Join us on the inaugural DMU Podcast where we go through the influence that The Red in the Sky Is Ours had on the Mexican Death metal scene and how it spawned two albums that sought to recreate its grandeur. The Chasm Deathcult for Eternity: The Triumph! and Cenotaph Riding Our Black Oceans
As Discord has shown itself to be completely useless in protecting the privacy of its users, we at DMU have decided to move on to Riot. You can join on this link #DM@matrix.org:matrix.org. A quick reminder that the song contest is currently underway and that we are still accepting submissions.
Drowning themselves in the Manowar aesthetic in their lyrics and in the overall feeling of their compositions. The music is caught between early Slayer/mercyful Fate with hints of Exodus. Headless Pez may be very tongue in cheek with their ridiculous look and their Manowar turned up to 11 gimmick but this album shows glimpses of something greater.
It is time for the third song contest in our hopes of finding out what the underground can offer. The rules have been stated before can be found here. Are there still any Hessians able to dethrone previous winner Salustiano? Or will we receive Tulio Baars like songs?
In other news, here at DMU we are preparing the first ever DMU Podcast and shall include reader submitted questions. We await your questions in the comments or at email@example.com. We ask our readers to keep questions within the sphere of metal and other related genres.
Hipster Black metal arrived at the stage where copying from Indie and Post Rock bands was no longer going to work and to distinguish themselves from the rest of the crowd, Uada had to resort to stealing Batushka’s hooded look and the music from the funderground favorite Storm of the Light’s Bane while in arranged in the droning style of Mgla and the like. All of this is sprinkled with every hipster trope possible and the new publicity stunt of “being supposed Nazis” which is a smart way of bringing in Hipster metal to the anti-SJW crowds while playing music that caters to their tastes. The band being formed in Portland which is known as being the hipster mecca should already cast doubts for those who haven’t experienced the pain of listening to such a record.
Let us momentarily forget the ridiculous circus act that surrounds the legacy of Mayhem at this time and focus on what earned the band all the praise they deserve. “Life Eternal” provides a particularly interesting example composition because it consists of a collaboration between multiple musicians during the long creative process that led to the release of the album. Featuring the final lyrics Dead ever wrote as a parting gift and some incredible ideas from Varg Vikernes and a large number of ideas from so many other musicians, it encapsulates the original vision that the Norwegian Black metal originally possessed in its purest form.
A new underground fanzine called “No Help Came” will feature interviews with the likes of Sammath,Condemner,Into Oblivion,Necronomicon and local Romanian bands should interest Hessians interested in what is going on beneath the funderground. The zine can be followed on Funbook by clicking on this link.
As the Vice Media tag came on, there was no doubt that this movie was going to be terrible. There should be no doubt that this is just a take on the rock star trope while attempting to vulgarize the events that occurred during the Black metal movement in Norway. The movie fails at simplifying the story or even narrating the legendary acts that took place in such a short time. The sets and the music are the only reliable elements in a film that features idiotic directing, non-existent acting and fabrications so far fetched that no sane human would believe them. (more…)
As the money in modern metal continues to dry up despite various attempts to enter the mainstream through the hipster community. Useless label Earache records has resorted to signing Metalcore singer/guitarist and now Soundcloud rapper Alireza. This should come as no surprise since rap music has become the pop music of the 80s and the Earache fans at this point are pretty much the same people that download Iphone recorded rap. The reek of desperation and the constant barrage of race politics that have entered the commercial metal universe reaffirms the idea that Modern metal is heading towards its grave and it should be a fun ride as even more obvious cash-grabs will appear that will soon alienate the gullible hipster crowds.
Zloslut is a Serbian Black metal that initially consisted of sole founding member Agnarion who had produced all the records by himself but here on Sahar, Agnarion is joined by a full band that changes the dynamic of this album compared to previous works. All the previous rough edges have been rounded out from the production all the way to the riffs themselves. While this does create a certain amount of sterility, it also allows the band the freedom to explore and to develop their own style.