Flames of Hell – Fire and Steel (Draconian, 1987)

As much as we want to think otherwise, our reception, enjoyment and evaluation of music is not strictly dependent on the pure act of listening. A truism perhaps, but still something that is worth reflecting on from time to time. Especially for collectors of cult metal vinyl – the modern-day personification of the emperor’s new clothes syndrome (or should we say old clothes?). If you invest a disproportionate amount of time, effort and money in reading about and eventually acquiring a record – as collectors of obscure metal tend to do – your judgement is likely to get clouded to the point where it’s hard to assess the quality of the work in question. And this includes both positive and negative judgements. Case in point: the hype surrounding the Icelandic proto-black metal band Flames of Hell and their sole full-length album Fire and Steel (1987).

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Ultimate Analysis : Bathory – Twilight of the Gods Part III

Part III: Man and his place in the Cosmos

Perhaps the most anthropocentric song by Bathory. And this is a good thing, since this is not the humanism of egalitarianism and mediocrity, it is rather a vision of mankind’s destiny and potential that should find a good use to our technology and knowledge. This destiny shall propel us towards the stars!

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Ultimate Analysis: Bathory – Twilight of the Gods Part I

(Join Ionnas in this six part epic that will reveal the secrets of one of metal’s greatest treasures)

Part I: Bathory and the Prophecy of the Seeress

In this album analysis, we shall surf the Kali Yuga in quest for the essence of metal, the journey of the human Will from its twilight, through the dithyrambic ecstasy of life’s passion for death. It is truly, a fitting companion through the Age where God is Dead.
Our aim is to find what makes music great, and if we do, we might be able to unveil what makes metal music great. In the end, perhaps we shall manage to see what elements in metal can enhance our lives.

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Mysticum – Planet Satan

Formed in the heyday of the Norwegian Black metal movement and even rehearsing with one of main participants, Hellhammer. Mysticum never fell into the trap of copying the more popular bands and though the death of Euronymous and various issues had delayed the release of their first album, Mysticum are the first band to create what is referred to as “Industrial Black metal”. Being left out the narrative due to their late entry was probably a blessing in disguise as this removed any pressure for the band to copy their first album or to completely change style. Planet Satan takes off from where In the Streams of Inferno left off and develops further the cosmic psychedelic horror that the band started to experiment with other two decades ago.

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Polemicist – Zarathustrian Impressions (Fólkvangr, 2019)

In the past, metal journalism used to function mainly as a filtering device; weeding out the bad so that the good stuff would rise to the top. Nowadays, it’s more likely the other way around. We’re now searching for potential in a seemingly endless flow of “interesting” or pleasant-sounding junk. This task often requires time and patience, because those rare and far between releases will often sound similar to their lesser peers on a surface level. One illuminating example would be the Pennsylvanian epic death/black metal act Polemicist and their debut album Zarathustrian Impressions. Their music may not appear spectacular on casual listen, but repeated and concentrated exposure reveal unexpected qualities.

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Sammath – Across the Rhine is only death (2019)

Sammath returns to the days of its second and third album with a shredding assault that emphasizes tight, technical riffing that keeps to a simple theme and develops it with precision strumming integrated with exacting percussion. This takes the war metal idea into the technical death metal realm while preserving the black metal sense of melody and epic architectures to unite these alienated and reductive riffs.

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Bizarre Curiosities: A brief foray into unexplored genres

Sometimes it is essential to completely stray away from Metal for short periods of time. Like all passions, one must be willing to step aside and to distance the mind from it so that it does not morph into a constantly bombarding blur of tropes. This time I decided to shock my understanding of music by exploring styles that did not interest me or that I had strayed from over the years. Here are some of the more tolerable finding in what can be described as a sea of idiotic music comparable to the like of Metallica’s Lulu

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DMU Song Contest #3: King of the Serfs Edition Part 1

The third edition of the DMU song contest has finally returned and a staggering amount of contestants are ready to prove that they can escape the curse that confronts the modern musical landscape. The DMU team has united in reviewing this large field of hopefuls. Each writer will review a selection of songs and then nominate the two best songs from their song list to the finals where we shall form a panel to determine which of these bands can escape futile serfdom.

Onwards to war!

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