Deber – Aspire to Affliction (2021)

This band wears its influences on its sleeve — Evoken, Worship, Skepticism, and Colosseum — but at its core, this is something more like EyeHateGod, a riff look that breaks into an inner sanctum of something like rage, emulating a cry from the betrayed generation that carved out the rudiments of underground metal.

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Flames of Hell – Fire and Steel (Draconian, 1987)

As much as we want to think otherwise, our reception, enjoyment and evaluation of music is not strictly dependent on the pure act of listening. A truism perhaps, but still something that is worth reflecting on from time to time. Especially for collectors of cult metal vinyl – the modern-day personification of the emperor’s new clothes syndrome (or should we say old clothes?). If you invest a disproportionate amount of time, effort and money in reading about and eventually acquiring a record – as collectors of obscure metal tend to do – your judgement is likely to get clouded to the point where it’s hard to assess the quality of the work in question. And this includes both positive and negative judgements. Case in point: the hype surrounding the Icelandic proto-black metal band Flames of Hell and their sole full-length album Fire and Steel (1987).

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Ultimate Analysis : Bathory – Twilight of the Gods Part III

Part III: Man and his place in the Cosmos

Perhaps the most anthropocentric song by Bathory. And this is a good thing, since this is not the humanism of egalitarianism and mediocrity, it is rather a vision of mankind’s destiny and potential that should find a good use to our technology and knowledge. This destiny shall propel us towards the stars!

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Ultimate Analysis: Bathory – Twilight of the Gods Part I

(Join Ionnas in this six part epic that will reveal the secrets of one of metal’s greatest treasures)

Part I: Bathory and the Prophecy of the Seeress

In this album analysis, we shall surf the Kali Yuga in quest for the essence of metal, the journey of the human Will from its twilight, through the dithyrambic ecstasy of life’s passion for death. It is truly, a fitting companion through the Age where God is Dead.
Our aim is to find what makes music great, and if we do, we might be able to unveil what makes metal music great. In the end, perhaps we shall manage to see what elements in metal can enhance our lives.

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