Article contributed to Death Metal Underground by Seth Berg.
It seems the Portland neoliberals weren’t content with indoctrinating gullible college students into their pseudoscientific belief system and badgering people for triggering them, since anyone who’s anyone has had to contrive some sort of PTSD in the past five years to keep with the trends.
Spite Extreme Wing was an Italian black metal band with a vision rooted in their national culture or what they perceived as a manifestation of its innate transcendental aspect. On their older albums they are perhaps comparable to Sigrblot or Kaevum, either aesthetically, or by following similar approach to constructing identity of their art. Continue reading Spite Extreme Wing – Vltra (2008)
Article contributed to Death Metal Underground by Richard Sullivan.
Western civilization is currently gripped in a culture war unlike any that preceded this one. You may ask what makes it so different than the others, considering the West witnessed a similar one of its kind back in the late 1950s with the emergence of the New Left. Arguably, there’s never been a real difference in the left’s rhetoric. For as long as anyone cares to remember, white, heterosexual, “cisgender” men, who maintain the “capitalistic, racialized, cisnormative patriarchy” have always been at the center of their ideological attacks. The only thing that has changed has been their ability to have said rhetoric heard beyond the confines of university lecture halls. It was rare to encounter an enlightened™ human™ bombarding you with vitriol and threats of violence – because you failed to recognize the intersectionality between race™, gender™, and sexuality™ – outside a gender studies class. Of course, these things still occur, but with greater frequency, and to the point where a flash mob of overweight, hipster beta males twerking in tutus in a school’s atrium is viewed as them just “expressing themselves”, but, more boldly, as an act of defiance against conventional norms of masculinity.
Barry McKay, one of the parties in the recent Beckett versus Iron Maiden “Hallowed by Thy Name” and “The Nomad” plagiarism lawsuit sent Death Metal Underground an email and statement to publish to clear up what he claimed were inaccuracies in George Psalmanazar’s initial article on the lawsuit.
Interview contributed to Death Metal Underground by Chris Annunziata.
Chris Annunziata, host of The Metal Teddy Bear Experience show on 90.3 WMSC-FM, interviewed Mikael Akerfeldt of death ‘n’ toll turned seventies style rock band Opeth at the Starland Ballroom on March 7th. Chris steadfastly transcribed the extensive interview and most graciously submitted it us. Mikael discusses his touring experiences with Megadeth and Gojira along with his childhood security blanket and love of raw meat. The recorded version is at the end.
Blake Judd, the man we can thank for introducing the entire Chicago metal scene to the heroin addictions that will hopefully lead to mass die offs sooner than later, is back in business. Despite leaving legions of metal posers with sore asses and empty pockets, the Nachtmystium main-man proves that money is thicker than tears time and time again. And now his sheer invincibility is proven once more as he’s already got the retardedly gullible liberal metal sites begging for his cumshots over his new lineup and tour dates.
Review contributed to Death Metal Underground by Rainer Weikusat.
Burial is a hipster/ bald beardo band from Manchester, England who claim to play black metal. Unholy Sedition‘s tracks are all pretty short, staying within the radio rock “about 3 minutes” window. Thus all of the songs are arranged like radio rock songs rather than in death metal riff mazes or black metal melodic narratives. Burial do not even try to actually play those genres of music; only to imitate the aesthetics of prior imitations in a poorly done Khyber Pass Copy constructed in a cargo-cult fashion by primitive tribesmen in a pathetic attempt at idolization.