy vocals to differentiated it from the punks with their spiky hair and Sharpie-drawn straight edge Xs in the same way that modern opposing political parties mostly present two sides of the same leftist coin merely aiming the public towards financially catering to differing oligarchic leagues. Tarnkappe, a duo composed of members of Kaeck and Kjeld, aim to bury the bodies of the mainstream-media promoted black ‘n’ roll and “war metal” themed crossover thrash groups in an unmarked, shallow mass grave in the forest-tundra.

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